Next month, the German Book Office in New Delhi is putting on two interesting events:
The first is a Translators Meeting on Tuesday the 6th at the German Book Office featuring a discussion on literary translations:
Literary translation is an art that takes time, talent and determination to develop, but it is also a profession which places translators in the multifaceted publishing and media industry and is governed by international copyright laws. The discussion will focus on the status and working conditions of literary translators in Europe and will give examples of best practice in the relationship between translators and publishers, and of the infrastructures providing support for professional translators.
If you are a translator & want to attend, please write to info [at] gbo-newdelhi [dot] org
The second is a “Lost in Translation” session at the Kovalam Literary Festival (Taj Green Cove, Kovalam, Trivandrum) on Thursday, October 8th from 4-6pm.
Literary translation is an art that takes time, talent and determination to develop, but it is also a profession which places translators in the multifaceted publishing and media industry and is governed by international copyright laws.
The seminar focuses on the various practical aspects of translation with inputs from the German Book Office, Literature Across Frontiers and Kannan Sundaram, a publisher engaging primarily in translations.
With information status and working conditions of literary translators in Europe and examples of best practice in the relationship between translators and publishers, and of the infrastructures providing support for professional translators, the seminar will also elaborate on the condition of the same in India. Involving primarily translators, the seminar would also be beneficial for
editors/publishers/authors all of whom are an integral part of the translation process.
Founded in 1960 by such creative pioneers as George Perec, Raymond Queneau and Italo Calvino, the Oulipo, shorthand for Ouvroir de littérature potentielle, came about in when a group of writers and mathematicians sought constraints to find new structures and. . .
There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in Morse, My Deaf Friend— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .
The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .
Last year, NYRB Classics introduced English-language readers to Catalan writer Josep Pla with Peter Bush’s translation of The Gray Notebook. In that book, Pla wrote about life in Spain during an influenza outbreak soon after World War I, when. . .
“Your bile is stagnant, you see sorrow in everything, you are drenched in melancholy,” my friend the doctor said.
bq. “Isn’t melancholy something from previous centuries? Isn’t some vaccine against it yet, hasn’t medicine taken care of it yet?” I. . .
What to make of Vano and Niko, the English translation of Erlom Akhvlediani’s work of the same name, as well as the two other short books that comprise a sort of trilogy? Quick searches will inform the curious reader that. . .
The opening of Jón Gnarr’s novel/memoir The Indian is a playful bit of extravagant ego, telling the traditional story of creation, where the “Let there be light!” moment is also the moment of his birth on January 2nd, 1967. Then. . .
Mahasweta Devi is not only one of the most prolific Bengali authors, but she’s also an important activist. In fact, for Devi, the two seem to go together. As you can probably tell from the titles, she writes about women. . .
The prolific Spanish author Benito Pérez Galdós wrote his short novel, Tristana, during the closing years of the nineteenth century, a time when very few options were available to women of limited financial means who did not want a husband.. . .
Pedro Zarraluki’s The History of Silence (trans. Nick Caistor and Lorenza García) begins with the narrator and his wife, Irene, setting out to write a book about silence, itself called The History of Silence: “This is the story of how. . .