Next month, the German Book Office in New Delhi is putting on two interesting events:
The first is a Translators Meeting on Tuesday the 6th at the German Book Office featuring a discussion on literary translations:
Literary translation is an art that takes time, talent and determination to develop, but it is also a profession which places translators in the multifaceted publishing and media industry and is governed by international copyright laws. The discussion will focus on the status and working conditions of literary translators in Europe and will give examples of best practice in the relationship between translators and publishers, and of the infrastructures providing support for professional translators.
If you are a translator & want to attend, please write to info [at] gbo-newdelhi [dot] org
The second is a “Lost in Translation” session at the Kovalam Literary Festival (Taj Green Cove, Kovalam, Trivandrum) on Thursday, October 8th from 4-6pm.
Literary translation is an art that takes time, talent and determination to develop, but it is also a profession which places translators in the multifaceted publishing and media industry and is governed by international copyright laws.
The seminar focuses on the various practical aspects of translation with inputs from the German Book Office, Literature Across Frontiers and Kannan Sundaram, a publisher engaging primarily in translations.
With information status and working conditions of literary translators in Europe and examples of best practice in the relationship between translators and publishers, and of the infrastructures providing support for professional translators, the seminar will also elaborate on the condition of the same in India. Involving primarily translators, the seminar would also be beneficial for
editors/publishers/authors all of whom are an integral part of the translation process.
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We all know Paris, or at least we think we know it. The Eiffel Tower. The Latin Quarter. The Champs-Élysées. The touristy stuff. In Dominique Fabre’s novel, Guys Like Me, we’re shown a different side of Paris: a gray, decaying. . .
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