Our second Reading the World event in Rochester, NY, is right around the corner, and it’s going to be a great one featuring internationally best-selling author Jorge Vopli and Spanish translator Alfred Mac Adam. One and all should come. Here are the details:
OCT. 20, 2009
Plutzik Library (in Rush Rhees Library)
University of Rochester
(free and open to the public)
Jorge Volpi—author of international bestseller In Search of Klingsor, and a founder of the “Crack” group—reads from his latest novel, Season of Ash, and discusses the new generation of Mexican writers.
Alfred Mac Adam is the acclaimed Spanish translator of Mario Vargas Llosa and Carlos Fuentes, among others.
Jorge Volpi’s new international bestseller Season of Ash puts a human face on the earth-shaking events of the late twentieth century: the Chernobyl disaster, the fall of the Berlin Wall, the end of Soviet communism and the rise of the Russian oligarchs, the cascading collapse of developing economies, and the near-miraculous scientific advances of the Human Genome Project. Praised throughout the world for his inventive storytelling and stylistic ambition, Jorge Volpi has become one of the leading innovators of twenty-first-century world literature.
After reading from Season of Ash, Jorge Volpi will be joined in conversation by Alfred Mac Adam—professor of Latin American literature at Barnard College-Columbia University since 1983 and translator of novels by Carlos Fuentes, Mario Vargas Llosa, José Donoso, Juan Carlos Onetti, and Julio Cortázar, as well as Season of Ash.
(This event is hosted by Open Letter and University of Rochester Arts & Sciences. It is supported in part by the National Endowment for the Arts and the New York State Council on the Arts.)
The prolific Spanish author Benito Pérez Galdós wrote his short novel, Tristana, during the closing years of the nineteenth century, a time when very few options were available to women of limited financial means who did not want a husband.. . .
Pedro Zarraluki’s The History of Silence (trans. Nick Caistor and Lorenza García) begins with the narrator and his wife, Irene, setting out to write a book about silence, itself called The History of Silence: “This is the story of how. . .
There are plenty of reasons you can fail to find the rhythm of a book. Sometimes it’s a matter of discarding initial assumptions or impressions, sometimes of resetting oneself. Zigmunds Skujiņš’s Flesh-Coloured Dominoes was a defining experience in the necessity. . .
In a culture that privileges prose, reviewing poetry is fairly pointless. And I’ve long since stopped caring about what the world reads and dropped the crusade to get Americans to read more poems. Part of the fault, as I’ve suggested. . .
I would like to pose the argument that it is rare for one to ever come across a truly passive protagonist in a novel. The protagonist (perhaps) of Three Light-Years, Claudio Viberti, is just that—a shy internist who lives in. . .
The last five days of the eleventh-century Icelandic politician, writer of sagas, and famous murder victim Snorri Sturleleson (the Norwegian spelling, Snorre, is preserved in the book) make up Thorvald Steen’s most recently translated historical fiction, The Little Horse. Murdered. . .
We all know Paris, or at least we think we know it. The Eiffel Tower. The Latin Quarter. The Champs-Élysées. The touristy stuff. In Dominique Fabre’s novel, Guys Like Me, we’re shown a different side of Paris: a gray, decaying. . .
One hundred pages into Birth of a Bridge, the prize-winning novel from French writer Maylis de Kerangal, the narrator describes how starting in November, birds come to nest in the wetlands of the fictional city of Coca, California, for three. . .
At 30, the Mexican writer Valeria Luiselli is already gathering her rosebuds. Faces in the Crowd, her poised debut novel, was published by Coffee House Press, along with her Brodsky-infused essay collection, Sidewalks. The essays stand as a theoretical map. . .
Fantomas Versus the Multinational Vampires: An Attainable Utopia (narrated by Julio Cortázar) is, not disappointingly, as wild a book as its title suggests. It is a half-novella half-graphic novel story about . . . what, exactly? A European tribunal, Latin. . .