This post originally appeared on the Frankfurt Book Fair blog. I highly recommend visiting the official blog for interesting posts from Richard Nash, Alex Hippisley-Cox, and Arun Wolf
Back in February, a publishers’ roundtable took place in New Delhi to talk about opportunities of new markets, new models, new collaborations, that could develop amid the global financial crisis. Entitled “GlobalLocal: New Directions in Publishing,” this conference included the likes of Juergen Boos, Frankfurt Book Fair director; Ajay Shukla, managing director of McGraw-Hill India; Stella Chou, managing director of China business development, HarperCollins China; and Richard Charkin, executive director, Bloomsbury Publishing.
Personally, I wish I could’ve attended this (or at least have a chance to visit New Delhi—there must be some book related festival or organization that would like to fly a poor publisher/journalist over to write up some events . . . right? hello?), but thanksfully the German Book Office New Delhi has now produced a volume collecting the transcripts of the roundtable, afterthoughts on the conference, and essays from a variety of important thinkers and publishers.
Obviously I haven’t had time to read this volume, but anyone interested in the future of publishing will definitely want to hunt down GBO New Delhi director Akshay Pathak and get a copy. It’s totally nerdy, but just reading the titles of the panels and essays has me all excited: “Independent Publishing: Challenges and Advantages,” “The Way Ahead: The Global Financial Crisis and its Impact,” “An Independent Future: Indian Publishing, Global and Local,” and several other subtitled and nonsubtitled pieces.
Miruna is a novella written in the voice of an adult who remembers the summer he (then, seven) and his sister, Miruna (then, six) spent in the Evil Vale with their grandfather (sometimes referred to as “Grandfather,” other times as. . .
Kamal Jann by the Lebanese born author Dominique Eddé is a tale of familial and political intrigue, a murky stew of byzantine alliances, betrayals, and hostilities. It is a well-told story of revenge and, what’s more, a serious novel that. . .
While looking back at an episode in his life, twenty-year-old Taguchi Hiro remembers what his friend Kumamoto Akira said about poetry.
Its perfection arises precisely from its imperfection . . . . I have an image in my head. I see. . .
The central concern of Sorj Chalandon’s novel Return to Killybegs appears to be explaining how a person of staunch political activism can be lead to betray his cause, his country, his people. Truth be told, the real theme of the. . .
Spoiler alert: acclaimed writer Stefan Zweig and his wife Lotte kill themselves at the end of Lauren Seksik’s 2010 novel, The Last Days.
It’s hard to avoid spoiling this mystery. Zweig’s suicide actually happened, in Brazil in 1942, and since then. . .
To call Kjell Askildsen’s style sparse or terse would be to understate just how far he pushes his prose. Almost nothing is explained, elaborated on. In simple sentences, events occur, words are exchanged, narrators have brief thoughts. As often as. . .
After a mysterious woman confesses to an author simply known as “R” that she has loved him since she was a teenager, she offers the following explanation: “There is nothing on earth like the love of a child that passes. . .
Floating around the internet amid the hoopla of a new Haruki Murakami release, you may have come across a certain Murakami Bingo courtesy of Grant Snider. It is exactly what it sounds like, and it’s funny because it’s true,. . .
The publisher’s blurb for Oleg Pavlov’s The Matiushin Case promises the prospective reader “a Crime and Punishment for today,” the sort of comparison that is almost always guaranteed to do a disservice to both the legendary dead and the ambitious. . .
One hundred years have passed since the start of World War I and it is difficult to believe that there are still novels, considered classics in their own countries, that have never been published in English. Perhaps it was the. . .