If you read Three Percent often, then you’ve already heard of The Wall in My Head: Words and Images from the Fall of the Iron Curtain. In case you’ve missed it, though, Wall is a collection of of stories and essays from over 30 writers (and nearly as many translators) “that witnessed the fall of the Iron Curtain firsthand with the impressions and reflections of those who grew up in its wake.” All of these written pieces are surrounded by more than 70 photos, original documents, and other images. (As you can see, Wall has a surprisingly accurate subtitle.)
So, what’s new with Wall? Well:
-Over at the Wall in My Head blog there’s a newly posted excerpt from the book. This excerpt is part Paul Wilson’s fascinating essay “Tower of Song: How the Plastic People Helped Shape the Velvet Revolution.”
-Also, the Harvard Crimson has already run an early review.
-Finally, the books official pub. date is on Nov. 9 (the twenty-year anniversary of the wall of the Berlin Wall), but it’s freshly in from the printer, and it looks very cool.
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Reading a genre book—whether fantasy, science fiction, crime, thriller, etc.—which begins to seem excessively, stereotypically bad, I have to make sure to ask myself: is this parodying the flaws of the genre? Usually, this questioning takes its time coming. In. . .
The Sicilian Mafia has always been a rich subject for sensational crime fiction. The Godfather, Goodfellas, and The Sopranos worked the mob’s bloody corpses and family feuds to both entertainment and artistic value. Giuseppe di Piazza’s debut novel attempts this,. . .
Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .
It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .