2010 Subscriptions to Ugly Duckling Presse are now available. They limit the total number of subscribers to 200 and usually sell out pretty quickly, so act fast. There are three levels of subscriber/donors:
At the BASIC SUBSCRIBER level ($150) you receive more than 20 books throughout the year, sent directly to your home, including new works of poetry, essays, and artist books by emerging and established writers and artists; and these books are all uniquely designed, with frequent use of letterpress, hand-sewn binding, and more, demonstrating “a philosophical curiosity about what makes a book a book” (Michael Miller, Time Out New York); and you get all this at COST, meaning the most affordable possible rate available to mankind today for providing you with great books.
At the SUPPORTING SUBSCRIBER level ($250), you receive the full subscription package described above, plus an invitation to a special UDP authors reception, to be held in Spring 2010, a unique opportunity to meet the writers, editors, designers, and board members who contribute their talents; and you receive credit for your meaningful contribution on our online list of supporters.
At the COLLECTOR’S CIRCLE level ($1,000), all of the above benefits, plus a new benefit for our highest level supporters: a one-of-a-kind book, designed and written by the UDP collective, printed and assembled at the UDP workshop, and personalized for the recipient; donors at this level are also credited on the acknowledgments page in the UDP print catalogue.
UDP does some excellent works of poetry in translation, and overall has really excellent production values. Definitely worth at least $150 . . .
Gustavo Faverón Patriau’s The Antiquarian, translated by Joseph Mulligan, is a genre-blending novel, a complete immersion that delves into a lesser-used niche of genre: horror, gothic, the weird. There are visual horrors, psychological ones, and dark corners with threats lurking.. . .
What a wonderful, idiosyncratic book Weinberger has written. I say book, but the closest comparison I could make to other works being published right now are from Sylph Edition’s “Cahiers Series“—short pamphlet-like meditations by notable writers such as Ann Carson,. . .
Early in Sun-mi Hwang’s novel The Hen Who Dreamed She Could Fly, the main character, a hen named Sprout, learns about sacrifice. After refusing to lay any more eggs for the farmer who owns her, she becomes “culled” and released. . .
When Sankya was published in Russia in 2006, it became a sensation. It won the Yasnaya Polyana Award (bestowed by direct descendants of Leo Tolstoy) and was shortlisted for the Russian Booker and the National Bestseller Award. Every member of. . .
Stalin is Dead by Rachel Shihor has been repeatedly described as kafkaesque, which strikes a chord in many individuals, causing them to run to the bookstore in the middle of the night to be consumed by surreal situations that no. . .
Paradises by cult Argentinian author Iosi Havilio is the continuation of his earlier novel, Open Door, and tells the story of our narrator, a young, unnamed Argentinian woman.
The very first sentence in Paradises echoes the opening of Camus’s The Outsider. . .
This pearl from New Directions contains one short story from Russian literary master Fyodor Dostoevsky (translated by Constance Garnett) and one short story from Uruguayan forefather of magical realism Felisberto Hernández (translated by Esther Allen). Both pieces are entitled “The. . .
I’m talking about pathological individuals; six twisted people taking part in an unpredictable game.
Carlos Labbé’s Navidad & Matanza is the story of two missing children and the journalist trying to find them. Actually. it’s the story of a group of. . .
For Lukas Zbinden, walking is a way of life. At eighty-seven, he is still an avid walker and insists on going for walks outside as often as possible, rain or snow or shine. Now that he lives in an assisted. . .
Commentary is a book that defies simple categorization. Marcelle Sauvageot’s prose lives in the world of novel, memoir, and philosophical monologue as the narrator, a woman recuperating in a sanatorium, muses on the nature of love and examines her own. . .