The latest addition to our Reviews Section is a piece on Horacio Castellanos Moya’s The She-Devil in the Mirror that I wrote. Katherine Silver translated this, and New Directions published it a couple months ago.
Senselessness was one of my favorite books from last year, and She-Devil is up there on my Best of 2009 list . . .
Here’s the opening of the review:
At last year’s Best Translated Book Award ceremony, there were three novels cited as the best of the best: eventual winner Attila Bartis’s Tranquility, Roberto Bolano’s 2666, and Horacio Castellanos Moya’s Senselessness. All the judges agreed that Moya’s book was really tight and amazing. Perfectly crafted, gripping, harrowing, and on occasion, quite funny.
What was especially promising was the long list of his other titles just sitting there, waiting to be translated. If only they’re 75% as good as Senselessness . . .
This fall two of his earlier books finally made their way into English: Dance with Snakes (translated by Lee Paula Springer and published by Biblioasis), a fantastical, political novel involving a man who uses a bunch of snakes to go on a killing spree (we’ll review this separately in the near future), and The She-Devil in the Mirror. Neither of these books is as ambitious or as powerful as Senselessness, but both prove—in totally different ways—that Moya is one of the great talents working today.
The She-Devil in the Mirror consists of nine one-sided conversations featuring Laura Rivera (who does all the talking), BFF of the recently deceased Olga Maria, who was gunned down in her own living room. Most of the narrative revolves around Olga Maria—the ongoing investigation into her murder, all of her various love affairs, and Laura’s increasingly complex explanation of who the mastermind behind Olga Maria’s death might be. These speculations are mixed in with Laura’s self-obsessed musings, silly observations, and numerous complaints about the police investigation in an intriguing, run-together way reminiscent of a teenager on a late-night phone call.
Click here for the full review.
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bq. “Isn’t melancholy something from previous centuries? Isn’t some vaccine against it yet, hasn’t medicine taken care of it yet?” I. . .
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Pedro Zarraluki’s The History of Silence (trans. Nick Caistor and Lorenza García) begins with the narrator and his wife, Irene, setting out to write a book about silence, itself called The History of Silence: “This is the story of how. . .