19 February 10 | E.J. Van Lanen

In Buenos Aires in 1967 Borges began an unusual working relationship with a young Italian-American translator, Norman Thomas di Giovanni, whom he had met at Harvard. Di Giovanni had recently translated a collection of verse by Spanish poets, and asked Borges for a contribution. He got more than he bargained for: the privilege of translating several books of poetry and prose and an intercontinental job relocation scheme. The collaboration was all the stranger given the pair’s differing political ideas: di Giovanni was once an anarchist; Borges would go on to support Generals Videla and Pinochet.

Nonetheless, what they produced during this period were not simple translations. Some of their time was given to the collaborative composition of original versions of Borges’s stories in English. Borges’s grandmother was from the Midlands, and he was consequently fluent in English, albeit in a reportedly antiquated turn-of-the-century style. So di Giovanni earned equal writing credit for versions of stories including Tlön, Uqbar, Orbis Tertius, The Library of Babel and The Lottery in Babylon.


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