This is still a few weeks away, but seeing that I’ll be off in Abu Dhabi for a while (see tomorrow’s post), I thought I should mention this now.
On Thursday, March 11th at 7:00pm at the Americas Society (680 Park Ave, NYC) there will be a special event in honor of the first English publication of Macedonio Fernandez’s The Museum of Eterna’s Novel (The First Good Novel), which the author referred to as “The best novel since both it and the world began.” Hence our witty event title . . .
But seriously, this is going to be an amazing event. Todd Garth (author of The Self of the City) will read a bit from Spanish and English and will talk about Macedonio and his influence on Latin American literature. Margaret Schwartz will talk about the intense process of translating this novel. And Edith Grossman—whose first translation was of a short story by Macedonio—will be there as well.
I’ll post another reminder in a few weeks, but for now, posted below is a description of Museum from the Open Letter website. And this has actually gotten a few stunning reviews: Bookforum‘s was probably the most enthusiastic (but isn’t available online), Complete Review gave it a B+ (solid!), and Luis Alberto Ambroggio wrote a nice piece for First Person Plural. And here’s the jacket copy:
The Museum of Eterna’s Novel (The First Good Novel) is the very definition of a novel written ahead of its time. Macedonio (known to everyone by his unusual first name) worked on this novel in the 1930s and early ’40s, during the heyday of Argentine literary culture, and around the same time that At Swim-Two-Birds was published, a novel that has quite a bit in common with Macedonio’s masterpiece.
In many ways, Museum is an “anti-novel.” It opens with more than fifty prologues—including ones addressed “To My Authorial Persona,” “To the Critics,” and “To Readers Who Will Perish If They Don’t Know What the Novel Is About”—that are by turns philosophical, outrageous, ponderous, and cryptic. These pieces cover a range of topics from how the upcoming novel will be received to how to thwart “skip-around readers” (by writing a book that’s defies linearity!).
The second half of the book is the novel itself, a novel about a group of characters (some borrowed from other texts) who live on an estancia called “la novella” . . .
A hilarious and often quite moving book, The Museum of Eterna’s Novel redefined the limits of the genre, and has had a lasting impact on Latin American literature. Authors such as Jorge Luis Borges, Julio Cortázar, and Ricardo Piglia have all fallen under its charm and high-concepts, and, at long last, English-speaking readers can experience the book that helped build the reputation of Borges’s mentor.
It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .
From the late 1940s to the early 1950s, Egypt was going through a period of transition. The country’s people were growing unhappy with the corruption of power in the government, which had been under British rule for decades. The Egyptians’. . .
Miruna is a novella written in the voice of an adult who remembers the summer he (then, seven) and his sister, Miruna (then, six) spent in the Evil Vale with their grandfather (sometimes referred to as “Grandfather,” other times as. . .
Kamal Jann by the Lebanese born author Dominique Eddé is a tale of familial and political intrigue, a murky stew of byzantine alliances, betrayals, and hostilities. It is a well-told story of revenge and, what’s more, a serious novel that. . .
While looking back at an episode in his life, twenty-year-old Taguchi Hiro remembers what his friend Kumamoto Akira said about poetry.
Its perfection arises precisely from its imperfection . . . . I have an image in my head. I see. . .
The central concern of Sorj Chalandon’s novel Return to Killybegs appears to be explaining how a person of staunch political activism can be lead to betray his cause, his country, his people. Truth be told, the real theme of the. . .
Spoiler alert: acclaimed writer Stefan Zweig and his wife Lotte kill themselves at the end of Lauren Seksik’s 2010 novel, The Last Days.
It’s hard to avoid spoiling this mystery. Zweig’s suicide actually happened, in Brazil in 1942, and since then. . .
To call Kjell Askildsen’s style sparse or terse would be to understate just how far he pushes his prose. Almost nothing is explained, elaborated on. In simple sentences, events occur, words are exchanged, narrators have brief thoughts. As often as. . .
After a mysterious woman confesses to an author simply known as “R” that she has loved him since she was a teenager, she offers the following explanation: “There is nothing on earth like the love of a child that passes. . .
Floating around the internet amid the hoopla of a new Haruki Murakami release, you may have come across a certain Murakami Bingo courtesy of Grant Snider. It is exactly what it sounds like, and it’s funny because it’s true,. . .