And below is some more info the first new Reading the World event, coming up very soon on Monday, March 22. Click to enlarge:
MARCH 22, 2010
Hawkins-Carlson Room (in Rush Rhees Library)
University of Rochester
(free and open to the public)
Sponsored by the Friends of the University of Rochester Libraries
Open Letter editor E.J. Van Lanen will discuss the difficulties, joys, and controversies of re-translating Ilf and Petrov’s The Golden Calf, a revered Russian comedic classic, with the novel’s translators, and Rush Rhees Librarians, Konstantin Gurevich and Helen Anderson
Teaming up with two petty criminals and a hopelessly naïve driver, Ostap Bender leads his merry band of mischief makers on a raucously hilarious jaunt across the “wild west” of the early Soviet Union in pursuit of a secret fortune. One of the true classics of Russian literature, this new translation of Ilf and Petrov’s The Golden Calf—the first complete translation of the novel—restores the absurd, manic energy of the original and reaffirms the judgment of the Soviet censors, who said: “You have a very nice hero, Ostap Bender. But really, he’s just a son of a bitch.”
(This event is hosted by Open Letter and University of Rochester Arts & Sciences. It is supported in part by the National Endowment for the Arts and the New York State Council on the Arts.)
Karel Schoeman’s Afrikaans novel, This Life, translated by Else Silke, falls into a genre maybe only noticed by the type of reader who tends toward Wittgenstein-type family resemblances. The essential resemblance is an elderly narrator, usually alone—or with one other. . .
In Joris-Karl Hyusmans’s most popular novel, À rebours (Against Nature or Against the Grain, depending on the which translated edition you’re reading), there is a famous scene where the protagonist, the decadent Jean des Esseintes, starts setting gemstones on the. . .
There are books that can only wisely be recommended to specific types of readers, where it is easy to know who the respective book won’t appeal to, and Kristiina Ehin’s Walker on Water is one these. What makes this neither. . .
Imagine the most baroque excesses of Goethe, Shakespeare, and Poe, blended together and poured into a single book: That is The Nightwatches of Bonaventura. Ophelia and Hamlet fall in love in a madhouse, suicidal young men deliver mournful and heartfelt. . .
In 1899, Maurice Ravel wrote “Pavane pour une infante défunte” (“Pavane for a Dead Princess”) for solo piano (a decade later, he published an orchestral version). The piece wasn’t written for a particular person; Ravel simply wanted to compose a. . .
Fiston Mwanza Mujila is an award-winning author, born in the Democratic Republic of Congo, who now, at 33, lives in Austria. From what I could find, much of his work is influenced by the Congo’s battle for independence and its. . .
Twenty-One Days of a Neurasthenic is not a novel in the traditional sense. Rather, it is a collection of vignettes recorded by journalist Georges Vasseur in his diary during a month spent in the Pyrenées Mountains to treat his nervous. . .
Founded in 1960 by such creative pioneers as George Perec, Raymond Queneau and Italo Calvino, the Oulipo, shorthand for Ouvroir de littérature potentielle, came about in when a group of writers and mathematicians sought constraints to find new structures and. . .
There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in Morse, My Deaf Friend— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .
The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .