And below is some more info the first new Reading the World event, coming up very soon on Monday, March 22. Click to enlarge:
MARCH 22, 2010
Hawkins-Carlson Room (in Rush Rhees Library)
University of Rochester
(free and open to the public)
Sponsored by the Friends of the University of Rochester Libraries
Open Letter editor E.J. Van Lanen will discuss the difficulties, joys, and controversies of re-translating Ilf and Petrov’s The Golden Calf, a revered Russian comedic classic, with the novel’s translators, and Rush Rhees Librarians, Konstantin Gurevich and Helen Anderson
Teaming up with two petty criminals and a hopelessly naïve driver, Ostap Bender leads his merry band of mischief makers on a raucously hilarious jaunt across the “wild west” of the early Soviet Union in pursuit of a secret fortune. One of the true classics of Russian literature, this new translation of Ilf and Petrov’s The Golden Calf—the first complete translation of the novel—restores the absurd, manic energy of the original and reaffirms the judgment of the Soviet censors, who said: “You have a very nice hero, Ostap Bender. But really, he’s just a son of a bitch.”
(This event is hosted by Open Letter and University of Rochester Arts & Sciences. It is supported in part by the National Endowment for the Arts and the New York State Council on the Arts.)
We know so very little; so little that what we think to be knowledge is hardly worth reckoning with at all; instead we ought to settle for being pleasantly surprised if, on the edge of things, against all expectations, our. . .
Many of Virginie Despentes’s books revolve around the same central idea: “To be born a woman [is] the worst fate in practically every society.” But this message is nearly always packaged in easy-to-read books that fill you with the pleasure. . .
Ilja Leonard Pfeijffer’s La Superba is appropriately titled after the Italian city of Genoa, where, after escaping the pressures of fame in his own country, the semi-autobiographical narrator finds himself cataloguing the experiences of its mesmerizing inhabitants with the intention. . .
It took reading 44 pages of Intervenir/Intervene before I began to get a sense of what Dolores Dorantes and Rodrigo Flores Sánchez were up to. Recurring throughout these 44 pages—throughout the entire book—are shovels, shovel smacks to the face, lobelias—aha!. . .
As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .
It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .
Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .
It’s been almost a year since the publication of Nowhere to Be Found by Bae Suah, but despite being included on the 2015 PEN Translation award longlist, and some pretty vocal support from key indie presses, the book has. . .
Jorge Eduardo Benavides’ novel La paz de los vencidos (The Peace of the Defeated) takes the form of a diary written by a nameless Peruvian thirty-something intellectual slumming it in Santa Cruz de Tenerife in Spain’s Canary Islands. Recently relocated. . .
Anyone with any interest at all in contemporary Moroccan writing must start with Souffles. A cultural and political journal, Souffles (the French word for “breaths”) was founded in 1966 by Abdellatif Laâbi and Mostafa Nissabouri. Run by a group of. . .