Last night we hosted our second Reading the World event of the spring, featuring a really engaging reading and conversation between leading Latin American author Horacio Castellanos Moya and Chad Post. As always, video will be posted soon.
But, now, we have an cool change in programing for our final Reading the World event of the spring: On April 26, we’re having a celebration of sorts, in a big event featuring 10 readers, 10 great works of literature in translation, and some free food. Here are the details:
APRIL 26, 2010 – 6:00 p.m.
Rush Rhees Library
University of Rochester
Reception to Follow
(free and open to the public)
To celebrate the third anniversary of Open Letter Books, ten participants—UR faculty members, Open Letter interns, and fans—will read 3–5 minute segments from ten different Open Letter titles. You’ll hear a wide range of voices from all over the world, and find out firsthand what types of works Open Letter is making available to English readers. All 18 books published by the press will be available for sale, and a reception will follow this lively event.
Featuring: Dean Susan Gibbons, Jennifer Grotz (Dept. of Eng.), Meredith Keller (Open Letter intern), John Michael (Chair of Eng. Dept.), Dean Joanna Olmsted, Claudia Schaefer (Chair of Modern Languages & Cultures), Joanna Scott (Dept. of Eng.), Laurel Stewart (Open Letter Intern), Brad Weslake (Dept. of Phil.), Phil Witte (Open Letter intern), and hosted by Chad W. Post, director of Open Letter.
(This event is hosted by Open Letter and University of Rochester Arts & Sciences. It is supported in part by the National Endowment for the Arts and the New York State Council on the Arts.)
Gustavo Faverón Patriau’s The Antiquarian, translated by Joseph Mulligan, is a genre-blending novel, a complete immersion that delves into a lesser-used niche of genre: horror, gothic, the weird. There are visual horrors, psychological ones, and dark corners with threats lurking.. . .
What a wonderful, idiosyncratic book Weinberger has written. I say book, but the closest comparison I could make to other works being published right now are from Sylph Edition’s “Cahiers Series“—short pamphlet-like meditations by notable writers such as Ann Carson,. . .
Early in Sun-mi Hwang’s novel The Hen Who Dreamed She Could Fly, the main character, a hen named Sprout, learns about sacrifice. After refusing to lay any more eggs for the farmer who owns her, she becomes “culled” and released. . .
When Sankya was published in Russia in 2006, it became a sensation. It won the Yasnaya Polyana Award (bestowed by direct descendants of Leo Tolstoy) and was shortlisted for the Russian Booker and the National Bestseller Award. Every member of. . .
Stalin is Dead by Rachel Shihor has been repeatedly described as kafkaesque, which strikes a chord in many individuals, causing them to run to the bookstore in the middle of the night to be consumed by surreal situations that no. . .
Paradises by cult Argentinian author Iosi Havilio is the continuation of his earlier novel, Open Door, and tells the story of our narrator, a young, unnamed Argentinian woman.
The very first sentence in Paradises echoes the opening of Camus’s The Outsider. . .
This pearl from New Directions contains one short story from Russian literary master Fyodor Dostoevsky (translated by Constance Garnett) and one short story from Uruguayan forefather of magical realism Felisberto Hernández (translated by Esther Allen). Both pieces are entitled “The. . .
I’m talking about pathological individuals; six twisted people taking part in an unpredictable game.
Carlos Labbé’s Navidad & Matanza is the story of two missing children and the journalist trying to find them. Actually. it’s the story of a group of. . .
For Lukas Zbinden, walking is a way of life. At eighty-seven, he is still an avid walker and insists on going for walks outside as often as possible, rain or snow or shine. Now that he lives in an assisted. . .
Commentary is a book that defies simple categorization. Marcelle Sauvageot’s prose lives in the world of novel, memoir, and philosophical monologue as the narrator, a woman recuperating in a sanatorium, muses on the nature of love and examines her own. . .