Since basically no one is going to be in the office this week, rather than try and write up longer, informative posts, I’m going to try and post a round-up a day of interesting links/blog posts, etc., etc. No guarantees this will actually happen—I’m pretty skilled at starting projects that I never finish . . .
There’s an interesting interview with Gunter Grass over at Speigel Online mostly focused on his new book, “Grimms’ Words. A Declaration of Love,” which is about the Grimm Brothers:
SPIEGEL: What do you find appealing about the brothers?
Grass: Their uncompromising nature, most of all. In 1837, they protested in Göttingen against the abolition of the constitution (of the Kingdom of Hanover) and thus against the power of the state. Like the other rebellious professors in the group known as the Göttingen Seven, they lost their positions. And the task they embarked on after that was basically impossible: a German dictionary filled with quotations and example sentences. And they only made it to the sixth letter of the alphabet. Others completed the dictionary.
SPIEGEL: More than 120 years later.
Grass: That lengthy period of time also fascinates me. German studies specialists from both parts of Germany worked on it over the last 15 years. In the middle of the Cold War, they sat quietly at their desks in East Berlin and Göttingen and collected footnotes for a pan-German dictionary. It’s a reflection of the same German history I talk about in “Grimms’ Words.”
The NY Times Style section really is one of the greatest newspaper sections in the world. If it’s not super-expensive aquariums and colorless fish, it’s a piece about how ebooks overcome the isolation of reading. Now, I think I know what she’s getting at, but this paragraph sounds a bit crazy to me:
“There may once have been a slight stigma about people reading alone, but I think that it no longer exists because of the advancement of our current technology,” she said. “We are in a high-tech era and the sleekness and portability of the iPad erases any negative notions or stigmas associated with reading alone.”
A stigma about people reading alone? Do most people read together in groups? I think I’ve been doing this all wrong . . .
This is a pretty sweet deal for an international writer interested in spending a year writing in Central New York. (Teach one class in the fall, a online tutorial in the spring, get $70K AND a place to stay—not bad.) Geneva is pretty nice, and HWS students are pretty brilliant. (Secretly hoping one of our authors will get this. Or at least someone we can invite to participate in the Reading the World Conversation Series.)
God damn Ayn Rand fans. All so batshit crazy. Or at least all the ones I’ve met. Or read about.
And nice try “Nick Newcomen” with your website. In case you haven’t noticed yet, the sections where you’re recommending people buy her books are totally blank . . . Kind of hoping this whole thing was a sarcastic joke to make everyone realize that Ayn (rhymes with “mine”) Rand-ians are insane. If so, well played. Very well played.
A Greater Music is the first in a line of steady and much-anticipated releases by Bae Suah from key indie presses (this one published by Open Letter). Building off of the interest of 2016 Best Translated Book Award longlist nominee. . .
The dislocation of individuals from the countries of their birth has long been a common theme in contemporary literature. These two short novels recently translated into English appear firmly rooted in this tradition of ex-pat literature, but their authors eschew. . .
In Melancholy, Hungarian author, critic, and art theorist László Földényi presents a panorama of more than two thousand years of Western historical and cultural perspectives on the human condition known as melancholia. In nine chapters, Földényi contrasts the hero worship. . .
Pascal Quignard’s __The Hatred of Music_ is the densest, most arcane, most complex book I’ve read in ages. It’s also a book that covers a topic so basic, so universal—almost primordial—that just about any reader will be perversely thrilled by. . .
In Gustave Flaubert’s Madame Bovary, Flaubert attempted to highlight the ordinary, tired, and often crass nature of common expressions by italicising them within the text. When Charles, Emma Bovary’s mediocre husband, expresses himself in a manner akin to that of. . .
Eliot Weinberger takes big strides across literary history in his genuinely breathtaking short work, 19 Ways of Looking at Wang Wei, tracking translations of a short ancient Chinese poem from the publication of Ezra Pound’s Cathay in 1915 to Gary. . .
Prose translators will likely disagree, but I believe translating poetry requires a significant level of talent, a commitment to the text, and near mania, all of which suggests that the undertaking is the greatest possible challenge. The task is to. . .
The biggest issues with books like The Subsidiary often have to do with their underpinnings—when we learn that Georges Perec wrote La Disparition without once using the letter E, we are impressed. Imagine such a task! It takes a high. . .
Following The Infatuations, Javier Marías’s latest novel seems, like those that have preceded it, an experiment to test fiction’s capacity to mesmerize with sombre-sexy atmospheres and ruminative elongated sentences stretched across windowless walls of paragraphs. Thus Bad Begins offers his. . .
Death by Water, Kenzaburo Oe’s latest novel to be translated into English, practically begs you to read it as autobiography. Like The Changeling, as well as many other works not yet released in English, Death by Water is narrated in. . .