This is pretty last minute, but at 7pm tomorrow night (Tuesday) there’s an interesting PEN event going on at Cooper Union exploring violence in Mexico. AND because PEN loves YOU, they’re giving a special discount on tickets to Three Percent readers . . . (See details below.)
The State of Emergency: Censorship by Bullet in Mexico event will feature readings by Paul Auster, Calvin Baker, Don DeLillo, Laura Esquivel, Francine Prose, Jose Zamora, and poets Víctor Manuel Mendiola and Luis Miguel Aguilar. This will be followed by a conversation with Carmen Aristegui (CNN en Español), Rocio Gallegos (El Diario de Juárez), and José Luis Martínez (Milenio Diario); moderated by Julia Preston (The New York Times)
Because I’m actually in business class (Pricing Theory!) right now, I’m going to just copy PEN’s entire description:
At least eight journalists have been murdered in Mexico in 2010 alone, and many more have been kidnapped, threatened, or disappeared. Still, in towns and cities throughout the country, journalists are daily defying Mexico’s “censorship by bullet” to expose critical truths. Renowned Mexican and American journalists and authors come together for an evening of readings and conversation to call attention to the silencing of Mexican journalists trying to investigate drug-related violence in their country, especially on the U.S./Mexico border.
What is the impact of soaring drug-related violence on freedom of expression and civil society in Mexico? Is the United States helping to promote or to counter the violence? What can human rights organizations and the international community do to confront criminal syndicates and other “non-state actors” that are operating with impunity in Mexico and around the world? Above all, what is it like to be a journalist in Mexico today, and what must be done to ensure that journalists can safely carry out their work?
Now for the Special Discount . . . General Admission tickets are $15, BUT if you buy these through the PEN site and use the special code “study,” your ticket will only be $7 . . . (I guess this post does sort of relate to business class . . . It would moreso if it involved “mixed bundling” or “market segmentation” or “margin contributions,” but whatever.)
The recent reissuing of several of Stig Dagerman’s novels by University of Minnesota Press has rekindled interest in his works, which have until now been little-known outside Sweden. Just twenty-four when he wrote A Burnt Child (here newly translated by. . .
Paul Klee’s Boat, Anzhelina Polonskaya’s newest bilingual collection of poems available in English, is an emotional journey through the bleakest seasons of the human soul, translated with great nuance by Andrew Wachtel. A former professional ice dancer(!), Polonskaya left the. . .
In Seiobo There Below, Lázló Krasznahorkai is able to succeed at a task at which many writers fail: to dedicate an entire novel to a single message, to express an idea over and over again without falling into repetition or. . .
There are curious similarities in three Italian mystery series, written by Maurizio de Giovanni, Andrea Camilleri, and Donna Leon.1
They’re all police procedurals, and all set in Italy: Naples, Sicily, Venice.
The three protagonists are Commissarios: Luigi Ricciardi, Salvo. . .
Poetry always has the feel of mysticism and mystery, or maybe this feeling is a stereotype left over from high school literature class. It is generally the result of confusion, lack of time committed to consuming the poetry, and the. . .
Our Lady of the Flowers, Echoic is not only a translation, but a transformation. It is a translation of Jean Genet’s novel Notre Dame des Fleurs, transmuted from prose to poetry. Originally written in prison as a masturbatory aid (Sartre. . .
Equal parts stoner pulp thriller and psycho-physiological horror story, a pervasive sense of dread mixes with a cloud of weed smoke to seep into every line of the disturbing, complex Under This Terrible Sun. Originally published by illustrious Spanish publishers. . .
From the start, Daniel Canty’s Wigrum, published by Canadian press Talonbooks, is obviously a novel of form. Known also as a graphic designer in Quebec, Canty takes those skills and puts them towards this “novel of inventory” and creates a. . .
Throughout his career—in fact from his very first book, Where the Jackals Howl (1965)—the renowned Israeli writer Amos Oz has set much of his fiction on the kibbutz, collective communities he portrays as bastions of social cohesion and stultifying conformity. . .
Antoon gives us a remarkable novel that in 184 pages captures the experience of an Iraqi everyman who has lived through the war with Iran in the first half of the 1980s, the 1991 Gulf War over the Kuwaiti invasion,. . .