12 November 10 | Chad W. Post

The latest addition to our Reviews Section is a piece by Dan Vitale on Mela Hartwig’s Am I a Redundant Human Being?, which was translated from the German by Kerri A. Pierce and published earlier this year by Dalkey Archive Press.

I remember first hearing about this book while on an editorial trip with John O’Brien to Austria. It sounded really interesting at the time—I think they pitched her as a Austrian Virginia Woolf—and I’m really glad this finally made its way into English. (Though I’m not entirely sold on the title . . . Feels so stiff, robotic.)

Anyway, Dan Vitale — who is a contributing reviewer — wrote this piece, and really seemed to like the book. (Typos and all.) Here’s the opening of his review:

The Austrian actress, writer, and painter Mela Hartwig (1893–1967) published relatively little during her lifetime: a collection of stories, a novel, a novella, and a book of poems. She did most of this work between 1921, when she married and retired from acting, and 1938, when she and her husband moved to London to escape the Nazi occupation and annexation of Austria. Am I a Redundant Human Being?, written in 1931, was one of three completed novel manuscripts found (along with a fourth, incomplete novel) among her papers after her death. Unpublished until 2001, when it fueled a renewed interest in Hartwig’s work in her home country, the novel has now been translated by Kerri A. Pierce and published by Dalkey Archive Press—the first appearance of any of Hartwig’s books in English.

Am I a Redundant Human Being? is the monologue of Aloisia (known as Luise) Schmidt, a secretary at a Vienna construction firm. Luise narrates the events of her life from her early childhood at the turn of the twentieth century until about the age of 30. Judging from the intensely psychological focus of the book, it is clear that Hartwig’s Vienna is also very much the Vienna of Sigmund Freud; the narrative has the feel of a case study in low self-esteem. After an undistinguished school career, Luise’s life has been a mostly unbroken series of unfulfilling low-skilled clerical jobs and difficult relationships: tentative friendships with women, whom she tends to idolize and imitate excessively; and unstable romances with men, whom she tends to obsess over and who ultimately reject her over her neediness and her weakness of personality.

Click here to read the full review.


Comments are disabled for this article.
....
Kingdom Cons
Kingdom Cons by Yuri Herrera
Reviewed by Sarah Booker

Yuri Herrera is overwhelming in the way that he sucks readers into his worlds, transporting them to a borderland that is at once mythical in its construction and powerfully recognizable as a reflection of its modern-day counterpart. Kingdom Cons, originally. . .

Read More >

The Invented Part
The Invented Part by Rodrigo Fresán
Reviewed by Tiffany Nichols

Imagine reading a work that suddenly and very accurately calls out you, the reader, for not providing your full attention to the act of reading. Imagine how embarrassing it is when you, the reader, believe that you are engrossed in. . .

Read More >

A Simple Story: The Last Malambo
A Simple Story: The Last Malambo by Leila Guerriero
Reviewed by Emilee Brecht

Leila Guerriero’s A Simple Story: The Last Malambo chronicles the unique ferocity of a national dance competition in Argentina. The dance, called the malambo, pushes the physical and mental limits of male competitors striving to become champions of not only. . .

Read More >

The Little Buddhist Monk & The Proof
The Little Buddhist Monk & The Proof by Cesar Aira
Reviewed by Will Eells

Aira continues to surprise and delight in his latest release from New Directions, which collects two novellas: the first, The Little Buddhist Monk, a fairly recent work from 2005, and The Proof, an earlier work from 1989. There are a. . .

Read More >

Agnes
Agnes by Peter Stamm
Reviewed by Dorian Stuber

The narrator of Peter Stamm’s first novel, Agnes, originally published in 1998 and now available in the U.S. in an able translation by Michael Hofmann, is a young Swiss writer who has come to Chicago to research a book on. . .

Read More >

Class
Class by Francesco Pacifico
Reviewed by Vincent Francone

The thing about Class is that I don’t know what the hell to think about it, yet I can’t stop thinking about it. I’ll begin by dispensing with the usual info that one may want to know when considering adding. . .

Read More >

The Dispossessed
The Dispossessed by Szilárd Borbély
Reviewed by Jason Newport

To be, or not to be?

Hamlet’s enduring question is one that Szilárd Borbély, acclaimed Hungarian poet, verse-playwright, librettist, essayist, literary critic, short-story writer, and, finally, novelist, answered sadly in the negative, through his suicide in 2014, at the. . .

Read More >

A Greater Music
A Greater Music by Bae Suah
Reviewed by Pierce Alquist

A Greater Music is the first in a line of steady and much-anticipated releases by Bae Suah from key indie presses (this one published by Open Letter). Building off of the interest of 2016 Best Translated Book Award longlist nominee. . .

Read More >

Two Lost Souls: on "Revulsion" and "Cabo De Gata"
Two Lost Souls: on "Revulsion" and "Cabo De Gata" by Horacio Castellanos Moya; Eugen Ruge
Reviewed by Tim Lebeau

The dislocation of individuals from the countries of their birth has long been a common theme in contemporary literature. These two short novels recently translated into English appear firmly rooted in this tradition of ex-pat literature, but their authors eschew. . .

Read More >

Melancholy
Melancholy by László Földényi
Reviewed by Jason Newport

In Melancholy, Hungarian author, critic, and art theorist László Földényi presents a panorama of more than two thousand years of Western historical and cultural perspectives on the human condition known as melancholia. In nine chapters, Földényi contrasts the hero worship. . .

Read More >