12 November 10 | Chad W. Post

The latest addition to our Reviews Section is a piece by Dan Vitale on Mela Hartwig’s Am I a Redundant Human Being?, which was translated from the German by Kerri A. Pierce and published earlier this year by Dalkey Archive Press.

I remember first hearing about this book while on an editorial trip with John O’Brien to Austria. It sounded really interesting at the time—I think they pitched her as a Austrian Virginia Woolf—and I’m really glad this finally made its way into English. (Though I’m not entirely sold on the title . . . Feels so stiff, robotic.)

Anyway, Dan Vitale — who is a contributing reviewer — wrote this piece, and really seemed to like the book. (Typos and all.) Here’s the opening of his review:

The Austrian actress, writer, and painter Mela Hartwig (1893–1967) published relatively little during her lifetime: a collection of stories, a novel, a novella, and a book of poems. She did most of this work between 1921, when she married and retired from acting, and 1938, when she and her husband moved to London to escape the Nazi occupation and annexation of Austria. Am I a Redundant Human Being?, written in 1931, was one of three completed novel manuscripts found (along with a fourth, incomplete novel) among her papers after her death. Unpublished until 2001, when it fueled a renewed interest in Hartwig’s work in her home country, the novel has now been translated by Kerri A. Pierce and published by Dalkey Archive Press—the first appearance of any of Hartwig’s books in English.

Am I a Redundant Human Being? is the monologue of Aloisia (known as Luise) Schmidt, a secretary at a Vienna construction firm. Luise narrates the events of her life from her early childhood at the turn of the twentieth century until about the age of 30. Judging from the intensely psychological focus of the book, it is clear that Hartwig’s Vienna is also very much the Vienna of Sigmund Freud; the narrative has the feel of a case study in low self-esteem. After an undistinguished school career, Luise’s life has been a mostly unbroken series of unfulfilling low-skilled clerical jobs and difficult relationships: tentative friendships with women, whom she tends to idolize and imitate excessively; and unstable romances with men, whom she tends to obsess over and who ultimately reject her over her neediness and her weakness of personality.

Click here to read the full review.


Comments are disabled for this article.
....
Class
Class by Francesco Pacifico
Reviewed by Vincent Francone

The thing about Class is that I don’t know what the hell to think about it, yet I can’t stop thinking about it. I’ll begin by dispensing with the usual info that one may want to know when considering adding. . .

Read More >

The Dispossessed
The Dispossessed by Szilárd Borbély
Reviewed by Jason Newport

To be, or not to be?

Hamlet’s enduring question is one that Szilárd Borbély, acclaimed Hungarian poet, verse-playwright, librettist, essayist, literary critic, short-story writer, and, finally, novelist, answered sadly in the negative, through his suicide in 2014, at the. . .

Read More >

A Greater Music
A Greater Music by Bae Suah
Reviewed by Pierce Alquist

A Greater Music is the first in a line of steady and much-anticipated releases by Bae Suah from key indie presses (this one published by Open Letter). Building off of the interest of 2016 Best Translated Book Award longlist nominee. . .

Read More >

Two Lost Souls: on "Revulsion" and "Cabo De Gata"
Two Lost Souls: on "Revulsion" and "Cabo De Gata" by Horacio Castellanos Moya; Eugen Ruge
Reviewed by Tim Lebeau

The dislocation of individuals from the countries of their birth has long been a common theme in contemporary literature. These two short novels recently translated into English appear firmly rooted in this tradition of ex-pat literature, but their authors eschew. . .

Read More >

Melancholy
Melancholy by László Földényi
Reviewed by Jason Newport

In Melancholy, Hungarian author, critic, and art theorist László Földényi presents a panorama of more than two thousand years of Western historical and cultural perspectives on the human condition known as melancholia. In nine chapters, Földényi contrasts the hero worship. . .

Read More >

The Hatred of Music
The Hatred of Music by Pascal Quignard
Reviewed by Jeanne Bonner

Pascal Quignard’s __The Hatred of Music_ is the densest, most arcane, most complex book I’ve read in ages. It’s also a book that covers a topic so basic, so universal—almost primordial—that just about any reader will be perversely thrilled by. . .

Read More >

Fragile Travelers
Fragile Travelers by Jovanka Živanović
Reviewed by Damian Kelleher

In Gustave Flaubert’s Madame Bovary, Flaubert attempted to highlight the ordinary, tired, and often crass nature of common expressions by italicising them within the text. When Charles, Emma Bovary’s mediocre husband, expresses himself in a manner akin to that of. . .

Read More >

Nineteen Ways of Looking at Wang Wei
Nineteen Ways of Looking at Wang Wei by Eliot Weinberger
Reviewed by Russell Guilbault

Eliot Weinberger takes big strides across literary history in his genuinely breathtaking short work, 19 Ways of Looking at Wang Wei, tracking translations of a short ancient Chinese poem from the publication of Ezra Pound’s Cathay in 1915 to Gary. . .

Read More >

Radio: Wireless Poem in Thirteen Messages
Radio: Wireless Poem in Thirteen Messages by Kyn Taniya
Reviewed by Vincent Francone

Prose translators will likely disagree, but I believe translating poetry requires a significant level of talent, a commitment to the text, and near mania, all of which suggests that the undertaking is the greatest possible challenge. The task is to. . .

Read More >

The Subsidiary
The Subsidiary by Matías Celedón
Reviewed by Vincent Francone

The biggest issues with books like The Subsidiary often have to do with their underpinnings—when we learn that Georges Perec wrote La Disparition without once using the letter E, we are impressed. Imagine such a task! It takes a high. . .

Read More >