25 November 10 | Chad W. Post

As we mentioned last Friday, we’re going to spend the next 19 days highlighting all of the authors selected for Granta’s _“Best of Young Spanish-Language Novelists” special issue. All past and future posts related to this issue can be found by clicking here.

As a Thanksgiving Day special, we’re featuring Chilean author Carlos Labbe, whose short story has one of the coolest titles: “The Girls Resembled Each Other in the Unfathomable,” which is translated by Natasha Wimmer.



To this day, investigators are still adding sightings of Bruno Vivar to the case file of the disappeared Navidad siblings. Every summer since the incident, a dozen witnesses from different parts of central Chile claim to have seen a young man fitting his description: striped T-shirt in various combinations of primary colours; shorts or bathing trunks; leather sandals; extremely thin hairless legs; dishevelled hair in a ragged cut, sometimes brown and other times dyed red. Over and over again, as if his parents’ last memory of him had been burned on the retinas of so many who never knew him (the press coverage was as intense as it was brief), they see Bruno Vivar lying in the sand, face down on a towel, staring out to sea, looking disdainfully through some photographs, or swimming in silence. Other testimonies, of course, add specific and equally disturbing details: Bruno drinking at hotel bars, beer in cans or double shots of whiskey that he pays for with a card issued in the United States, while with the other hand he fondles a die that he spins like a top on the lacquered surface of the bar; sitting on a terrace at noon, noisily eating French fries; reading, in the dining hall, a letter delivered to the hotel weeks before; tossing the die and then writing another letter never sent by the local mail.

These bits of information come from different sources: guards; waiters; store clerks; receptionists; cleaning people who at the time also yearned to assemble the missing pieces of the case but who only succeeded in helping the police to declare impossible a verdict of either homicide or kidnapping. It has been tacitly assumed that Bruno Vivar – a legal adult – simply abandoned his family all of a sudden, which isn’t a crime in Chile.

The unasked question is why the name of Alicia Vivar, the fourteen-year-old girl, appears only twice in the file. Especially after a detailed review of reports on the reappearances of her brother, Bruno. Because Bruno never once turns up alone. The various accounts agree that he arrives at hotel parking garages in different expensive cars always driven by a man whose smile also appears in police files, though in another section: Boris Real.

This is a great way to start an excerpt. The speculation, the intriguing clues, the incompleteness—all of which makes this compelling, makes you want to continue reading. Not going to give anything else away, but this is a tight, well-crafted, five-page story. Definitely one of my favorites (so far) in this issue of Granta, and I really hope this whole novel (entitled Navidad y Matanza) is eventually published in English.

In addition to his work, Labbe sounds like an interesting guy. He’s the author three novels (this one plus Libro de plumas and Locuela), and a collection of short stories (Caracteres blancos). He also co-wrote two screenplays (Malta con huevos [Malta with Eggs?] and Yo so Cagliostro), and is the author of the hypertext (?!) Pentagonal: includidos tu y yo, which is available here.

On top of all this, Labbe used to be a member of the bands Ex Fiesta and Tornasolidos. Seeing that this is Thanksgiving (which also markst the beginning of the Guadalajara Book Fair), and that there’s probably only about 5 of you actually reading this, in between turkey and pumpkin pie, looking for a momentary escape from your family (whom you love, but who can be a bit, you know, much to take at times), I thought that rather than bore you with literary analysis and endless accolades for this 33-year-old wunderkind, that I’d leave you with a song from one of Labbe’s bands. Unfortunately there’s no YouTube video of Tornasolidos rocking out (I know! I can’t believe it either), so I had to go all old-school and pull this song from MySpace (MySpace!). Enjoy!

And don’t forget, you can get this entire issue for free by subscribing to Granta.

Next up: Andres Neuman.


Comments are disabled for this article.
....
La Superba
La Superba by Ilja Leonard Pfeijffer
Reviewed by Anna Alden

Ilja Leonard Pfeijffer’s La Superba is appropriately titled after the Italian city of Genoa, where, after escaping the pressures of fame in his own country, the semi-autobiographical narrator finds himself cataloguing the experiences of its mesmerizing inhabitants with the intention. . .

Read More >

Intervenir/Intervene
Intervenir/Intervene by Dolores Dorantes; Rodrigo Flores Sánchez
Reviewed by Vincent Francone

It took reading 44 pages of Intervenir/Intervene before I began to get a sense of what Dolores Dorantes and Rodrigo Flores Sánchez were up to. Recurring throughout these 44 pages—throughout the entire book—are shovels, shovel smacks to the face, lobelias—aha!. . .

Read More >

All Days Are Night
All Days Are Night by Peter Stamm
Reviewed by Lori Feathers

As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .

Read More >

The Seven Good Years
The Seven Good Years by Etgar Keret
Reviewed by Vincent Francone

It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .

Read More >

Human Acts
Human Acts by Han Kang
Reviewed by J.C. Sutcliffe

Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .

Read More >

Nowhere to Be Found
Nowhere to Be Found by Bae Suah
Reviewed by Pierce Alquist

It’s been almost a year since the publication of Nowhere to Be Found by Bae Suah, but despite being included on the 2015 PEN Translation award longlist, and some pretty vocal support from key indie presses, the book has. . .

Read More >

La paz de los vencidos
La paz de los vencidos by Jorge Eduardo Benavides
Reviewed by Brendan Riley

Jorge Eduardo Benavides’ novel La paz de los vencidos (The Peace of the Defeated) takes the form of a diary written by a nameless Peruvian thirty-something intellectual slumming it in Santa Cruz de Tenerife in Spain’s Canary Islands. Recently relocated. . .

Read More >

Souffles-Anfas: A Critical Anthology
Souffles-Anfas: A Critical Anthology by Various
Reviewed by Emma Ramadan

Anyone with any interest at all in contemporary Moroccan writing must start with Souffles. A cultural and political journal, Souffles (the French word for “breaths”) was founded in 1966 by Abdellatif Laâbi and Mostafa Nissabouri. Run by a group of. . .

Read More >

Berlin
Berlin by Aleš Šteger
Reviewed by Vincent Francone

Randall Jarrell once argued a point that I will now paraphrase and, in doing so, over-simplify: As a culture, we need book criticism, not book reviews. I sort of agree, but let’s not get into all of that. Having finished. . .

Read More >

The Gun
The Gun by Fuminori Nakamura
Reviewed by Will Eells

Like any good potboiler worth its salt, Fuminori Nakamura’s The Gun wastes no time setting up its premise: “Last night, I found a gun. Or you could say I stole it, I’m not really sure. I’ve never seen something so. . .

Read More >

The next few events from our Translation Events Calendar: See More Events >