1 December 10 | Chad W. Post

The latest addition to our Reviews Section is a piece by Heath Mayhew on Macedonio Fernandez’s The Museum of Eterna’s Novel (The First Good Novel), which came out from Open Letter earlier this year in Margaret Schwartz’s translation.

As you may or may not know, we generally don’t run reviews of our own books, which may or may be a sound policy, but regardless, we’re making an exception for this piece because of how it came to us. Heath Mayhew is one of our subscribers, and with Macedonio’s Museum, he received a letter from me explaining how we came to publish this, how much the book means to me, why I love it so much, etc. It also included a request for readers to let me know what they thought of this, since it’s such a strange, unique book.

Last month, Heath sent me this review, which he wrote as part of a Translation Seminar he’s taking with Stefania Heim at Columbia University. It’s a great introduction to the book, which is why we decided to violate our “rule” and post it here:

Prologue to the Review

Macedonio Fernandez is little known outside Argentina. Unfortunately I foresee this remaining the case for some time. Even with the recent translation and publication of his posthumous novel, The Museum of Eterna’s Novel: The First Good Novel (Museo de la Novela de la Eterna), by Open Letter Books (translated by Margaret Schwartz), the “skip-around readers” Fernandez is looking for (to convert into “orderly readers”) are few. One of the reasons is because Fernandez is taking a risk. He knows exactly what his novel is and what it isn’t: he knows that it is the “First Good Novel,” which follows the writing of another novel, Adriana Buenos Aires: The Last Bad Novel (Adriana Buenos Aires: ultima novella mala). So what makes Fernandez’s novel so good? This is where (and why) he remains obscure: the tenacity with which he hopes to redefine the novel. It is a task that can get sloppy very quickly. And so, Fernandez makes sure that the reader is well equipped before “beginning” his novel (he argues, “. . . the reader comes late if he comes after the cover.”). Thus, he prolongs the start of his novel with fifty-seven prologues: in part to provoke the novel to be “thrown violently to the floor most often, and avidly taken up again just as often” by his readers. He boasts, “What other author can boast of that?”

Introduction to Macedonio Fernandez

You can tell by my first prologue, Macedonio Fernandez was not the typical novelist. From the Preface by Adam Thirlwell and Translator’s Introduction by Margaret Schwartz, and from my selected readings, there is a cacophony of mythology surrounding Fernandez. Most often mentioned, yet somewhat unknown, is Fernandez’s mentorship of Jorge Luis Borges. Oft-quoted Borges explains: “I imitated him, to the point of transcription, to the point of devoted and impassioned plagiarism.”

Click here to read the full review.


Comments are disabled for this article.
....
In Times of Fading Light
In Times of Fading Light by Eugen Ruge
Reviewed by Phillip Koyoumjian

The historian John Lukacs observed, “Fictitious characters may represent characteristic tendencies and potentialities that existed in the past” and thus “may serve the historian under certain circumstances—when, for example, these are prototypical representations of certain contemporary realities.” Eugen Ruge’s In. . .

Read More >

The Antiquarian
The Antiquarian by Gustavo Faverón Patriau
Reviewed by P.T. Smith

Gustavo Faverón Patriau’s The Antiquarian, translated by Joseph Mulligan, is a genre-blending novel, a complete immersion that delves into a lesser-used niche of genre: horror, gothic, the weird. There are visual horrors, psychological ones, and dark corners with threats lurking.. . .

Read More >

Elsewhere
Elsewhere by Eliot Weingerber (ed.)
Reviewed by Grant Barber

What a wonderful, idiosyncratic book Weinberger has written. I say book, but the closest comparison I could make to other works being published right now are from Sylph Edition’s “Cahiers Series“—short pamphlet-like meditations by notable writers such as Ann Carson,. . .

Read More >

The Hen Who Dreamed She Could Fly
The Hen Who Dreamed She Could Fly by Sun-mi Hwang
Reviewed by Chris Iacono

Early in Sun-mi Hwang’s novel The Hen Who Dreamed She Could Fly, the main character, a hen named Sprout, learns about sacrifice. After refusing to lay any more eggs for the farmer who owns her, she becomes “culled” and released. . .

Read More >

Sankya
Sankya by Zakhar Prilepin
Reviewed by Kseniya Melnik

When Sankya was published in Russia in 2006, it became a sensation. It won the Yasnaya Polyana Award (bestowed by direct descendants of Leo Tolstoy) and was shortlisted for the Russian Booker and the National Bestseller Award. Every member of. . .

Read More >

Stalin is Dead
Stalin is Dead by Rachel Shihor
Reviewed by Tiffany Nichols

Stalin is Dead by Rachel Shihor has been repeatedly described as kafkaesque, which strikes a chord in many individuals, causing them to run to the bookstore in the middle of the night to be consumed by surreal situations that no. . .

Read More >

Paradises
Paradises by Iosi Havilio
Reviewed by Andrea Reece

Paradises by cult Argentinian author Iosi Havilio is the continuation of his earlier novel, Open Door, and tells the story of our narrator, a young, unnamed Argentinian woman.

The very first sentence in Paradises echoes the opening of Camus’s The Outsider. . .

Read More >

Two Crocodiles
Two Crocodiles by Fyodor Dostoevsky; Felisberto Hernández
Reviewed by Sara Shuman

This pearl from New Directions contains one short story from Russian literary master Fyodor Dostoevsky (translated by Constance Garnett) and one short story from Uruguayan forefather of magical realism Felisberto Hernández (translated by Esther Allen). Both pieces are entitled “The. . .

Read More >

Navidad & Matanza
Navidad & Matanza by Carlos Labbé
Reviewed by J.T. Mahany

I’m talking about pathological individuals; six twisted people taking part in an unpredictable game.

Carlos Labbé’s Navidad & Matanza is the story of two missing children and the journalist trying to find them. Actually. it’s the story of a group of. . .

Read More >

Zbinden's Progress
Zbinden's Progress by Christoph Simon
Reviewed by Emily Davis

For Lukas Zbinden, walking is a way of life. At eighty-seven, he is still an avid walker and insists on going for walks outside as often as possible, rain or snow or shine. Now that he lives in an assisted. . .

Read More >