The six-title shortlist for the International Prize for Arabic Fiction/Arab Booker was announced this morning, along with the names of the five judges. (Yes, this is kept secret until this announcement is made.)
In case you’re interested, the panelists are: Fadhil al-Azzawi (Chair), Iraqi poet and novelist living in Germany; Munira al-Fadhel, Bahrain academic, researcher and critic; Isabella Camera d’Affilitto, Italian academic, translator and critic; Amjad Nasser, Jordanian writer and journalist; and Said Yaktine, Moroccan writer and critic.
But on to the fun part . . . Here are the six titles—four of which, I picked out to highlight in my initial post about the longlist. My track record of picking winning books is total trash, so four out of six seems pretty damn good. Anyway:
Tackling the themes of Islamic extremism and terrorism from a new angle, The Arch and the Butterfly explores the effect of terrorism on family life. It tells the story of a left-wing father who one day receives a letter from Al-Qaeda informing him that his son, who he believes is studying in Paris, has died a martyr in Afghanistan. The novel looks at the impact of this shocking news on the life of its hero and consequently on his relationship with his wife.
The sordid underbelly of the holy city of Mecca is revealed in this astonishing story. The world painted by heroine Aisha embraces everything from prostitution and religious extremism to the exploitation of foreign workers under a mafia of building contractors, who are destroying the historic areas of the city. This bleak scene is contrasted with the beauty of Aisha’s love letters to her German boyfriend.
An Oriental Dance tells the story of a young Egyptian who, on marrying an older British woman, moves to England. Through his eyes, the reader is given a vivid account of the struggles and relationships of the Arab expatriate community living in the UK.
In a gripping novel, whose narrative style is a blend of Kafka and One Thousand and One Nights, Himmich imagines an innocent man’s experience of extraordinary rendition in an American prison. During his captivity, the protagonist is subjected to interrogation and torture by both Arabs and foreigners and yet, against all odds, the author manages to find some hope in an otherwise desperate situation.
The Hunter of the Chrysalises is the story of a former secret service agent who, having been forced to retire due to an accident, decide to write a novel about his experiences. He starts to visit a café frequented by intellectuals, only to find himself the subject of police scrutiny.
Brooklyn Heights tells the story of the New York’s Arab immigrants and those who live among them through the eyes of the female narrator. By contrasting her experiences in her chosen home, America, and her homeland Egypt, she reveals the problematic relationship between East and West. It is a story of fundamentalism and tolerance, loss and hope in love. Simple yet full of rich detail, the novel evokes the atmosphere of America over the last decade.
In case it’s not obvious, all descriptions are from the official Arabic Fiction website.
Based only on these descriptions above, I’m rooting for My Tormentor . . .
The winner will be announced right before the opening of the Abu Dhabi International Book Fair.
And speaking of Abu Dhabi, how awesome is it that tango is taking the Middle East by storm? ADIBF 2011 is gonna rock!
Gustavo Faverón Patriau’s The Antiquarian, translated by Joseph Mulligan, is a genre-blending novel, a complete immersion that delves into a lesser-used niche of genre: horror, gothic, the weird. There are visual horrors, psychological ones, and dark corners with threats lurking.. . .
What a wonderful, idiosyncratic book Weinberger has written. I say book, but the closest comparison I could make to other works being published right now are from Sylph Edition’s “Cahiers Series“—short pamphlet-like meditations by notable writers such as Ann Carson,. . .
Early in Sun-mi Hwang’s novel The Hen Who Dreamed She Could Fly, the main character, a hen named Sprout, learns about sacrifice. After refusing to lay any more eggs for the farmer who owns her, she becomes “culled” and released. . .
When Sankya was published in Russia in 2006, it became a sensation. It won the Yasnaya Polyana Award (bestowed by direct descendants of Leo Tolstoy) and was shortlisted for the Russian Booker and the National Bestseller Award. Every member of. . .
Stalin is Dead by Rachel Shihor has been repeatedly described as kafkaesque, which strikes a chord in many individuals, causing them to run to the bookstore in the middle of the night to be consumed by surreal situations that no. . .
Paradises by cult Argentinian author Iosi Havilio is the continuation of his earlier novel, Open Door, and tells the story of our narrator, a young, unnamed Argentinian woman.
The very first sentence in Paradises echoes the opening of Camus’s The Outsider. . .
This pearl from New Directions contains one short story from Russian literary master Fyodor Dostoevsky (translated by Constance Garnett) and one short story from Uruguayan forefather of magical realism Felisberto Hernández (translated by Esther Allen). Both pieces are entitled “The. . .
I’m talking about pathological individuals; six twisted people taking part in an unpredictable game.
Carlos Labbé’s Navidad & Matanza is the story of two missing children and the journalist trying to find them. Actually. it’s the story of a group of. . .
For Lukas Zbinden, walking is a way of life. At eighty-seven, he is still an avid walker and insists on going for walks outside as often as possible, rain or snow or shine. Now that he lives in an assisted. . .
Commentary is a book that defies simple categorization. Marcelle Sauvageot’s prose lives in the world of novel, memoir, and philosophical monologue as the narrator, a woman recuperating in a sanatorium, muses on the nature of love and examines her own. . .