The Second Annual Festival of New French Writing kicks off this Thursday in NYC and will take place through Saturday afternoon. I’m actually moderating the first event and planning on attending most (if not all) of these, so I should be able to write this up in full all next week.
In the meantime, here’s the schedule with links to the bios of all the participants:
Thursday, February 24
Friday, February 25
4:00pm – Graphic Novelists David B. (Epileptic) + Ben Katchor (Julius Knipl, Real Estate Photographer, The Jew of New York and Shoehorn Technique), moderated by New Yorker Art Director Françoise Mouly
7:30pm – French/Afghan writer and filmmaker and Prix Goncourt winner, Atiq Rahimi (The Patience Stone) + Russell Banks (The Sweet Hereafter, _Cloudsplitter), moderated by journalist Lila Azam Zanganeh
Saturday, February 26
4:00pm – Writer and film director, Philipe Claudel (I’ve Loved You So Long, Brodeck, By a Slow River) + A.M. Homes (The Mistress’s Daughter, This Book Will Save Your Life), moderated by Harper’s Magazine Publisher John R. (Rick) MacArthur
Free and open to the public, The Festival of New French Writing will take place at:
Ground Floor, Silver Center
100 Washington Square East (Entrance on Waverly Place)
Simultaneous interpretation from both languages will be available. Booksignings will follow each event and the authors’ books in English and French will be available for sale by Fieldstone Book Company.
Speaking of the first Festival of New French Writing, Tom Bishop, NYU’s Director of French Civilization and Culture, said that the French-American conversations brought out the singular qualities of each author and the national similarities and differences. In looking forward to the second edition in 2011, Bishop emphasized that “the 2011 Festival will showcase some of the best of this generation of French authors who are producing exciting, powerful, often humorous writing. They represent world literature at its best. In conversation with American counterparts with whom they share original takes on life in the 21st century, they will discuss their own works as well as the future of literature itself.”
Karel Schoeman’s Afrikaans novel, This Life, translated by Else Silke, falls into a genre maybe only noticed by the type of reader who tends toward Wittgenstein-type family resemblances. The essential resemblance is an elderly narrator, usually alone—or with one other. . .
In Joris-Karl Hyusmans’s most popular novel, À rebours (Against Nature or Against the Grain, depending on the which translated edition you’re reading), there is a famous scene where the protagonist, the decadent Jean des Esseintes, starts setting gemstones on the. . .
There are books that can only wisely be recommended to specific types of readers, where it is easy to know who the respective book won’t appeal to, and Kristiina Ehin’s Walker on Water is one these. What makes this neither. . .
Imagine the most baroque excesses of Goethe, Shakespeare, and Poe, blended together and poured into a single book: That is The Nightwatches of Bonaventura. Ophelia and Hamlet fall in love in a madhouse, suicidal young men deliver mournful and heartfelt. . .
In 1899, Maurice Ravel wrote “Pavane pour une infante défunte” (“Pavane for a Dead Princess”) for solo piano (a decade later, he published an orchestral version). The piece wasn’t written for a particular person; Ravel simply wanted to compose a. . .
Fiston Mwanza Mujila is an award-winning author, born in the Democratic Republic of Congo, who now, at 33, lives in Austria. From what I could find, much of his work is influenced by the Congo’s battle for independence and its. . .
Twenty-One Days of a Neurasthenic is not a novel in the traditional sense. Rather, it is a collection of vignettes recorded by journalist Georges Vasseur in his diary during a month spent in the Pyrenées Mountains to treat his nervous. . .
Founded in 1960 by such creative pioneers as George Perec, Raymond Queneau and Italo Calvino, the Oulipo, shorthand for Ouvroir de littérature potentielle, came about in when a group of writers and mathematicians sought constraints to find new structures and. . .
There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in Morse, My Deaf Friend— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .
The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .