The Second Annual Festival of New French Writing kicks off this Thursday in NYC and will take place through Saturday afternoon. I’m actually moderating the first event and planning on attending most (if not all) of these, so I should be able to write this up in full all next week.
In the meantime, here’s the schedule with links to the bios of all the participants:
Thursday, February 24
Friday, February 25
4:00pm – Graphic Novelists David B. (Epileptic) + Ben Katchor (Julius Knipl, Real Estate Photographer, The Jew of New York and Shoehorn Technique), moderated by New Yorker Art Director Françoise Mouly
7:30pm – French/Afghan writer and filmmaker and Prix Goncourt winner, Atiq Rahimi (The Patience Stone) + Russell Banks (The Sweet Hereafter, _Cloudsplitter), moderated by journalist Lila Azam Zanganeh
Saturday, February 26
4:00pm – Writer and film director, Philipe Claudel (I’ve Loved You So Long, Brodeck, By a Slow River) + A.M. Homes (The Mistress’s Daughter, This Book Will Save Your Life), moderated by Harper’s Magazine Publisher John R. (Rick) MacArthur
Free and open to the public, The Festival of New French Writing will take place at:
Ground Floor, Silver Center
100 Washington Square East (Entrance on Waverly Place)
Simultaneous interpretation from both languages will be available. Booksignings will follow each event and the authors’ books in English and French will be available for sale by Fieldstone Book Company.
Speaking of the first Festival of New French Writing, Tom Bishop, NYU’s Director of French Civilization and Culture, said that the French-American conversations brought out the singular qualities of each author and the national similarities and differences. In looking forward to the second edition in 2011, Bishop emphasized that “the 2011 Festival will showcase some of the best of this generation of French authors who are producing exciting, powerful, often humorous writing. They represent world literature at its best. In conversation with American counterparts with whom they share original takes on life in the 21st century, they will discuss their own works as well as the future of literature itself.”
The last five days of the eleventh-century Icelandic politician, writer of sagas, and famous murder victim Snorri Sturleleson (the Norwegian spelling, Snorre, is preserved in the book) make up Thorvald Steen’s most recently translated historical fiction, The Little Horse. Murdered. . .
We all know Paris, or at least we think we know it. The Eiffel Tower. The Latin Quarter. The Champs-Élysées. The touristy stuff. In Dominique Fabre’s novel, Guys Like Me, we’re shown a different side of Paris: a gray, decaying. . .
One hundred pages into Birth of a Bridge, the prize-winning novel from French writer Maylis de Kerangal, the narrator describes how starting in November, birds come to nest in the wetlands of the fictional city of Coca, California, for three. . .
At 30, the Mexican writer Valeria Luiselli is already gathering her rosebuds. Faces in the Crowd, her poised debut novel, was published by Coffee House Press, along with her Brodsky-infused essay collection, Sidewalks. The essays stand as a theoretical map. . .
Fantomas Versus the Multinational Vampires: An Attainable Utopia (narrated by Julio Cortázar) is, not disappointingly, as wild a book as its title suggests. It is a half-novella half-graphic novel story about . . . what, exactly? A European tribunal, Latin. . .
Marie NDiaye has created a tiny, psychological masterpiece with her Self-Portrait in Green. In it she explores how our private fears and insecurities can distort what we believe to be real and can cause us to sabotage our intimate relationships.. . .
Reading a genre book—whether fantasy, science fiction, crime, thriller, etc.—which begins to seem excessively, stereotypically bad, I have to make sure to ask myself: is this parodying the flaws of the genre? Usually, this questioning takes its time coming. In. . .
The Sicilian Mafia has always been a rich subject for sensational crime fiction. The Godfather, Goodfellas, and The Sopranos worked the mob’s bloody corpses and family feuds to both entertainment and artistic value. Giuseppe di Piazza’s debut novel attempts this,. . .
Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .
It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .