The latest addition to our Reviews Section is a piece by Kaija Straumanis on Yuri Rytkheu’s The Chukchi Bible, translated from the Russian by Ilona Yazhbin Chavasse and soon to be available from Archipelago Books.
Rytkheu is one of the only (if not the only) Chukchi writers to be translated into English. His A Dream in Polar Fog came out a few years back to a decent amount of critical attention, and I suspect that The Chukchi Bible will also do pretty well. You can read an excerpt from this new book at Archipelago’s website.
Kaija Straumanis is one of the MA Translation students here at the University of Rochester and is currently working on a translation of a Latvian novel. She also has a large interest on translating humor and is well known among the translation students for the very entertaining, polyphonic way she reads aloud . . .
Here’s the (very Three Percent) opening of her review:
A bird flies around, takes a few shits, the shit turns into land and, voilà, the world is created.
That may sound like a summary of a terrible animated short or a 1970s acid trip, but it’s simply my poorly hyper-abridged version of one of many truly beautiful Chukchi folk tales that mark the beginning of time and man in Yuri Rytkheu’s The Chukchi Bible. Here’s the real version:
“A raven was flying over an expanse. From time to time he slowed his flight and scattered his droppings. Wherever solid matter fell, a land mass appeared; wherever liquid fell became rivers and lakes, puddles and rivulets. Sometimes First Bird’s excrements mingled together, and this created the tundra marshes. The hardest of the Raven’s droppings served as the building blocks for scree slopes, mountains, and craggy cliffs.” [. . .]
Author Yuri Rytkheu (1930-2008) is considered the “father of Chukchi literature“—though the title should probably be more along the lines of “only Chukchi literary figure“—and during his lifetime, published several novels and collections of short stories and poetry. Only a few of his works have been translated into English, the most recent preceding The Chukchi Bible being A Dream in Polar Fog (Archipelago Books, 2006). Rytkheu was born and grew up in the coastal village of Uelen, which is located in the Chukotka region of Russia and is the country’s eastern most settlement. While his previous works have been fictional, The Chukchi Bible is a hybrid of legend and hard fact. In a short introduction Rytkheu explains, “The book is not just the story of my lineage, and not just the story of our clan, but also the genealogy and the root of all my books.”
Click here to read the full review.
Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .
It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .
From the late 1940s to the early 1950s, Egypt was going through a period of transition. The country’s people were growing unhappy with the corruption of power in the government, which had been under British rule for decades. The Egyptians’. . .
Miruna is a novella written in the voice of an adult who remembers the summer he (then, seven) and his sister, Miruna (then, six) spent in the Evil Vale with their grandfather (sometimes referred to as “Grandfather,” other times as. . .
Kamal Jann by the Lebanese born author Dominique Eddé is a tale of familial and political intrigue, a murky stew of byzantine alliances, betrayals, and hostilities. It is a well-told story of revenge and, what’s more, a serious novel that. . .
While looking back at an episode in his life, twenty-year-old Taguchi Hiro remembers what his friend Kumamoto Akira said about poetry.
Its perfection arises precisely from its imperfection . . . . I have an image in my head. I see. . .
The central concern of Sorj Chalandon’s novel Return to Killybegs appears to be explaining how a person of staunch political activism can be lead to betray his cause, his country, his people. Truth be told, the real theme of the. . .
Spoiler alert: acclaimed writer Stefan Zweig and his wife Lotte kill themselves at the end of Lauren Seksik’s 2010 novel, The Last Days.
It’s hard to avoid spoiling this mystery. Zweig’s suicide actually happened, in Brazil in 1942, and since then. . .
To call Kjell Askildsen’s style sparse or terse would be to understate just how far he pushes his prose. Almost nothing is explained, elaborated on. In simple sentences, events occur, words are exchanged, narrators have brief thoughts. As often as. . .
After a mysterious woman confesses to an author simply known as “R” that she has loved him since she was a teenager, she offers the following explanation: “There is nothing on earth like the love of a child that passes. . .