The latest addition to our Reviews Section is a piece by Kaija Straumanis on Yuri Rytkheu’s The Chukchi Bible, translated from the Russian by Ilona Yazhbin Chavasse and soon to be available from Archipelago Books.
Rytkheu is one of the only (if not the only) Chukchi writers to be translated into English. His A Dream in Polar Fog came out a few years back to a decent amount of critical attention, and I suspect that The Chukchi Bible will also do pretty well. You can read an excerpt from this new book at Archipelago’s website.
Kaija Straumanis is one of the MA Translation students here at the University of Rochester and is currently working on a translation of a Latvian novel. She also has a large interest on translating humor and is well known among the translation students for the very entertaining, polyphonic way she reads aloud . . .
Here’s the (very Three Percent) opening of her review:
A bird flies around, takes a few shits, the shit turns into land and, voilà, the world is created.
That may sound like a summary of a terrible animated short or a 1970s acid trip, but it’s simply my poorly hyper-abridged version of one of many truly beautiful Chukchi folk tales that mark the beginning of time and man in Yuri Rytkheu’s The Chukchi Bible. Here’s the real version:
“A raven was flying over an expanse. From time to time he slowed his flight and scattered his droppings. Wherever solid matter fell, a land mass appeared; wherever liquid fell became rivers and lakes, puddles and rivulets. Sometimes First Bird’s excrements mingled together, and this created the tundra marshes. The hardest of the Raven’s droppings served as the building blocks for scree slopes, mountains, and craggy cliffs.” [. . .]
Author Yuri Rytkheu (1930-2008) is considered the “father of Chukchi literature“—though the title should probably be more along the lines of “only Chukchi literary figure“—and during his lifetime, published several novels and collections of short stories and poetry. Only a few of his works have been translated into English, the most recent preceding The Chukchi Bible being A Dream in Polar Fog (Archipelago Books, 2006). Rytkheu was born and grew up in the coastal village of Uelen, which is located in the Chukotka region of Russia and is the country’s eastern most settlement. While his previous works have been fictional, The Chukchi Bible is a hybrid of legend and hard fact. In a short introduction Rytkheu explains, “The book is not just the story of my lineage, and not just the story of our clan, but also the genealogy and the root of all my books.”
Click here to read the full review.
The last five days of the eleventh-century Icelandic politician, writer of sagas, and famous murder victim Snorri Sturleleson (the Norwegian spelling, Snorre, is preserved in the book) make up Thorvald Steen’s most recently translated historical fiction, The Little Horse. Murdered. . .
We all know Paris, or at least we think we know it. The Eiffel Tower. The Latin Quarter. The Champs-Élysées. The touristy stuff. In Dominique Fabre’s novel, Guys Like Me, we’re shown a different side of Paris: a gray, decaying. . .
One hundred pages into Birth of a Bridge, the prize-winning novel from French writer Maylis de Kerangal, the narrator describes how starting in November, birds come to nest in the wetlands of the fictional city of Coca, California, for three. . .
At 30, the Mexican writer Valeria Luiselli is already gathering her rosebuds. Faces in the Crowd, her poised debut novel, was published by Coffee House Press, along with her Brodsky-infused essay collection, Sidewalks. The essays stand as a theoretical map. . .
Fantomas Versus the Multinational Vampires: An Attainable Utopia (narrated by Julio Cortázar) is, not disappointingly, as wild a book as its title suggests. It is a half-novella half-graphic novel story about . . . what, exactly? A European tribunal, Latin. . .
Marie NDiaye has created a tiny, psychological masterpiece with her Self-Portrait in Green. In it she explores how our private fears and insecurities can distort what we believe to be real and can cause us to sabotage our intimate relationships.. . .
Reading a genre book—whether fantasy, science fiction, crime, thriller, etc.—which begins to seem excessively, stereotypically bad, I have to make sure to ask myself: is this parodying the flaws of the genre? Usually, this questioning takes its time coming. In. . .
The Sicilian Mafia has always been a rich subject for sensational crime fiction. The Godfather, Goodfellas, and The Sopranos worked the mob’s bloody corpses and family feuds to both entertainment and artistic value. Giuseppe di Piazza’s debut novel attempts this,. . .
Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .
It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .