Since this is a day of Sorokin (the event write-up, the discussion in the podcast), I’m going to skip all the normal author and reviewer stuff and go straight to the review:
Since the novel’s main engine, so to speak, is the attempt to describe (and satirize) an invented world, these set-pieces work exceedingly well. It’s through Komiaga’s experiences that we learn about the “Western Wall” that cuts New Rus off from the stinking filth of Europe, about the political issues related to taxing all the Chinese inhabitants of Siberia, about the importance of religion, the ban on hard drugs (weed and coke are totally cool), and the restrictions on swearing and obscenity. This novel operates within one of the common trappings of science-fiction novels, in which the author ends up building a plot simply in order to show you the various aspects of the world he invented.
You can read the entire review by clicking here.
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