I was going to wait until our manifesto was available online (PEN said it’d be up by last Monday . . . maybe I’m missing something?), but I’ll just jump ahead and tell a quick story or two about this panel that took place last Thursday.
As part of PEN World Voice’s first “Working Day,” Anna Moschovakis of Ugly Duckling Presse, DW Gibson of Mischief + Mayhem, David-Dephy Gogibedashvili, Sergio Chejfec, Eugene Ostashevsky, Jon Fine from Amazon.com, and myself all got together to talk about the forthcoming/ongoing “publishing revolution.” Our conversation was expertly guided by Joshua Furst, who can’t be praised enough for mostly keeping us on track and helping create our manifesto.
Just to provide a bit of background, the “Working Day” panels were limited to only PEN Members and were designed to address a particular issue and issue a Manifesto/Plan of Action.
So, our charge was to write the manifesto for the publishing revolution. Which is as quixotic as it gets.
Nevertheless, the panel was really interesting and evolved into a conversation about
who owns the Internet the role of publishers now and in the future. I’m oversimplifying here (it was a fascinating, wide-ranging conversation that could’ve gone on for an additional 3 hours), but we ended up focusing on the role of the publisher as curator and as entity that helps connect readers with the right book out of the infinite number of books that will soon be available. (Very oversimplified.)
We talked a lot about the role of the Internet, not just as a conduit for distribution and publication, but as a place for developing communities of authors and readers. Richard Nash was quoted and alluded to.
What’s funny-awesome is that upon leaving, Sergio Chejfec (whose My Two Worlds is coming out in August) wandered over to the Housing Works Bookshop. He was browsing around, heard some guy talking to a woman about this book, this really cool book, this book he’s been carrying around all week, this book that she has to read, this book called My Two Worlds by Sergio Chejfec . . . Sergio walked over, introduced himself, and they ended up talking for a while. And to continue the series of circular circumstances, as it turns out, this reader is one of Josh Furst’s students . . . Such a nice ending to our mostly digital conversation. Something things happen in meatspace. Sometimes readers find writers in a totally coincidental fashion . . .
Following The Infatuations, Javier Marías’s latest novel seems, like those that have preceded it, an experiment to test fiction’s capacity to mesmerize with sombre-sexy atmospheres and ruminative elongated sentences stretched across windowless walls of paragraphs. Thus Bad Begins offers his. . .
Death by Water, Kenzaburo Oe’s latest novel to be translated into English, practically begs you to read it as autobiography. Like The Changeling, as well as many other works not yet released in English, Death by Water is narrated in. . .
Jocelyne Saucier’s Twenty-One Cardinals is about the type of unique, indestructible, and often tragic loyalty only found in families. For a brief but stunningly mesmerizing 169 pages, Twenty-One Cardinals invited me in to the haunting and intimate world of the. . .
We know so very little; so little that what we think to be knowledge is hardly worth reckoning with at all; instead we ought to settle for being pleasantly surprised if, on the edge of things, against all expectations, our. . .
Many of Virginie Despentes’s books revolve around the same central idea: “To be born a woman [is] the worst fate in practically every society.” But this message is nearly always packaged in easy-to-read books that fill you with the pleasure. . .
Ilja Leonard Pfeijffer’s La Superba is appropriately titled after the Italian city of Genoa, where, after escaping the pressures of fame in his own country, the semi-autobiographical narrator finds himself cataloguing the experiences of its mesmerizing inhabitants with the intention. . .
It took reading 44 pages of Intervenir/Intervene before I began to get a sense of what Dolores Dorantes and Rodrigo Flores Sánchez were up to. Recurring throughout these 44 pages—throughout the entire book—are shovels, shovel smacks to the face, lobelias—aha!. . .
As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .
It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .
Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .