The new issue of Bookforum arrived in the mail yesterday. Traditionally, the summer issue (covering June/July/Aug) has a significant special section—last year it was “Utopia/Dystopia” and the year before was “Fiction Forward,” with a focus on six new writers.
This year’s special section is Best Sellers and opens with an essay by Ruth Franklin on the history and contents of best-seller lists. (Or, as she points out, fast-seller lists, since “the pace of sales matters as much as the quantity.”) There are also interesting essays by Gerald Howard and Michael Dirda, along with short overviews of a variety of best-sellers, from Cormac McCarthy’s The Road to Pasternak’s Doctor Zhivago to Jaws.
In terms of the normal reviews, there’s a piece by former Harper’s editor Roger Hodge on Intern Nation (a sweetly provocative choice considering Hodge’s exit from Harper’s and all that turmoil), a review by Eric Banks of Raymond Roussel’s Impressions of Africa and New Impressions of Africa, one by Leo Robson on Bohumil Hrabal’s Vita Nuova and Gaps, and a fascinating looking piece by J. C. Hallman on Janet Reitman’s Inside Scientology: The Story of America’s Most Secretive Religion. (Yes, I suppose I am on a bit of a cults kick right now.)
Most of these pieces aren’t available online, but seriously, a subscription is $18/year. Pony up, people. (I feel like there is something interesting going on in today’s culture—we’ve gone from demanding everything for free to being completely willing to pay small amounts of money for the ease and convenience of having something at hand. Publishers always freak out about piracy, without admitting that if they made a very simple, convenient way to buy reasonably priced material—and FYI, $29.95 for an ebook is a long cry from “reasonable”—in the way readers want, at the time that they want, piracy won’t be all that much of an issue. Anyway.)
“The small stone plaza was floating in the midday heat. The Christ of Elqui, kneeling on the ground, his gaze thrown back on high, the part in his hair dark under the Atacaman sun—he felt himself falling into an ecstasy.. . .
This slender, uncanny volume—the second, best-selling collection of stories by Russian author Ludmilla Petrushevskaya to appear in the U.S.—has already received considerable, well-deserved praise from many critics and high profile publications. Its seventeen short tales, averaging ten pages each, are. . .
The Urdu word basti refers to any space, intimate to worldly, and is often translated as “common place” or “a gathering place.” This book by Intizar Husain, who is widely regarded as one of the most important living Pakistani writers,. . .
The Whispering Muse, one of three books by Icelandic writer Sjón just published in North America, is nothing if not inventive. Stories within stories, shifting narration, leaps in time, and characters who transform from men to birds and back again—you’ve. . .
Luis Negrón’s debut collection Mundo Cruel is a journey through Puerto Rico’s gay world. Published in 2010, the book is already in its fifth Spanish edition. Here in the U.S., the collection has been published by Seven Stories Press and. . .
To have watched from one of your patios
the ancient stars
from the bank of shadow to have watched
the scattered lights
my ignorance has learned no names for
nor their places in constellations
to have heard the ring of. . .
When Icelandic author Andri Snær Magnason first published LoveStar, his darkly comic parable of corporate power and media influence run amok, the world was in a very different place. (This was back before both Facebook and Twitter, if you can. . .
When starting Hi, This Is Conchita and Other Stories, Santiago Roncagliolo’s second work to be translated into English, I was expecting Roncagliolo to explore the line between evil and religion that was front and center in Red April. Admittedly, I. . .
Christa Wolf’s newly-translated City of Angels is a novel of atonement, and in this way the work of art that it resembles most to me is not another book, but the 2003 Sophia Coppola film Lost in Translation. Like that. . .
French author—philosopher, poet, novelist—de Roblès writes something approaching the Great (Latin) American Novel, about Brazilian characters, one of whom is steeped in the life of the seventeenth century polymath (but almost always erroneous) Jesuit Athanasius Kircher. Eleazard von Wogau, a. . .