8 June 11 | Chad W. Post

The latest addition to our Reviews Section is a piece by Catherine Bailey on A Life on Paper: Stories by Georges-Olivier Châteaureynaud, translated from the French by Edward Gauvin, and available from Small Beer Press.

Catherine Bailey is an English grad student here at the University of Rochester. (Or maybe was . . . I think she just graduated. And if so, congrats!) She reviewed Alina Bronsky’s Broken Glass Park for us last fall.

Chateaureynaud’s A Life on Paper: Stories is absolutely brilliant. It was also a finalist for this year’s Best Translated Book Award and is translated by one of the coolest & smartest translators out there. Edward has quite a fanbase . . . If you listen carefully to the video of the BTBA Award Ceremony you will hear a screams of support from the audience when his name is read.

Here’s the opening of Catherine’s review:

In reading this marvelous selection of Georges-Olivier Châteaureynaud’s short fiction, I could not help but reminisce about childhood nights spent huddled near a campfire, seated at the feet of an elder and listening, enraptured, to ghost stories. Like those master storytellers whose haunting tales were exaggerated by the play of their hands over the flame, Châteaureynaud makes expert thematic use of both light and shadow to reveal his fantastical realms of wonder and fear. His unassuming prose startles as it entrances, holding readers on the edge of elegantly rendered, fantastical dream-worlds while all at once alluding to their more nightmarish qualities. In the style of Kafka and Poe, Châteaureynaud makes the supernatural seem not only present, but ubiquitous, inclined to encroach at any moment on the humdrum lives of unsuspecting mortals. More sinister than fairy tales, yet not quite definable as horror stories, Châteaureynaud’s whimsical writings leave one unsettled and alert, appreciating anew the possibilities of the chilly night air while simultaneously feeling the urge to draw nearer to the fire—just in case.

There are no consequential clashes in Châteaureynaud’s stories, nor heroic exploits. These are Everyman stories, brushes of ordinary individuals with forces beyond their control and explanation. Protagonists may be shaken, inspired, perplexed, and disturbed by these encounters, but they are rarely surprised. This is one of the distinguishing and most enjoyable marks of Châteaureynaud’s prose—in a recurring device akin to magical realism, the author abruptly introduces a maverick element into an otherwise banal scenario, but the arrival of this supernatural intervention is accommodated by characters without much shock or disbelief. In “La Tête,” a doctor is visited by a patient who carries a still-cognizant talking head around in a sack. More

Click here to read the entire piece.


Comments are disabled for this article.
....
Intervenir/Intervene
Intervenir/Intervene by Dolores Dorantes; Rodrigo Flores Sánchez
Reviewed by Vincent Francone

It took reading 44 pages of Intervenir/Intervene before I began to get a sense of what Dolores Dorantes and Rodrigo Flores Sánchez were up to. Recurring throughout these 44 pages—throughout the entire book—are shovels, shovel smacks to the face, lobelias—aha!. . .

Read More >

All Days Are Night
All Days Are Night by Peter Stamm
Reviewed by Lori Feathers

As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .

Read More >

The Seven Good Years
The Seven Good Years by Etgar Keret
Reviewed by Vincent Francone

It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .

Read More >

Human Acts
Human Acts by Han Kang
Reviewed by J.C. Sutcliffe

Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .

Read More >

Nowhere to Be Found
Nowhere to Be Found by Bae Suah
Reviewed by Pierce Alquist

It’s been almost a year since the publication of Nowhere to Be Found by Bae Suah, but despite being included on the 2015 PEN Translation award longlist, and some pretty vocal support from key indie presses, the book has. . .

Read More >

La paz de los vencidos
La paz de los vencidos by Jorge Eduardo Benavides
Reviewed by Brendan Riley

Jorge Eduardo Benavides’ novel La paz de los vencidos (The Peace of the Defeated) takes the form of a diary written by a nameless Peruvian thirty-something intellectual slumming it in Santa Cruz de Tenerife in Spain’s Canary Islands. Recently relocated. . .

Read More >

Souffles-Anfas: A Critical Anthology
Souffles-Anfas: A Critical Anthology by Various
Reviewed by Emma Ramadan

Anyone with any interest at all in contemporary Moroccan writing must start with Souffles. A cultural and political journal, Souffles (the French word for “breaths”) was founded in 1966 by Abdellatif Laâbi and Mostafa Nissabouri. Run by a group of. . .

Read More >

Berlin
Berlin by Aleš Šteger
Reviewed by Vincent Francone

Randall Jarrell once argued a point that I will now paraphrase and, in doing so, over-simplify: As a culture, we need book criticism, not book reviews. I sort of agree, but let’s not get into all of that. Having finished. . .

Read More >

The Gun
The Gun by Fuminori Nakamura
Reviewed by Will Eells

Like any good potboiler worth its salt, Fuminori Nakamura’s The Gun wastes no time setting up its premise: “Last night, I found a gun. Or you could say I stole it, I’m not really sure. I’ve never seen something so. . .

Read More >

This Place Holds No Fear
This Place Holds No Fear by Monika Held
Reviewed by Lori Feathers

Heiner Resseck, the protagonist in Monika Held’s thought-provoking, first novel, This Place Holds No Fear, intentionally re-lives his past every hour of every day. His memories are his treasures, more dear than the present or future. What wonderful past eclipses. . .

Read More >

The next few events from our Translation Events Calendar: See More Events >