9 June 11 | Chad W. Post

As part of this week’s Read This Next activities, we just posted an interview with Horacio Castellanos Moya about Tyrant Memory:

Chad W. Post: How does Tyrant Memory compare to the other works of yours that have been translated into English? It seems to revolve around similar political themes.

Horacio Castellanos Moya: Tyrant Memory belongs to a group of novels that deal with members of the Aragon family. And indeed, through the personal and family problems of these characters, you can grasp some intense historical moments in Central America. This is the first of that group of novels that has been translated into English.

One difference between Tyrant Memory and the other three works of mine that have been translated into English is that most of Tyrant Memory doesn’t take place in contemporary El Salvador, but in April and May of 1944, when there was a failed military coup d’etat and then a successful general strike to put and end to a 12-year dictatorship. Politics is all around, of course, but you see it through the eyes of a conservative, catholic, 44-year old lady, and to be more precise, through her diary, where she writes down whatever happens to her since her husband was put in jail for being a journalist who supports the opposition. And this is another difference: the main characters of the other three novels are a little bit out of their minds, deeply affected by violence; in Tyrant Memory, Haydee (the main character) is ruled by common sense and strong moral principals.

CWP: “Ruled by common sense”? This seems like a sharp diversion from the (justifiably) paranoid narrator of Senselessness, or the crazed protagonist killer in Dance with Snakes, or even Laura Rivera from She-Devil. How did you like writing a (somewhat?) sane character?

HCM: It was a challenge. I had to dig deep in myself in order to grasp the mentality and the voices of those conservative, common-sensed ladies that I have met along my life. The challenge was to do it without bias, trying to see the world through their eyes. Once I got the voice, it demanded me a lot of control to keep it. It was exhausting, but I enjoyed it.

Click here to read the rest of the interview.

Comments are disabled for this article.
Rambling Jack
Rambling Jack by Micheál Ó Conghaile
Reviewed by Vincent Francone

“Rambling Jack—what’s that?”
“A novel. Novella, I guess.”
“Yeah, it looks short. What is it, a hundred pages?”
“Sorta. It’s a duel language book, so really, only about… 50 pages total.”
“50 pages?”
“Including illustrations.”
“And this—what. . .

Read More >

The Things We Don't Do
The Things We Don't Do by Andrés Neuman
Reviewed by Tiffany Nichols

Many authors are compared to Roberto Bolaño. However, very few authors have the privilege of having a Roberto Bolaño quote on the cover of their work; and at that, one which states, “Good readers will find something that can be. . .

Read More >

Private Life
Private Life by Josep Maria de Sagarra
Reviewed by Christopher Iacono

In Josep Maria de Sagarra’s Private Life, a man harangues his friend about literature while walking through Barcelona at night:

When a novel states a fact that ties into another fact and another and another, as the chain goes on. . .

Read More >

Dinner by César Aira
Reviewed by Lori Feathers

César Aira dishes up an imaginative parable on how identity shapes our sense of belonging with Dinner, his latest release in English. Aira’s narrator (who, appropriately, remains nameless) is a self-pitying, bitter man—in his late fifties, living again with. . .

Read More >

We're Not Here to Disappear
We're Not Here to Disappear by Olivia Rosenthal
Reviewed by Megan C. Ferguson

Originally published in French in 2007, We’re Not Here to Disappear (On n’est pas là pour disparaître) won the Prix Wepler-Fondation La Poste and the Prix Pierre Simon Ethique et Réflexion. The work has been recently translated by Béatrice Mousli. . .

Read More >

The Queen's Caprice
The Queen's Caprice by Jean Echenoz
Reviewed by Christopher Iacono

Even though the latest from Jean Echenoz is only a thin volume containing seven of what he calls “little literary objects,” it is packed with surprises. In these pieces, things happen below the surface, sometimes both literally and figuratively. As. . .

Read More >

French Concession
French Concession by Xiao Bai
Reviewed by Emily Goedde

Who is this woman? This is the question that opens Xiao Bai’s French Concession, a novel of colonial-era Shanghai’s spies and revolutionaries, police and smugglers, who scoot between doorways, walk nonchalantly down avenues, smoke cigars in police bureaus, and lounge. . .

Read More >

Anna Karenina
Anna Karenina by Leo Tolstoy
Reviewed by Christopher Iacono

For the past 140 years, Anna Karenina has been loved by millions of readers all over the world. It’s easy to see why: the novel’s two main plots revolve around characters who are just trying to find happiness through love.. . .

Read More >

The Cold Song
The Cold Song by Linn Ullmann
Reviewed by David Richardson

Linn Ullmann’s The Cold Song, her fifth novel, is built much like the house about which its story orbits: Mailund, a stately white mansion set in the Norwegian countryside a few hours drive from Oslo. The house, nestled into the. . .

Read More >

This Life
This Life by Karel Schoeman
Reviewed by P. T. Smith

Karel Schoeman’s Afrikaans novel, This Life, translated by Else Silke, falls into a genre maybe only noticed by the type of reader who tends toward Wittgenstein-type family resemblances. The essential resemblance is an elderly narrator, usually alone—or with one other. . .

Read More >

The next few events from our Translation Events Calendar: See More Events >