13 June 11 | Chad W. Post

The latest addition to our Reviews Section is a piece by Kaija Straumanis on Wiesław Myśliwski’s Stone Upon Stone, translated from the Polish by Bill Johnston, and available from Archipelago Books.

Kaija Straumanis is a grad student in the MA translation program (MALTS for short) here at the University of Rochester. She’s currently in Latvia, “partying like an Eastern European” (?!) and trying to find the perfect work of Latvian Literature for Open Letter.

I assigned Stone Upon Stone for the “World Literature & Translation” class I taught last spring. It’s 534 pages long. I initially thought there was going to be a silent coup, with everyone griping about all the stuff they have to do for other classes . . . But no! Everyone loved the novel. (Or almost everyone—I’m remembering this with an optimist’s viewpoint.) And with good reason. This is my early favorite for the 2012 Best Translated Book Award due to Szymek’s incredible voice, and Bill Johnson’s amazing translation. This is a stunning book—one that is very easy to get sucked into . . . Those 534 pages fly by as if it were a novella! (Well, OK maybe not fly, but still.)

Here’s the opening of Kaija’s review:

It doesn’t take that many pages to figure out that the narrator of Stone Upon Stone is a womanizing, egotistical douche bag. Through a hyperbolic and highly digressive retelling of his life (ironically centered on the construction of a tomb), main man Szymek Pietruszka makes it clear that he is known by all around him as the best drinker, fighter, singer, dancer, ladies’ man—all the men want to be him and all the women want to be with him, etc. etc. But what’s amazing is that as much as Szymek is the type of guy you’d want to elbow hard in the back of the neck “on accident,” you can’t help but feel for and even like him. In just under 600 pages of palpable rural Polish imagery and culture, author Wiesław Myśliwski shows how easy it is to take a man who has seemingly spent his life at the top of his game and break him down piece-by-piece until he has nothing left but himself and the land.

Wiesław Myśliwski (1932- ) is an award winning Polish novelist and playwright whose novels have largely not yet been translated into English (with the exception of Palace [1991, Peter Owen Ltd] and the forthcoming A Treatise on Shelling Beans [2013, Archipelago]). Stone Upon Stone (Polish original published in 1984) has been called Myśliwski’s “grand epic,” and not without reason. In addition to specializing in all things Polish countryside, Myśliwski is a master not only of invoking location, but also of creating characters. The voice of Szymek Pietruszka is so distinct and so unique that it’s almost unreal to think the English translation is, in fact, a translation. That’s not to say it’s been streamlined to fit what could be considered a more “American” ideal or standard for fiction—this book is undeniably European. It’s more like the book was originally written in English.

Click here to read the entire review.


Comments are disabled for this article.
....
All Days Are Night
All Days Are Night by Peter Stamm
Reviewed by Lori Feathers

As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .

Read More >

The Seven Good Years
The Seven Good Years by Etgar Keret
Reviewed by Vincent Francone

It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .

Read More >

Human Acts
Human Acts by Han Kang
Reviewed by J.C. Sutcliffe

Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .

Read More >

Nowhere to Be Found
Nowhere to Be Found by Bae Suah
Reviewed by Pierce Alquist

It’s been almost a year since the publication of Nowhere to Be Found by Bae Suah, but despite being included on the 2015 PEN Translation award longlist, and some pretty vocal support from key indie presses, the book has. . .

Read More >

La paz de los vencidos
La paz de los vencidos by Jorge Eduardo Benavides
Reviewed by Brendan Riley

Jorge Eduardo Benavides’ novel La paz de los vencidos (The Peace of the Defeated) takes the form of a diary written by a nameless Peruvian thirty-something intellectual slumming it in Santa Cruz de Tenerife in Spain’s Canary Islands. Recently relocated. . .

Read More >

Souffles-Anfas: A Critical Anthology
Souffles-Anfas: A Critical Anthology by Various
Reviewed by Emma Ramadan

Anyone with any interest at all in contemporary Moroccan writing must start with Souffles. A cultural and political journal, Souffles (the French word for “breaths”) was founded in 1966 by Abdellatif Laâbi and Mostafa Nissabouri. Run by a group of. . .

Read More >

Berlin
Berlin by Aleš Šteger
Reviewed by Vincent Francone

Randall Jarrell once argued a point that I will now paraphrase and, in doing so, over-simplify: As a culture, we need book criticism, not book reviews. I sort of agree, but let’s not get into all of that. Having finished. . .

Read More >

The Gun
The Gun by Fuminori Nakamura
Reviewed by Will Eells

Like any good potboiler worth its salt, Fuminori Nakamura’s The Gun wastes no time setting up its premise: “Last night, I found a gun. Or you could say I stole it, I’m not really sure. I’ve never seen something so. . .

Read More >

This Place Holds No Fear
This Place Holds No Fear by Monika Held
Reviewed by Lori Feathers

Heiner Resseck, the protagonist in Monika Held’s thought-provoking, first novel, This Place Holds No Fear, intentionally re-lives his past every hour of every day. His memories are his treasures, more dear than the present or future. What wonderful past eclipses. . .

Read More >

The Room
The Room by Jonas Karlsson
Reviewed by Peter Biello

If you’ve ever worked in a corporate office, you’ve likely heard the phrase, “Perception is reality.” To Björn, the office worker who narrates Jonas Karlsson’s novel The Room, the reality is simple: there’s a door near the bathroom that leads. . .

Read More >

The next few events from our Translation Events Calendar: See More Events >