To satisfy those fans of Arab literature, or those just getting turned on to the subject, Banipal is bringing out its newest issue, Banipal 41, available now.
Founded in 1998 and published for the last thirteen years, Banipal is an independent Arab literature magazine distributing contemporary work from all parts of the Arab world in English translation and is a co-sponsor for the Saif Ghobash-Banipal Prized for Arabic Literary Translation.
This latest issue, Banipal 41, focuses on essays “Celebrating Adonis” with writers VS Naipaul, Stephen Watts, and Hassouna Mosbahi, among others. The issue is also giving a special look at Arab writers in Sweden, paying homage to artists like Syrian writer Salim Barakat and Faraj Bayrakdar doing work in the Scandinavian home of Stieg Larsson and who are continuing to produce Arab works as pieces descending from a culture and a language, and not a place.
Banipal is released three times a year with the back issues touching on Modern Tunisian Literature, Arab American Authors, Iraqi Authors, and The World of Arabic Fiction. Banipal’s next issue, Banipal 42, will be Literature from the Emirates.
To check out the Banipal page, click here.
At 30, the Mexican writer Valeria Luiselli is already gathering her rosebuds. Faces in the Crowd, her poised debut novel, was published by Coffee House Press, along with her Brodsky-infused essay collection, Sidewalks. The essays stand as a theoretical map. . .
Fantomas Versus the Multinational Vampires: An Attainable Utopia (narrated by Julio Cortázar) is, not disappointingly, as wild a book as its title suggests. It is a half-novella half-graphic novel story about . . . what, exactly? A European tribunal, Latin. . .
Marie NDiaye has created a tiny, psychological masterpiece with her Self-Portrait in Green. In it she explores how our private fears and insecurities can distort what we believe to be real and can cause us to sabotage our intimate relationships.. . .
Reading a genre book—whether fantasy, science fiction, crime, thriller, etc.—which begins to seem excessively, stereotypically bad, I have to make sure to ask myself: is this parodying the flaws of the genre? Usually, this questioning takes its time coming. In. . .
The Sicilian Mafia has always been a rich subject for sensational crime fiction. The Godfather, Goodfellas, and The Sopranos worked the mob’s bloody corpses and family feuds to both entertainment and artistic value. Giuseppe di Piazza’s debut novel attempts this,. . .
Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .
It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .
From the late 1940s to the early 1950s, Egypt was going through a period of transition. The country’s people were growing unhappy with the corruption of power in the government, which had been under British rule for decades. The Egyptians’. . .
Miruna is a novella written in the voice of an adult who remembers the summer he (then, seven) and his sister, Miruna (then, six) spent in the Evil Vale with their grandfather (sometimes referred to as “Grandfather,” other times as. . .
Kamal Jann by the Lebanese born author Dominique Eddé is a tale of familial and political intrigue, a murky stew of byzantine alliances, betrayals, and hostilities. It is a well-told story of revenge and, what’s more, a serious novel that. . .