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The latest addition to our Reviews Section is a piece by Lily Ye on Magdalena Tulli’s In Red, this week’s Read This Next book, which is translated from the Polish by Bill Johnston and coming out in September from Archipelago Books.
Lily comes to us from the University of Chicago by way of Jeff Waxman’s glowing recommendation. Expect to see her name on Three Percent a lot over the next few months, since she’s managing the Read This Next project.
Here’s the opening of her review:
Stitchings, the town in which Magdalena Tulli’s In Red exclusively takes place, is one of those fictional locales which always has me wondering if there is some place in reality perhaps so-named that has been reimagined, or if it truly exists only as a fantastic realm in the author’s imagination. With a poor working knowledge of anything geographic in general, it would not have surprised me to find out that Tulli’s Stitchings did in fact exist—but it is largely due to the power this imaginary town wields in dictating the course of the novel’s many intertwining threads that contributes to a nagging feeling that there must be something corporeal to this place, for it to grip its chronicler so tightly.
The narration never shifts its focus from the town: every narrative move seems to be led by flow of time through this singular place. Characters and plots appear and disappear as their significance waxes and wanes in relation to the life of the town itself. You cannot choose a favorite protagonist, for as soon as you do, Stitchings may have already lost interest, or better yet, said protagonist may well die (as most quickly do), but having died, might yet also return (not uncommon as well). The love story, the war story, these are not narrative frameworks Tulli has time to dwell on, for Stitchings presses on without regard for a classic conflict-resolution arc. A single bullet can be fired which will continue to orbit the earth, completely ignored, until it reappears in the town thirty pages later, firmly lodging itself in a man’s chest.
Throughout the book however, like the most insidious of villains, Stitchings remains largely concealed in the background. As its own entity, the town is only brought into the foreground a few times where the audience is directly addressed in the manner of a travel or tourist agency.
Click here to read the full review.
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Three Percent is supported in part by the New York State Council on the Arts.
