The latest addition to our Reviews Section is a piece by Taylor McCabe on The Last Brother by Nathacha Appanah, which is translated from the French by Geoffrey Strachan and available from Graywolf Press.
Taylor McCabe (aka “Intern #1”) is a student here at the University of Rochester where she’s majoring in French and English and is on the Fencing Club. She’s also hard at work editing the “Best of Three Percent” book that we’re putting together . . . (More info about that in a few weeks.)
Nathacha Appanah is a French-Mauritian of Indian origin, and this is the first book of hers to make its way into English. Appanah was a guest at this year’s PEN World Voices Festival and participated in the “Great Books: An Inheritance of Literary Wealth” event, which you can listen to here. Books: An Inheritance of Literary Wealth
Taylor wasn’t 100% sold on this book, which nevertheless sounds like it will appeal to a lot of readers. (And for a slight contrast, this review from the NY Times is a bit more positive.)
Indian-born Nathacha Appanah’s The Last Brother is clearly meant to be touching. The story, told in flashback, revolves around Raj, a nine year old boy who lives with his mother and abusive father on a remote island in the Indian Ocean, and David, an orphaned Jewish refugee who has been indefinitely detained on the island of Mauritius while on a pilgrimage between Nazi occupied Europe and Palestine. After a brief meeting on opposite sides of a fence at the jail where David is contained and Raj’s father is guard, the two boys become friends (despite a language barrier that seems to become inconsequential later in the book) while Raj is in the camp’s hospital after a vicious beating from his father.
Shortly after Raj is sent home, an enormous storm causes a breach of security at the jail, and the boys orchestrate an escape. Raj brings David to his home, where he and his mother conspire to hide the young escapee from Raj’s father and the prison officials sent to track him down. Raj begins to see David as a replacement brother—thus the title—for the two brothers he lost in a mudslide approximately a year before meeting David.
I think of The Last Brother in a touching movie-trailer montage: cut from the scene of the old man in the graveyard to two young boys on the opposite sides of a jail yard fence, then flash to the bewildered boys wandering around amidst overgrown trees. Think The Boy in the Striped Pajamas meets Slumdog Millionaire.
Click here to read the complete review.
For the past 140 years, Anna Karenina has been loved by millions of readers all over the world. It’s easy to see why: the novel’s two main plots revolve around characters who are just trying to find happiness through love.. . .
Linn Ullmann’s The Cold Song, her fifth novel, is built much like the house about which its story orbits: Mailund, a stately white mansion set in the Norwegian countryside a few hours drive from Oslo. The house, nestled into the. . .
Karel Schoeman’s Afrikaans novel, This Life, translated by Else Silke, falls into a genre maybe only noticed by the type of reader who tends toward Wittgenstein-type family resemblances. The essential resemblance is an elderly narrator, usually alone—or with one other. . .
In Joris-Karl Hyusmans’s most popular novel, À rebours (Against Nature or Against the Grain, depending on the which translated edition you’re reading), there is a famous scene where the protagonist, the decadent Jean des Esseintes, starts setting gemstones on the. . .
There are books that can only wisely be recommended to specific types of readers, where it is easy to know who the respective book won’t appeal to, and Kristiina Ehin’s Walker on Water is one these. What makes this neither. . .
Imagine the most baroque excesses of Goethe, Shakespeare, and Poe, blended together and poured into a single book: That is The Nightwatches of Bonaventura. Ophelia and Hamlet fall in love in a madhouse, suicidal young men deliver mournful and heartfelt. . .
In 1899, Maurice Ravel wrote “Pavane pour une infante défunte” (“Pavane for a Dead Princess”) for solo piano (a decade later, he published an orchestral version). The piece wasn’t written for a particular person; Ravel simply wanted to compose a. . .
Fiston Mwanza Mujila is an award-winning author, born in the Democratic Republic of Congo, who now, at 33, lives in Austria. From what I could find, much of his work is influenced by the Congo’s battle for independence and its. . .
Twenty-One Days of a Neurasthenic is not a novel in the traditional sense. Rather, it is a collection of vignettes recorded by journalist Georges Vasseur in his diary during a month spent in the Pyrenées Mountains to treat his nervous. . .
Founded in 1960 by such creative pioneers as George Perec, Raymond Queneau and Italo Calvino, the Oulipo, shorthand for Ouvroir de littérature potentielle, came about in when a group of writers and mathematicians sought constraints to find new structures and. . .