The latest addition to our Reviews Section is a piece by Sasha Miller on The Demon at Agi Bridge and Other Japanese Tales, a collection edited by Hauro Shirane, translated by Burton Watson, and available from Columbia University Press.
This book is part of Columbia’s Translations from the Asian Classics series, which is just one of several Asian-related book series published by CUP. In many ways, CUP is to Asian literature as AUP is to Arabic lit . . . As Lily mentioned in this week’s Read This Next post, we’re going to be featuring one of the book from their Modern Chinese Literature from Taiwan series in a few weeks.
Anyway, onto the review of The Demon at Agi Bridge:
“That must be the demon!” And what a demon it is! Oozing pustules covering bodies, blood excreting from tiny pores, sharpened horns decorating bony skulls . . . The Demon at Agi Bridge and Other Japanese Tales is an expounding collection brimming with translated historical and cultural Japanese anecdotes, focusing specifically on traditionally oral Japanese narratives, known as setsuwa. The combined efforts of translator and editor Burton Watson and Hauro Shirane, respectively, elicit tales for the ignorant reader as well as for those more knowledgeable about the Japanese culture.
A book vaguely reminiscent of the Western morality tales Aesop’s Fables, The Demon at Agi Bridge truly reflects the Japanese oral tradition. The stories themselves often end with a lesson—life lessons such as promoting kindness and friendship (as in the tale “How a Man Received a Bounty After a Period of Prayer at the Hase Temple” where a poor samurai, in possession of no goods or money, profits solely from the kindness he gives others along his travels) while dissuading such actions as envy and dishonesty.
Click here to read the full review.
At 30, the Mexican writer Valeria Luiselli is already gathering her rosebuds. Faces in the Crowd, her poised debut novel, was published by Coffee House Press, along with her Brodsky-infused essay collection, Sidewalks. The essays stand as a theoretical map. . .
Fantomas Versus the Multinational Vampires: An Attainable Utopia (narrated by Julio Cortázar) is, not disappointingly, as wild a book as its title suggests. It is a half-novella half-graphic novel story about . . . what, exactly? A European tribunal, Latin. . .
Marie NDiaye has created a tiny, psychological masterpiece with her Self-Portrait in Green. In it she explores how our private fears and insecurities can distort what we believe to be real and can cause us to sabotage our intimate relationships.. . .
Reading a genre book—whether fantasy, science fiction, crime, thriller, etc.—which begins to seem excessively, stereotypically bad, I have to make sure to ask myself: is this parodying the flaws of the genre? Usually, this questioning takes its time coming. In. . .
The Sicilian Mafia has always been a rich subject for sensational crime fiction. The Godfather, Goodfellas, and The Sopranos worked the mob’s bloody corpses and family feuds to both entertainment and artistic value. Giuseppe di Piazza’s debut novel attempts this,. . .
Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .
It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .
From the late 1940s to the early 1950s, Egypt was going through a period of transition. The country’s people were growing unhappy with the corruption of power in the government, which had been under British rule for decades. The Egyptians’. . .
Miruna is a novella written in the voice of an adult who remembers the summer he (then, seven) and his sister, Miruna (then, six) spent in the Evil Vale with their grandfather (sometimes referred to as “Grandfather,” other times as. . .
Kamal Jann by the Lebanese born author Dominique Eddé is a tale of familial and political intrigue, a murky stew of byzantine alliances, betrayals, and hostilities. It is a well-told story of revenge and, what’s more, a serious novel that. . .