This week, instead of listening to me and Tom pontificate about literary matters far and wide, we decided to change things up a bit and find out what our summer interns have been up to. With Nathan Furl standing in for Tom, we talk to Taylor McCabe (left, drinking diet soda) and Lily Ye (right, carrying two backpacks filled with literary work) about what it’s like working at Open Letter and the projects they’ve been slaving away at all summer. (Spoiler: Taylor’s been working on the “Best of Three Percent” ebook, and Lily’s in charge of Read This Next.)
Both have interesting things to say and good jokes to make, so I think you’ll enjoy this as much—if not more so—that our usual fare.
Quick notes: As mentioned at the end of the podcast, we’d like to do a special “mailbag” episode in a couple weeks, so please send in any comments or questions you might have. And we can range far and wide on this, so anything you want us to talk about—translation fees, Spanish wine, women’s professional soccer (seriously, I’m a junky)—just let me know at chad.post[at]rochester.edu.
This week’s music is As Serious As Your Life by Four Tet. If it were up to me, we would have a podcast just featuring all my favorite Four Tet songs . . . “My Angel Rocks Back and Forth,” “Unspoken,” “Everything Is Alright,” “This Unfolds” . . .
At 30, the Mexican writer Valeria Luiselli is already gathering her rosebuds. Faces in the Crowd, her poised debut novel, was published by Coffee House Press, along with her Brodsky-infused essay collection, Sidewalks. The essays stand as a theoretical map. . .
Fantomas Versus the Multinational Vampires: An Attainable Utopia (narrated by Julio Cortázar) is, not disappointingly, as wild a book as its title suggests. It is a half-novella half-graphic novel story about . . . what, exactly? A European tribunal, Latin. . .
Marie NDiaye has created a tiny, psychological masterpiece with her Self-Portrait in Green. In it she explores how our private fears and insecurities can distort what we believe to be real and can cause us to sabotage our intimate relationships.. . .
Reading a genre book—whether fantasy, science fiction, crime, thriller, etc.—which begins to seem excessively, stereotypically bad, I have to make sure to ask myself: is this parodying the flaws of the genre? Usually, this questioning takes its time coming. In. . .
The Sicilian Mafia has always been a rich subject for sensational crime fiction. The Godfather, Goodfellas, and The Sopranos worked the mob’s bloody corpses and family feuds to both entertainment and artistic value. Giuseppe di Piazza’s debut novel attempts this,. . .
Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .
It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .
From the late 1940s to the early 1950s, Egypt was going through a period of transition. The country’s people were growing unhappy with the corruption of power in the government, which had been under British rule for decades. The Egyptians’. . .
Miruna is a novella written in the voice of an adult who remembers the summer he (then, seven) and his sister, Miruna (then, six) spent in the Evil Vale with their grandfather (sometimes referred to as “Grandfather,” other times as. . .
Kamal Jann by the Lebanese born author Dominique Eddé is a tale of familial and political intrigue, a murky stew of byzantine alliances, betrayals, and hostilities. It is a well-told story of revenge and, what’s more, a serious novel that. . .