This week, instead of listening to me and Tom pontificate about literary matters far and wide, we decided to change things up a bit and find out what our summer interns have been up to. With Nathan Furl standing in for Tom, we talk to Taylor McCabe (left, drinking diet soda) and Lily Ye (right, carrying two backpacks filled with literary work) about what it’s like working at Open Letter and the projects they’ve been slaving away at all summer. (Spoiler: Taylor’s been working on the “Best of Three Percent” ebook, and Lily’s in charge of Read This Next.)
Both have interesting things to say and good jokes to make, so I think you’ll enjoy this as much—if not more so—that our usual fare.
Quick notes: As mentioned at the end of the podcast, we’d like to do a special “mailbag” episode in a couple weeks, so please send in any comments or questions you might have. And we can range far and wide on this, so anything you want us to talk about—translation fees, Spanish wine, women’s professional soccer (seriously, I’m a junky)—just let me know at chad.post[at]rochester.edu.
This week’s music is As Serious As Your Life by Four Tet. If it were up to me, we would have a podcast just featuring all my favorite Four Tet songs . . . “My Angel Rocks Back and Forth,” “Unspoken,” “Everything Is Alright,” “This Unfolds” . . .
Reading a genre book—whether fantasy, science fiction, crime, thriller, etc.—which begins to seem excessively, stereotypically bad, I have to make sure to ask myself: is this parodying the flaws of the genre? Usually, this questioning takes its time coming. In. . .
The Sicilian Mafia has always been a rich subject for sensational crime fiction. The Godfather, Goodfellas, and The Sopranos worked the mob’s bloody corpses and family feuds to both entertainment and artistic value. Giuseppe di Piazza’s debut novel attempts this,. . .
Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .
It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .
From the late 1940s to the early 1950s, Egypt was going through a period of transition. The country’s people were growing unhappy with the corruption of power in the government, which had been under British rule for decades. The Egyptians’. . .
Miruna is a novella written in the voice of an adult who remembers the summer he (then, seven) and his sister, Miruna (then, six) spent in the Evil Vale with their grandfather (sometimes referred to as “Grandfather,” other times as. . .
Kamal Jann by the Lebanese born author Dominique Eddé is a tale of familial and political intrigue, a murky stew of byzantine alliances, betrayals, and hostilities. It is a well-told story of revenge and, what’s more, a serious novel that. . .
While looking back at an episode in his life, twenty-year-old Taguchi Hiro remembers what his friend Kumamoto Akira said about poetry.
Its perfection arises precisely from its imperfection . . . . I have an image in my head. I see. . .
The central concern of Sorj Chalandon’s novel Return to Killybegs appears to be explaining how a person of staunch political activism can be lead to betray his cause, his country, his people. Truth be told, the real theme of the. . .
Spoiler alert: acclaimed writer Stefan Zweig and his wife Lotte kill themselves at the end of Lauren Seksik’s 2010 novel, The Last Days.
It’s hard to avoid spoiling this mystery. Zweig’s suicide actually happened, in Brazil in 1942, and since then. . .