7 September 11 | Chad W. Post

The latest addition to our Reviews Section is a piece by Daniela Hurezanu about Alex Epstein’s Lunar Savings Time, which is translated from the Hebrew by Becka Mara McKay and available from Clockroot Books.

Daniela Hurezanu has reviewed for us several times in the past, and here’s her official bio, courtesy of Words Without Borders:

Daniela Hurezanu has a Ph.D. in Romance languages and literatures and taught French for ten years at several universities in the United States. She has authored a book of literary criticism and scholarly articles in magazines such as The Romanic Review, Post-Scriptum.ORG, Orbis Litterarum, and Phréatique. She has published translations in Metamorphoses, Manoa, Field, Exquisite Corpse, New Orleans Review, and Circumference, and her original work has appeared or is forthcoming in LittéRéalité, Pacific Review and Prairie Schooner. In 2004 she received a Francophone award for short stories.

Even if we weren’t interested in Alex Epstein’s work (we are!), we’d review this based solely on our respect and admiration for Clockroot Books (stellar press) and Becka McKay (one of the friendliest and funniest and most talented of all contemporary translators). Here’s the opening of Daniela’s review:

Becka Mara McKay is slowly becoming one of our most reliable translators from the Hebrew. Her most recent translation, Lunar Savings Time (2011) comes as a counterpart to Blue Has no South (2010), both by Alex Epstein, and available from Clockroot Books. The two books complement each other not only physically, but also because they could be part of the same book. Published as “stories,” they would be probably categorized as prose poem or flash fiction collections by most American readers and writers.

The fact that, as in his previous book, the pieces in Epstein’s Lunar Savings Time are framed as “stories” is not unimportant because the framing forces the reader to adopt a certain position by focusing on the narrative thread. Indeed, with very few exceptions, all the pieces in this collection, no matter how short, “tell a story.” Even the exceptions could be called, technically speaking, “stories,” because there is something happening in them: “The last man in the world wrote the last haiku in the world;” or: “The ghost was still breastfeeding.”

There are two major influences that are obvious in this collection: Borges and Kafka. The references to Borges are indirect, and can be detected in a structure many of the pieces have, in which a story and its main protagonist become a tangent to another story with another protagonist, so that each story appears as the fragment of another, bigger story. On the other hand, Kafka’s name appears many times, as well as those of other famous real people, such as Heidegger, Stephen Hawking, Yuri Gagarin, Emily Dickinson, or mythological Greek heroes, which are appropriated in made-up contexts.

Click here to read the entire review.


Comments are disabled for this article.
....
The Truce
The Truce by Mario Benedetti
Reviewed by Adrianne Aron

Mario Benedetti (1920-2009), Uruguay’s most beloved writer, was a man who loved to bend the rules. He gave his haikus as many syllables as fit his mood, and wrote a play divided into sections instead of acts. In his country,. . .

Read More >

I Am a Season That Does Not Exist in the World
I Am a Season That Does Not Exist in the World by Kim Kyung Ju
Reviewed by Jacob Rogers

Kim Kyung Ju’s I Am a Season That Does Not Exist in the World, translated from the Korean by Jake Levine, is a wonderful absurdist poetry collection. It’s a mix of verse and prose poems, or even poems in the. . .

Read More >

Kingdom Cons
Kingdom Cons by Yuri Herrera
Reviewed by Sarah Booker

Yuri Herrera is overwhelming in the way that he sucks readers into his worlds, transporting them to a borderland that is at once mythical in its construction and powerfully recognizable as a reflection of its modern-day counterpart. Kingdom Cons, originally. . .

Read More >

The Invented Part
The Invented Part by Rodrigo Fresán
Reviewed by Tiffany Nichols

Imagine reading a work that suddenly and very accurately calls out you, the reader, for not providing your full attention to the act of reading. Imagine how embarrassing it is when you, the reader, believe that you are engrossed in. . .

Read More >

A Simple Story: The Last Malambo
A Simple Story: The Last Malambo by Leila Guerriero
Reviewed by Emilee Brecht

Leila Guerriero’s A Simple Story: The Last Malambo chronicles the unique ferocity of a national dance competition in Argentina. The dance, called the malambo, pushes the physical and mental limits of male competitors striving to become champions of not only. . .

Read More >

The Little Buddhist Monk & The Proof
The Little Buddhist Monk & The Proof by Cesar Aira
Reviewed by Will Eells

Aira continues to surprise and delight in his latest release from New Directions, which collects two novellas: the first, The Little Buddhist Monk, a fairly recent work from 2005, and The Proof, an earlier work from 1989. There are a. . .

Read More >

Agnes
Agnes by Peter Stamm
Reviewed by Dorian Stuber

The narrator of Peter Stamm’s first novel, Agnes, originally published in 1998 and now available in the U.S. in an able translation by Michael Hofmann, is a young Swiss writer who has come to Chicago to research a book on. . .

Read More >

Class
Class by Francesco Pacifico
Reviewed by Vincent Francone

The thing about Class is that I don’t know what the hell to think about it, yet I can’t stop thinking about it. I’ll begin by dispensing with the usual info that one may want to know when considering adding. . .

Read More >

The Dispossessed
The Dispossessed by Szilárd Borbély
Reviewed by Jason Newport

To be, or not to be?

Hamlet’s enduring question is one that Szilárd Borbély, acclaimed Hungarian poet, verse-playwright, librettist, essayist, literary critic, short-story writer, and, finally, novelist, answered sadly in the negative, through his suicide in 2014, at the. . .

Read More >

A Greater Music
A Greater Music by Bae Suah
Reviewed by Pierce Alquist

A Greater Music is the first in a line of steady and much-anticipated releases by Bae Suah from key indie presses (this one published by Open Letter). Building off of the interest of 2016 Best Translated Book Award longlist nominee. . .

Read More >

The next few events from our Translation Events Calendar: See More Events >