The latest addition to our “Book Reviews” section is a piece by Dan Vitale on Amos Oz’s Scenes from Village Life, which is translated from the Hebrew by Nicholas de Lange and just came out from Houghton Mifflin Harcourt.
Dan Vitale is one of our contributing reviewers, and as such, has written a number of great reviews for us.
Amos Oz has a number of books available in English translation, including Rhyming Life & Death, which came out just a couple years ago. He’s won tons of prizes, including the Peace Prize of the German Book Trade, the Israel Prize, the Prince of Asturias Award for Literature, and the Goethe Prize, among others. He’s very involved in politics, and for all these reasons, is an annual favorite for the Nobel Prize in Literature.
Here’s the opening of Dan’s review:
Seven of the eight pieces—one hesitates to call them stories—in Amos Oz’s Scenes from Village Life take place in the fictional Israeli village of Tel Ilan. More than a century old, the village began by supporting farms, orchards, and vineyards but has now become something of an upscale tourist attraction:
“Many of the inhabitants still farmed, with the help of foreign laborers who lived in huts in the farmyards. But some had leased out their land and made a living by letting rooms, by running art galleries or fashion boutiques or by working outside the village. Two gourmet restaurants had opened in the middle of the village, and there was also the winery and a shop selling tropical fish. One local entrepreneur had started manufacturing reproduction antique furniture. On weekends, of course, the village filled with visitors who came to eat or to hunt for a bargain. But every Friday afternoon its streets emptied as the residents rested behind closed shutters.”
The book presents glimpses into the small and insignificant lives being led behind those shutters. In keeping with the Chekhovian echo of the book’s title, Oz tends to focus on the mundane passions that occasionally flare up and, more often, flicker out in the hearts of the village residents.
Click here to read the entire piece.
Death by Water, Kenzaburo Oe’s latest novel to be translated into English, practically begs you to read it as autobiography. Like The Changeling, as well as many other works not yet released in English, Death by Water is narrated in. . .
Jocelyne Saucier’s Twenty-One Cardinals is about the type of unique, indestructible, and often tragic loyalty only found in families. For a brief but stunningly mesmerizing 169 pages, Twenty-One Cardinals invited me in to the haunting and intimate world of the. . .
We know so very little; so little that what we think to be knowledge is hardly worth reckoning with at all; instead we ought to settle for being pleasantly surprised if, on the edge of things, against all expectations, our. . .
Many of Virginie Despentes’s books revolve around the same central idea: “To be born a woman [is] the worst fate in practically every society.” But this message is nearly always packaged in easy-to-read books that fill you with the pleasure. . .
Ilja Leonard Pfeijffer’s La Superba is appropriately titled after the Italian city of Genoa, where, after escaping the pressures of fame in his own country, the semi-autobiographical narrator finds himself cataloguing the experiences of its mesmerizing inhabitants with the intention. . .
It took reading 44 pages of Intervenir/Intervene before I began to get a sense of what Dolores Dorantes and Rodrigo Flores Sánchez were up to. Recurring throughout these 44 pages—throughout the entire book—are shovels, shovel smacks to the face, lobelias—aha!. . .
As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .
It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .
Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .
It’s been almost a year since the publication of Nowhere to Be Found by Bae Suah, but despite being included on the 2015 PEN Translation award longlist, and some pretty vocal support from key indie presses, the book has. . .