The Brooklyn Book Festival is on Sunday, and has a host of interesting events scheduled. (I’d include the link, but the website doesn’t allow it.)
One that I’m definitely going to attend is “Brooklyn Bridges to Europe,” 3pm on Sunday at St. Francis College (180 Remsen St.):
Brooklyn authors Jonathan Lethem and Jonathan Safran Foer, in conversation with their French and German publishers, explore the appeal of their work to European audiences. Presented with The Cultural Services of the French Embassy, the French-American Foundation and the German Book Office in New York. Moderated by literary critic Liesl Schillinger.
This is part of the “Editors Exchange Program in New York” that the German Book Office, Cultural Services of the French Embassy, and French-American Foundation are putting on.
In addition to the BBF event, there’s a panel on “Promoting Literature in Translation Online” Monday at 11am and an “Editors’ ‘Buzz’ Panel” on Monday at 5. Both of these events will take place at the Deutsches Haus NYU (42 Washington Mews, off University Place).
Both events should be pretty interesting. I’ll be on the Translations Online panel with people from Words Without Borders, In Translation, PEN America, and elsewhere, and the Buzz panel will give editors from L’Olivier, Editions Allia, Harcourt, DuMont, Wylie Agency (?!), P.O.L., Houghton-Mifflin, and Tropen Verlag a chance to discuss their latest publications or books in progress.
Paul Klee’s Boat, Anzhelina Polonskaya’s newest bilingual collection of poems available in English, is an emotional journey through the bleakest seasons of the human soul, translated with great nuance by Andrew Wachtel. A former professional ice dancer(!), Polonskaya left the. . .
In Seiobo There Below, Lázló Krasznahorkai is able to succeed at a task at which many writers fail: to dedicate an entire novel to a single message, to express an idea over and over again without falling into repetition or. . .
There are curious similarities in three Italian mystery series, written by Maurizio de Giovanni, Andrea Camilleri, and Donna Leon.1
They’re all police procedurals, and all set in Italy: Naples, Sicily, Venice.
The three protagonists are Commissarios: Luigi Ricciardi, Salvo. . .
Poetry always has the feel of mysticism and mystery, or maybe this feeling is a stereotype left over from high school literature class. It is generally the result of confusion, lack of time committed to consuming the poetry, and the. . .
Our Lady of the Flowers, Echoic is not only a translation, but a transformation. It is a translation of Jean Genet’s novel Notre Dame des Fleurs, transmuted from prose to poetry. Originally written in prison as a masturbatory aid (Sartre. . .
Equal parts stoner pulp thriller and psycho-physiological horror story, a pervasive sense of dread mixes with a cloud of weed smoke to seep into every line of the disturbing, complex Under This Terrible Sun. Originally published by illustrious Spanish publishers. . .
From the start, Daniel Canty’s Wigrum, published by Canadian press Talonbooks, is obviously a novel of form. Known also as a graphic designer in Quebec, Canty takes those skills and puts them towards this “novel of inventory” and creates a. . .
Throughout his career—in fact from his very first book, Where the Jackals Howl (1965)—the renowned Israeli writer Amos Oz has set much of his fiction on the kibbutz, collective communities he portrays as bastions of social cohesion and stultifying conformity. . .
Antoon gives us a remarkable novel that in 184 pages captures the experience of an Iraqi everyman who has lived through the war with Iran in the first half of the 1980s, the 1991 Gulf War over the Kuwaiti invasion,. . .
Every fictional work set in L.A. begins with a slow crawl through its streets in the early hours of the morning right after sunrise. Maybe it’s always done this way to emphasize the vast sprawl of the city and highlight. . .