Lian Law was an intern and in my “Intro to Literary Publishing” class last semester, which is when she wrote this review. (And yes, we are that far behind in running all of these.)
Marcelo was actually in Rochester for an event last spring in connection with PEN World Voices. You can watch the full event below, or skip forward to see the reading and interview with Marcelo:
And here’s the opening of Lian’s review:
Kamchatka: a remote peninsula in the Russian Far East. However, to the ten-year-old narrator in Marcelo Figueras’s novel Kamchatka, it represents much more. It is a territory to be conquered in his favorite game of Risk, it is “a paradox, a kingdom of extremes, a contradiction in terms,” and it is the last thing his father ever says to him.
Kamchatka is Marcelo Figueras’s English novel debut, translated by Frank Wynne. A novelist and screenwriter, Figueras has published several other books including El espía del tiempo, La batalla del calentamiento, and Aquarium. He was born in Argentina in 1962 and similar to the narrator of Kamchatka, he was a young child at the start of the Argentina’s Dirty War in 1976.
Kamchatka chronicles the life of a young boy during this time of political instability and its suffocating climate of fear and violence. When he, his brother, and his parents, are suddenly forced to flee to a safe house, they must assume new identities. The boy renames himself “Harry,” after his hero and famous escape artist Harry Houdini while his five-year-old brother rechristens himself “Simón,” after Simon Templar in the TV show The Saint (although Harry continues to refer to him by his nickname, the “Midget.” Despite all the disruptions, fear and sudden disappearances of friends and family members, Figueras’s main goal is not to write another somber novel about the Dirty War.
Click here to read the entire review.
This slender, uncanny volume—the second, best-selling collection of stories by Russian author Ludmilla Petrushevskaya to appear in the U.S.—has already received considerable, well-deserved praise from many critics and high profile publications. Its seventeen short tales, averaging ten pages each, are. . .
The Urdu word basti refers to any space, intimate to worldly, and is often translated as “common place” or “a gathering place.” This book by Intizar Husain, who is widely regarded as one of the most important living Pakistani writers,. . .
The Whispering Muse, one of three books by Icelandic writer Sjón just published in North America, is nothing if not inventive. Stories within stories, shifting narration, leaps in time, and characters who transform from men to birds and back again—you’ve. . .
Luis Negrón’s debut collection Mundo Cruel is a journey through Puerto Rico’s gay world. Published in 2010, the book is already in its fifth Spanish edition. Here in the U.S., the collection has been published by Seven Stories Press and. . .
To have watched from one of your patios
the ancient stars
from the bank of shadow to have watched
the scattered lights
my ignorance has learned no names for
nor their places in constellations
to have heard the ring of. . .
When Icelandic author Andri Snær Magnason first published LoveStar, his darkly comic parable of corporate power and media influence run amok, the world was in a very different place. (This was back before both Facebook and Twitter, if you can. . .
When starting Hi, This Is Conchita and Other Stories, Santiago Roncagliolo’s second work to be translated into English, I was expecting Roncagliolo to explore the line between evil and religion that was front and center in Red April. Admittedly, I. . .
Christa Wolf’s newly-translated City of Angels is a novel of atonement, and in this way the work of art that it resembles most to me is not another book, but the 2003 Sophia Coppola film Lost in Translation. Like that. . .
French author—philosopher, poet, novelist—de Roblès writes something approaching the Great (Latin) American Novel, about Brazilian characters, one of whom is steeped in the life of the seventeenth century polymath (but almost always erroneous) Jesuit Athanasius Kircher. Eleazard von Wogau, a. . .
A rich, beautifully written, consistently surprising satire, Yan Lianke’s Lenin’s Kisses boasts an elaborate, engrossing plot with disarming twists and compelling characters both challenged and challenging. It leads the reader on a strange pilgrimage—often melancholy but certainly rewarding—through a China. . .