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The latest addition to our Reviews Section is a piece by Sharon Rhodes on Yan Lianke’s Dream of Ding Village, which is translated from the Chinese by Cindy Carter, and available from Grove Press.
Sharon Rhodes is a Ph.D. candidate here at the University of Rochester who wrote this as part of an assignment so far back that I wouldn’t be surprised to find out that she not only had her degree, but that she’s already tenured somewhere. But seriously, I’m a bit behind in posting reviews . . .
Here’s the opening:
Dream of Ding Village tells the story of a village destroyed by unregulated blood selling. Gloomily enough, the novel is narrated by a 12 year-old-boy who died without ever having sold his blood; instead, the narrator, Ding Quiang, was murdered by villagers with a grudge against his father, Ding Hui, the local blood head. Quiang goes back in time to the beginning of the blood boom in Wei County of Henan province, detailing how government officials first set up blood banks and then, how his father found a niche in the market. Ding Hui bought blood from the inhabitants of Ding Village as well as those of other nearby villages, and sold it for profit. At first this brought great prosperity, although those who sold blood frequently were weakened by the practice, but then, roughly ten years later, people started coming down with what Quiang and the villagers called “the fever.”
Nearly everyone who sold blood to Ding Hui or his subsidiary blood heads, about one person in each household of Ding Village, got “the fever”: AIDS was passed from person to person through re-used needles. This puts an end to the blood boom in Ding Village, though not before Ding Hui’s financial success enabled him to build a three story tile house in a village of one room mud huts. A few villagers who worked for Ding Hui were also able to build tile houses; but after the blood boom most of the villagers were no better off than before, and many had contracted HIV.
Despite the tragedy that resulted from his actions, Ding Hui refuses to apologize to the inhabitants of Ding Village. Instead, taking advantage of government subsidies for those infected with AIDS Ding Hui continues to turn a profit at the expense of those already injured by his actions. First he sells the government-provided food for profit, then coffins (a commodity in high demand), then he begins to profit from matchmaking—helping families find dead husbands and wives for their dead daughters and sons.
Click here to read the entire review.
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Three Percent is supported in part by the New York State Council on the Arts.
