With only one book left to cover, we’re reaching the end of the “25 Days of the BTBA” series, which means that the announcement of the finalists is right around the corner. Literally.
Next Tuesday, April 10th, fiction panelists Jeff Waxman will be here in Rochester for a special Reading the World Conversation Series event, during which he’ll reveal the BTBA finalists in poetry and fiction.
Before he unveils the shortlists (which will also be posted here as soon as he reads them off), we’ll talk about the evolution of the award, the role of the BTBA in general book culture landscape, how the panel came to make its decisions, and so on. Seeing that Jeff works at the University of Chicago Press and 57th St. Books, he has a unique perspective on literary awards and promoting international literature.
Following our talk and the unveiling of the finalists, we’ll read a few pages from a few of my favorite titles on the list. (We don’t have enough time to read from all of them—anyone want to camp out in the Welles-Brown room?—but we want to at least highlight a few of the books in a special way.)
(NOTE: Cover images on this were chosen randomly by Nate for design purposes only. Read nothing into this. And having the list in front of me, I can only reiterate—read nothing into this poster.)
Also, this means that over the three weeks building up to the celebration of the two winners—which will take place on Friday, May 4th at 6pm at McNally Jackson Books during the PEN World Voices Festival—we will be highlighting all of the poetry finalists and running short excerpts from the ten fiction finalists. Which means you have almost one more month of BTBA stuff to look forward to . . .
It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .
Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .
It’s been almost a year since the publication of Nowhere to Be Found by Bae Suah, but despite being included on the 2015 PEN Translation award longlist, and some pretty vocal support from key indie presses, the book has. . .
Jorge Eduardo Benavides’ novel La paz de los vencidos (The Peace of the Defeated) takes the form of a diary written by a nameless Peruvian thirty-something intellectual slumming it in Santa Cruz de Tenerife in Spain’s Canary Islands. Recently relocated. . .
Anyone with any interest at all in contemporary Moroccan writing must start with Souffles. A cultural and political journal, Souffles (the French word for “breaths”) was founded in 1966 by Abdellatif Laâbi and Mostafa Nissabouri. Run by a group of. . .
Randall Jarrell once argued a point that I will now paraphrase and, in doing so, over-simplify: As a culture, we need book criticism, not book reviews. I sort of agree, but let’s not get into all of that. Having finished. . .
Like any good potboiler worth its salt, Fuminori Nakamura’s The Gun wastes no time setting up its premise: “Last night, I found a gun. Or you could say I stole it, I’m not really sure. I’ve never seen something so. . .
Heiner Resseck, the protagonist in Monika Held’s thought-provoking, first novel, This Place Holds No Fear, intentionally re-lives his past every hour of every day. His memories are his treasures, more dear than the present or future. What wonderful past eclipses. . .
If you’ve ever worked in a corporate office, you’ve likely heard the phrase, “Perception is reality.” To Björn, the office worker who narrates Jonas Karlsson’s novel The Room, the reality is simple: there’s a door near the bathroom that leads. . .
I recently listened to Three Percent Podcast #99, which had guest speaker Julia Berner-Tobin from Feminist Press. In addition to the usual amusement of finally hearing both sides of the podcast (normally I just hear parts of Chad’s side. . .