Claire is the first of three students (so far) of Susan Bernofsky’s who have written reviews for Three Percent. I’ll be running the others over the next few weeks, along with all the reviews I’ve been hoarding and need to get up here . . . So expect to be inundated with tons of reviews of interesting books.
Here’s the opening to Claire’s review of Dukla, the latest Stasiuk book to make its way into English (thanks to the amazing Bill Johnston):
Andrej Stasiuk, one of Poland’s foremost contemporary authors and founder of Wydawnictwo Czarne press, has led a life as complex and colorful as his writing. He was born in Warsaw in 1960 but left his hometown at age 26 to reside in the secluded city of Czarne, where he discovered the provincial beauty of rural Poland—a beauty that would serve as a characteristic landscape for his poetry and prose. Stasiuk was a dedicated participant in the Polish pacifist movement. His ardent opposition to compulsory military service led to his arrest as an army deserter; the year and a half he spent in prison inspired a collection of short stories called The Walls of Hebron (1992). It was this collection that brought Stasiuk to the fore of the Polish literary scene. Since the publication of The Walls of Hebron, Stasiuk has touched every genre, gaining popularity as a travel writer, poet, and novelist. His writing has a distinctive lyrical style, describing modern Poland through impressionistic portrayals of its small towns and the people who inhabit them. Stasiuk’s White Raven (1995; translated by Wiesiek Powaga, Serpent’s Tail, 2001) won the Kultura and Koscielski prizes and has since been made into a film. In his 1997 novel Dukla, presented in English by award-winning translator Bill Johnston, Stasiuk guides the reader through Poland’s landscape with the deft observational savvy of a seasoned traveler and a richness of imagery that exemplifies his poetic voice.
In Dukla, Stasiuk speaks to his reader through the voice of an unnamed narrator whose eccentric descriptions of the world around him echo the author’s avowed mission to illuminate Eastern Europe in print. But while his miniature epic certainly paints a picture of the land and offers insight into the changes that have taken place through the twentieth century to the modern day, the quirky narrator of Dukla insists that he is only interested in talking about light.
You can read the full review by clicking here.
Paul Klee’s Boat, Anzhelina Polonskaya’s newest bilingual collection of poems available in English, is an emotional journey through the bleakest seasons of the human soul, translated with great nuance by Andrew Wachtel. A former professional ice dancer(!), Polonskaya left the. . .
In Seiobo There Below, Lázló Krasznahorkai is able to succeed at a task at which many writers fail: to dedicate an entire novel to a single message, to express an idea over and over again without falling into repetition or. . .
There are curious similarities in three Italian mystery series, written by Maurizio de Giovanni, Andrea Camilleri, and Donna Leon.1
They’re all police procedurals, and all set in Italy: Naples, Sicily, Venice.
The three protagonists are Commissarios: Luigi Ricciardi, Salvo. . .
Poetry always has the feel of mysticism and mystery, or maybe this feeling is a stereotype left over from high school literature class. It is generally the result of confusion, lack of time committed to consuming the poetry, and the. . .
Our Lady of the Flowers, Echoic is not only a translation, but a transformation. It is a translation of Jean Genet’s novel Notre Dame des Fleurs, transmuted from prose to poetry. Originally written in prison as a masturbatory aid (Sartre. . .
Equal parts stoner pulp thriller and psycho-physiological horror story, a pervasive sense of dread mixes with a cloud of weed smoke to seep into every line of the disturbing, complex Under This Terrible Sun. Originally published by illustrious Spanish publishers. . .
From the start, Daniel Canty’s Wigrum, published by Canadian press Talonbooks, is obviously a novel of form. Known also as a graphic designer in Quebec, Canty takes those skills and puts them towards this “novel of inventory” and creates a. . .
Throughout his career—in fact from his very first book, Where the Jackals Howl (1965)—the renowned Israeli writer Amos Oz has set much of his fiction on the kibbutz, collective communities he portrays as bastions of social cohesion and stultifying conformity. . .
Antoon gives us a remarkable novel that in 184 pages captures the experience of an Iraqi everyman who has lived through the war with Iran in the first half of the 1980s, the 1991 Gulf War over the Kuwaiti invasion,. . .
Every fictional work set in L.A. begins with a slow crawl through its streets in the early hours of the morning right after sunrise. Maybe it’s always done this way to emphasize the vast sprawl of the city and highlight. . .