It seems like almost everyone I talk to is a big fan of Sergio Chejfec’s My Two Worlds (translated by Margaret Carson). It got a ton of press when it came out last fall, and was even longlisted for the Best Translated Book Awards.
Well, this summer (June to be exact), we’re going to be bringing out The Planets (translated by Heather Cleary), one of his earlier books that focuses on the Dirty War period in Argentina’s history. Although, seeing that this is a Chejfec book, it’s kind of more about the telling of the telling of a story of a friend of the author who disappeared and may have died in an explosion. It’s as masterful as My Two Worlds, and maybe even a bit more expansive.
Here’s the official jacket copy:
When he reads about a mysterious explosion in the distant countryside, the narrator’s thoughts turn to his disappeared childhood friend, M, who was abducted from his home years ago, during a spasm of political violence in Buenos Aires in the early 1970s. He convinces himself that M must have died in this explosion, and he begins to tell the story of their friendship through a series interconnected vignettes, hoping in this way to reanimate his friend and relive the time they spent together wandering the streets of Buenos Aires.
Sergio Chejfec’s The Planets is an affecting and innovative exploration of mourning, remembrance, and friendship by one of Argentina’s modern masters.
Anyway, if you want an advanced copy, click below and you could win one through the GoodReads Giveaway program. This contest closes on Monday, so enter right away . . .
Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .
It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .
From the late 1940s to the early 1950s, Egypt was going through a period of transition. The country’s people were growing unhappy with the corruption of power in the government, which had been under British rule for decades. The Egyptians’. . .
Miruna is a novella written in the voice of an adult who remembers the summer he (then, seven) and his sister, Miruna (then, six) spent in the Evil Vale with their grandfather (sometimes referred to as “Grandfather,” other times as. . .
Kamal Jann by the Lebanese born author Dominique Eddé is a tale of familial and political intrigue, a murky stew of byzantine alliances, betrayals, and hostilities. It is a well-told story of revenge and, what’s more, a serious novel that. . .
While looking back at an episode in his life, twenty-year-old Taguchi Hiro remembers what his friend Kumamoto Akira said about poetry.
Its perfection arises precisely from its imperfection . . . . I have an image in my head. I see. . .
The central concern of Sorj Chalandon’s novel Return to Killybegs appears to be explaining how a person of staunch political activism can be lead to betray his cause, his country, his people. Truth be told, the real theme of the. . .
Spoiler alert: acclaimed writer Stefan Zweig and his wife Lotte kill themselves at the end of Lauren Seksik’s 2010 novel, The Last Days.
It’s hard to avoid spoiling this mystery. Zweig’s suicide actually happened, in Brazil in 1942, and since then. . .
To call Kjell Askildsen’s style sparse or terse would be to understate just how far he pushes his prose. Almost nothing is explained, elaborated on. In simple sentences, events occur, words are exchanged, narrators have brief thoughts. As often as. . .
After a mysterious woman confesses to an author simply known as “R” that she has loved him since she was a teenager, she offers the following explanation: “There is nothing on earth like the love of a child that passes. . .