Next week, Book Expo America, “North America’s premier meeting of book trade professionals,” will take over the Javits Center in NYC. This year’s guest of honor at BEA is none other than RUSSIA, your humble author’s area of beloved expertise, and Russia will be the focus of a TON of super-cool events/panels/readings/parties as well as the “2012 Global Markets Forum” (aka: the business of books in and out of Russia, including my favorite Russian indie publisher, Ad Marginem Press!) all between June 2-7 as part of BEA’s READ RUSSIA 2012 initiative.
According to the fine folks at READ RUSSIA: “Russia’s 4,000-square-foot BEA exhibition space at the Javits Center will host presentations for industry professionals on the Russian book market, Russian literature in translation, and new works by Russian writers, publishers, historians, and journalists.”
Open Letter’s own Mikhail Shishkin, whose incredible English-language debut, Maidenhair, comes out October 13, will be one of the many contemporary Russian writers present at BEA. He’s part of a panel at 4:30 on Wednesday with Andrei Gelasimov, and will sit in on the presentation of the “Big Book” (Bol’shaya Kniga) Award Thursday at 10am.
Shishkin will also be doing a discussion with translator-extraordinaire Marian Schwartz and Open Letter publishing wizard Chad Post, hosted by The Bridge Series at McNally Jackson Books in SoHo on Thursday night at 7pm. So come and hang out with the Open Letter family at any of these awesome events and meet Shishkin, who is, from all accounts, a hilarious and awesome dude who speaks highly fluent English, so you don’t have to suffer through one of those awkward translator-trying-to-make-jokes-work moments. The good times will fly free.
Also, check out this bad boy under the Russian “Writers at BEA: Featured Writers” section:
Look familiar? Oh yeah, that’s not Mikhail Shishikin, nor is it Zakhar Prilepin, Dmitry Bykov, or any of the contemporary writers who will actually be at BEA, it’s our old friend Aleksandr Pushkin, who of course died 200 years ago, and who will only be present at BEA in the form of a tattooed portrait on my arm, but whose birthday we will allllll be celebrating on Wednesday in “true Russian fashion” (you can guess what that means)!
But READ RUSSIA is a killer endeavor, filling the streets of NYC with some of the greatest living Russian writers (especially Shishkin and the mustachio’d Bykov and the intensity-in-ten-cities Prilepin, but I really really wish Mikhail Elizarov were there!), and giving the publishing world a much-needed glimpse into the Russia beyond the classics and outside of the overtly political commentary in Western media and literature about the country.
The historian John Lukacs observed, “Fictitious characters may represent characteristic tendencies and potentialities that existed in the past” and thus “may serve the historian under certain circumstances—when, for example, these are prototypical representations of certain contemporary realities.” Eugen Ruge’s In. . .
Gustavo Faverón Patriau’s The Antiquarian, translated by Joseph Mulligan, is a genre-blending novel, a complete immersion that delves into a lesser-used niche of genre: horror, gothic, the weird. There are visual horrors, psychological ones, and dark corners with threats lurking.. . .
What a wonderful, idiosyncratic book Weinberger has written. I say book, but the closest comparison I could make to other works being published right now are from Sylph Edition’s “Cahiers Series“—short pamphlet-like meditations by notable writers such as Ann Carson,. . .
Early in Sun-mi Hwang’s novel The Hen Who Dreamed She Could Fly, the main character, a hen named Sprout, learns about sacrifice. After refusing to lay any more eggs for the farmer who owns her, she becomes “culled” and released. . .
When Sankya was published in Russia in 2006, it became a sensation. It won the Yasnaya Polyana Award (bestowed by direct descendants of Leo Tolstoy) and was shortlisted for the Russian Booker and the National Bestseller Award. Every member of. . .
Stalin is Dead by Rachel Shihor has been repeatedly described as kafkaesque, which strikes a chord in many individuals, causing them to run to the bookstore in the middle of the night to be consumed by surreal situations that no. . .
Paradises by cult Argentinian author Iosi Havilio is the continuation of his earlier novel, Open Door, and tells the story of our narrator, a young, unnamed Argentinian woman.
The very first sentence in Paradises echoes the opening of Camus’s The Outsider. . .
This pearl from New Directions contains one short story from Russian literary master Fyodor Dostoevsky (translated by Constance Garnett) and one short story from Uruguayan forefather of magical realism Felisberto Hernández (translated by Esther Allen). Both pieces are entitled “The. . .
I’m talking about pathological individuals; six twisted people taking part in an unpredictable game.
Carlos Labbé’s Navidad & Matanza is the story of two missing children and the journalist trying to find them. Actually. it’s the story of a group of. . .
For Lukas Zbinden, walking is a way of life. At eighty-seven, he is still an avid walker and insists on going for walks outside as often as possible, rain or snow or shine. Now that he lives in an assisted. . .