Next week, Book Expo America, “North America’s premier meeting of book trade professionals,” will take over the Javits Center in NYC. This year’s guest of honor at BEA is none other than RUSSIA, your humble author’s area of beloved expertise, and Russia will be the focus of a TON of super-cool events/panels/readings/parties as well as the “2012 Global Markets Forum” (aka: the business of books in and out of Russia, including my favorite Russian indie publisher, Ad Marginem Press!) all between June 2-7 as part of BEA’s READ RUSSIA 2012 initiative.
According to the fine folks at READ RUSSIA: “Russia’s 4,000-square-foot BEA exhibition space at the Javits Center will host presentations for industry professionals on the Russian book market, Russian literature in translation, and new works by Russian writers, publishers, historians, and journalists.”
Open Letter’s own Mikhail Shishkin, whose incredible English-language debut, Maidenhair, comes out October 13, will be one of the many contemporary Russian writers present at BEA. He’s part of a panel at 4:30 on Wednesday with Andrei Gelasimov, and will sit in on the presentation of the “Big Book” (Bol’shaya Kniga) Award Thursday at 10am.
Shishkin will also be doing a discussion with translator-extraordinaire Marian Schwartz and Open Letter publishing wizard Chad Post, hosted by The Bridge Series at McNally Jackson Books in SoHo on Thursday night at 7pm. So come and hang out with the Open Letter family at any of these awesome events and meet Shishkin, who is, from all accounts, a hilarious and awesome dude who speaks highly fluent English, so you don’t have to suffer through one of those awkward translator-trying-to-make-jokes-work moments. The good times will fly free.
Also, check out this bad boy under the Russian “Writers at BEA: Featured Writers” section:
Look familiar? Oh yeah, that’s not Mikhail Shishikin, nor is it Zakhar Prilepin, Dmitry Bykov, or any of the contemporary writers who will actually be at BEA, it’s our old friend Aleksandr Pushkin, who of course died 200 years ago, and who will only be present at BEA in the form of a tattooed portrait on my arm, but whose birthday we will allllll be celebrating on Wednesday in “true Russian fashion” (you can guess what that means)!
But READ RUSSIA is a killer endeavor, filling the streets of NYC with some of the greatest living Russian writers (especially Shishkin and the mustachio’d Bykov and the intensity-in-ten-cities Prilepin, but I really really wish Mikhail Elizarov were there!), and giving the publishing world a much-needed glimpse into the Russia beyond the classics and outside of the overtly political commentary in Western media and literature about the country.
Karel Schoeman’s Afrikaans novel, This Life, translated by Else Silke, falls into a genre maybe only noticed by the type of reader who tends toward Wittgenstein-type family resemblances. The essential resemblance is an elderly narrator, usually alone—or with one other. . .
In Joris-Karl Hyusmans’s most popular novel, À rebours (Against Nature or Against the Grain, depending on the which translated edition you’re reading), there is a famous scene where the protagonist, the decadent Jean des Esseintes, starts setting gemstones on the. . .
There are books that can only wisely be recommended to specific types of readers, where it is easy to know who the respective book won’t appeal to, and Kristiina Ehin’s Walker on Water is one these. What makes this neither. . .
Imagine the most baroque excesses of Goethe, Shakespeare, and Poe, blended together and poured into a single book: That is The Nightwatches of Bonaventura. Ophelia and Hamlet fall in love in a madhouse, suicidal young men deliver mournful and heartfelt. . .
In 1899, Maurice Ravel wrote “Pavane pour une infante défunte” (“Pavane for a Dead Princess”) for solo piano (a decade later, he published an orchestral version). The piece wasn’t written for a particular person; Ravel simply wanted to compose a. . .
Fiston Mwanza Mujila is an award-winning author, born in the Democratic Republic of Congo, who now, at 33, lives in Austria. From what I could find, much of his work is influenced by the Congo’s battle for independence and its. . .
Twenty-One Days of a Neurasthenic is not a novel in the traditional sense. Rather, it is a collection of vignettes recorded by journalist Georges Vasseur in his diary during a month spent in the Pyrenées Mountains to treat his nervous. . .
Founded in 1960 by such creative pioneers as George Perec, Raymond Queneau and Italo Calvino, the Oulipo, shorthand for Ouvroir de littérature potentielle, came about in when a group of writers and mathematicians sought constraints to find new structures and. . .
There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in Morse, My Deaf Friend— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .
The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .