The latest addition to our Reviews Section is a piece by Pierce Alquist on Manuela Fingueret’s Daughter of Silence, which is translated from the Spanish by Darrell B. Lockhart and is available from Texas Tech University Press.
This is Pierce’s first review for threepercent. Pierce is a student at the University of Rochester majoring in English Literature, minoring in Journalism and Anthropology. She has interned at various publishing companies, with publications ranging from magazines to academic works, and now translated literature. After studying abroad this past semester at Oxford she is happy to return to her native Rochester.
Here is part of her review:
Acclaimed Argentinean poet and novelist Manuela Fingueret details the 1980’s neofascist military dictatorship in Argentina and its dark, painful parallels to the Holocaust through the tales and memories of a mother and daughter in her second novel Daughter of Silence. Translated by Darrell B. Lockhart, Daughter of Silence is a crucial addition to “The Americas” series of contemporary Latin American literature published by Texas Tech University Press, for its exploration of violence, national identity, and survival. Fingueret depicts the tradition of a silent female figure, mute and helpless throughout history, and drastically refutes it with the voice of her narrator Rita, a young Jewish Argentinean and incarcerated Peronist revolutionary. Abused, starved, and rapidly losing her mind, Rita weaves together both her memories and the experiences of her mother, Tinkeleh, a Holocaust survivor.
A poignant portrayal of women, Daughter of Silence illustrates these parallels between the Holocaust and Argentina’s political past, while also exploring the unique dichotomy between being Jewish and living in Latin America, a primarily Catholic nation. According to Lockhart in his introduction to the text, “Argentina is home to the largest Jewish population in Latin America and one of the largest in the world” and the text explores the complexities of a divided national and religious identity. Rita also meditates on the controversial links between the Holocaust and her Jewish identity, and her imprisonment as a Peronist rebel, warning that history is in a constant state of repetition. In a moment of vulnerability Rita details her path to incarceration and its correlation to her mother’s path to the Holocaust, one of marginalization and silence. She counts the strikes against her, her religion, her culture, her politics, and ultimately her sex:
Click here to read the entire review.
Prose translators will likely disagree, but I believe translating poetry requires a significant level of talent, a commitment to the text, and near mania, all of which suggests that the undertaking is the greatest possible challenge. The task is to. . .
The biggest issues with books like The Subsidiary often have to do with their underpinnings—when we learn that Georges Perec wrote La Disparition without once using the letter E, we are impressed. Imagine such a task! It takes a high. . .
Following The Infatuations, Javier Marías’s latest novel seems, like those that have preceded it, an experiment to test fiction’s capacity to mesmerize with sombre-sexy atmospheres and ruminative elongated sentences stretched across windowless walls of paragraphs. Thus Bad Begins offers his. . .
Death by Water, Kenzaburo Oe’s latest novel to be translated into English, practically begs you to read it as autobiography. Like The Changeling, as well as many other works not yet released in English, Death by Water is narrated in. . .
Jocelyne Saucier’s Twenty-One Cardinals is about the type of unique, indestructible, and often tragic loyalty only found in families. For a brief but stunningly mesmerizing 169 pages, Twenty-One Cardinals invited me in to the haunting and intimate world of the. . .
We know so very little; so little that what we think to be knowledge is hardly worth reckoning with at all; instead we ought to settle for being pleasantly surprised if, on the edge of things, against all expectations, our. . .
Many of Virginie Despentes’s books revolve around the same central idea: “To be born a woman [is] the worst fate in practically every society.” But this message is nearly always packaged in easy-to-read books that fill you with the pleasure. . .
Ilja Leonard Pfeijffer’s La Superba is appropriately titled after the Italian city of Genoa, where, after escaping the pressures of fame in his own country, the semi-autobiographical narrator finds himself cataloguing the experiences of its mesmerizing inhabitants with the intention. . .
It took reading 44 pages of Intervenir/Intervene before I began to get a sense of what Dolores Dorantes and Rodrigo Flores Sánchez were up to. Recurring throughout these 44 pages—throughout the entire book—are shovels, shovel smacks to the face, lobelias—aha!. . .
As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .