The latest addition to our Reviews Section is a piece by Pierce Alquist on Manuela Fingueret’s Daughter of Silence, which is translated from the Spanish by Darrell B. Lockhart and is available from Texas Tech University Press.
This is Pierce’s first review for threepercent. Pierce is a student at the University of Rochester majoring in English Literature, minoring in Journalism and Anthropology. She has interned at various publishing companies, with publications ranging from magazines to academic works, and now translated literature. After studying abroad this past semester at Oxford she is happy to return to her native Rochester.
Here is part of her review:
Acclaimed Argentinean poet and novelist Manuela Fingueret details the 1980’s neofascist military dictatorship in Argentina and its dark, painful parallels to the Holocaust through the tales and memories of a mother and daughter in her second novel Daughter of Silence. Translated by Darrell B. Lockhart, Daughter of Silence is a crucial addition to “The Americas” series of contemporary Latin American literature published by Texas Tech University Press, for its exploration of violence, national identity, and survival. Fingueret depicts the tradition of a silent female figure, mute and helpless throughout history, and drastically refutes it with the voice of her narrator Rita, a young Jewish Argentinean and incarcerated Peronist revolutionary. Abused, starved, and rapidly losing her mind, Rita weaves together both her memories and the experiences of her mother, Tinkeleh, a Holocaust survivor.
A poignant portrayal of women, Daughter of Silence illustrates these parallels between the Holocaust and Argentina’s political past, while also exploring the unique dichotomy between being Jewish and living in Latin America, a primarily Catholic nation. According to Lockhart in his introduction to the text, “Argentina is home to the largest Jewish population in Latin America and one of the largest in the world” and the text explores the complexities of a divided national and religious identity. Rita also meditates on the controversial links between the Holocaust and her Jewish identity, and her imprisonment as a Peronist rebel, warning that history is in a constant state of repetition. In a moment of vulnerability Rita details her path to incarceration and its correlation to her mother’s path to the Holocaust, one of marginalization and silence. She counts the strikes against her, her religion, her culture, her politics, and ultimately her sex:
Click here to read the entire review.
At 30, the Mexican writer Valeria Luiselli is already gathering her rosebuds. Faces in the Crowd, her poised debut novel, was published by Coffee House Press, along with her Brodsky-infused essay collection, Sidewalks. The essays stand as a theoretical map. . .
Fantomas Versus the Multinational Vampires: An Attainable Utopia (narrated by Julio Cortázar) is, not disappointingly, as wild a book as its title suggests. It is a half-novella half-graphic novel story about . . . what, exactly? A European tribunal, Latin. . .
Marie NDiaye has created a tiny, psychological masterpiece with her Self-Portrait in Green. In it she explores how our private fears and insecurities can distort what we believe to be real and can cause us to sabotage our intimate relationships.. . .
Reading a genre book—whether fantasy, science fiction, crime, thriller, etc.—which begins to seem excessively, stereotypically bad, I have to make sure to ask myself: is this parodying the flaws of the genre? Usually, this questioning takes its time coming. In. . .
The Sicilian Mafia has always been a rich subject for sensational crime fiction. The Godfather, Goodfellas, and The Sopranos worked the mob’s bloody corpses and family feuds to both entertainment and artistic value. Giuseppe di Piazza’s debut novel attempts this,. . .
Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .
It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .
From the late 1940s to the early 1950s, Egypt was going through a period of transition. The country’s people were growing unhappy with the corruption of power in the government, which had been under British rule for decades. The Egyptians’. . .
Miruna is a novella written in the voice of an adult who remembers the summer he (then, seven) and his sister, Miruna (then, six) spent in the Evil Vale with their grandfather (sometimes referred to as “Grandfather,” other times as. . .
Kamal Jann by the Lebanese born author Dominique Eddé is a tale of familial and political intrigue, a murky stew of byzantine alliances, betrayals, and hostilities. It is a well-told story of revenge and, what’s more, a serious novel that. . .