7 August 12 | Aleksandra Fazlipour

The latest addition to our Reviews Section is a piece by Quantum Sarah on Elias Khoury’s As Though She Were Sleeping, which is translated from the Arabic by Marilyn Booth and is available from Archipelago Books.

Here is part of her review:

Elias Khoury’s As Though She Were Sleeping (Archipelago, 2012) is a love story, a family tragedy, and a journey through Levantine cultural history. Considering the radical stance of Khoury’s other works – notably, Gate of the Sun, the first “magnum opus” of the Palestinian people – this novel is a more conservative project. The year is 1946. Milia, an apolitical Beiruti dreamer, leads a “double life”: by inhabiting her dreams as fully as her waking life, she can speak with the dead and prophesy the future. Mansour, her wayward Palestinian husband, flees the harsh reality of his country by burying himself in sensual pleasures: ancient poetry, Milia’s beauty, and Levantine cuisine. As political turmoil in the region escalates, Milia finds herself increasingly trapped by impending catastrophe and fears for her newly-conceived child. To cope, she turns to the dream world for insight, trekking backward and forward in time to converse with deceased family members and saints.

As Khoury explores Milia’s life and dreams, he points to the many paradoxes of living in the “holy land.” After all, this is the same soil where Cain murdered Abel. Its inhabitants inherit not just a rich cultural tradition, but also a dark and complicated legacy of madness. Mansour discovers that “. . . he had begun to loathe this land in which he lived. Can anyone truly live in a country saturated with legends and miracles and prophets? This is a country that drives anyone who lives here insane, he would think” (241). And Milia becomes increasingly obsessed with the fantastic tradition of fathers killing sons. Abraham planned to slaughter Isaac; God sacrificed Jesus; Milia’s grandfather Salim nearly murdered his only son with a thrown rock. Will Milia’s son be next?

Click here to read the entire review.

Comments are disabled for this article.
Rambling Jack
Rambling Jack by Micheál Ó Conghaile
Reviewed by Vincent Francone

“Rambling Jack—what’s that?”
“A novel. Novella, I guess.”
“Yeah, it looks short. What is it, a hundred pages?”
“Sorta. It’s a duel language book, so really, only about… 50 pages total.”
“50 pages?”
“Including illustrations.”
“And this—what. . .

Read More >

The Things We Don't Do
The Things We Don't Do by Andrés Neuman
Reviewed by Tiffany Nichols

Many authors are compared to Roberto Bolaño. However, very few authors have the privilege of having a Roberto Bolaño quote on the cover of their work; and at that, one which states, “Good readers will find something that can be. . .

Read More >

Private Life
Private Life by Josep Maria de Sagarra
Reviewed by Christopher Iacono

In Josep Maria de Sagarra’s Private Life, a man harangues his friend about literature while walking through Barcelona at night:

When a novel states a fact that ties into another fact and another and another, as the chain goes on. . .

Read More >

Dinner by César Aira
Reviewed by Lori Feathers

César Aira dishes up an imaginative parable on how identity shapes our sense of belonging with Dinner, his latest release in English. Aira’s narrator (who, appropriately, remains nameless) is a self-pitying, bitter man—in his late fifties, living again with. . .

Read More >

We're Not Here to Disappear
We're Not Here to Disappear by Olivia Rosenthal
Reviewed by Megan C. Ferguson

Originally published in French in 2007, We’re Not Here to Disappear (On n’est pas là pour disparaître) won the Prix Wepler-Fondation La Poste and the Prix Pierre Simon Ethique et Réflexion. The work has been recently translated by Béatrice Mousli. . .

Read More >

The Queen's Caprice
The Queen's Caprice by Jean Echenoz
Reviewed by Christopher Iacono

Even though the latest from Jean Echenoz is only a thin volume containing seven of what he calls “little literary objects,” it is packed with surprises. In these pieces, things happen below the surface, sometimes both literally and figuratively. As. . .

Read More >

French Concession
French Concession by Xiao Bai
Reviewed by Emily Goedde

Who is this woman? This is the question that opens Xiao Bai’s French Concession, a novel of colonial-era Shanghai’s spies and revolutionaries, police and smugglers, who scoot between doorways, walk nonchalantly down avenues, smoke cigars in police bureaus, and lounge. . .

Read More >

Anna Karenina
Anna Karenina by Leo Tolstoy
Reviewed by Christopher Iacono

For the past 140 years, Anna Karenina has been loved by millions of readers all over the world. It’s easy to see why: the novel’s two main plots revolve around characters who are just trying to find happiness through love.. . .

Read More >

The Cold Song
The Cold Song by Linn Ullmann
Reviewed by David Richardson

Linn Ullmann’s The Cold Song, her fifth novel, is built much like the house about which its story orbits: Mailund, a stately white mansion set in the Norwegian countryside a few hours drive from Oslo. The house, nestled into the. . .

Read More >

This Life
This Life by Karel Schoeman
Reviewed by P. T. Smith

Karel Schoeman’s Afrikaans novel, This Life, translated by Else Silke, falls into a genre maybe only noticed by the type of reader who tends toward Wittgenstein-type family resemblances. The essential resemblance is an elderly narrator, usually alone—or with one other. . .

Read More >

The next few events from our Translation Events Calendar: See More Events >