Bit behind with this, but last week the longlist of the 16 novels in the running for the 2013 International Prize for Arabic Literature (f/k/a the Arabic Booker) were announced.
This year’s longlisted authors come from nine different countries, including Kuwait for the first time. Rabee Jaber, who won the Prize in 2012 with The Druze of Belgrade, returns to the list and is joined by formerly shortlisted authors Waciny Laredj (The Andalucian House, 2011) and Ibrahim Nasrallah (Time of the White Horses, 2009), as well as Muhsin al-Ramly, longlisted for the Prize in 2010 for Fingers Pass. Twelve of the sixteen writers have not appeared in previous long or shortlists, though Mohammed Hassan Alwan is an alumnus of IPAF’s inaugural writer’s workshop, having participated in the nadwa in 2009. It was in fact during this workshop that he began writing The Beaver, which has gone on to feature in this year’s longlist.
Unlike some lists in the past, the 2013 longlist moves away from historical settings, with the majority focusing on contemporary issues from the last 25 years. These range from the impact of 9/11 on Arabs living in Europe to the Israeli-Palestinian struggle and political and sexual freedom and emancipation. Whilst the Arab Spring did feature heavily across this year’s submissions in general, the judges noted that the subject still needs some time to mature.
That’s an interesting statement about the Arab Spring as a subject . . . On a sidenote, Open Letter might be publishing its first Arab Spring-related novel in the near future. More info on that later.
In the meantime, here’s the list of the 16 books:
Ave Maria by Sinan Antoon (Iraqi, Al-Jamal)
Toya by Ashraf El-Ashmawi (Egyptian, Al-Dar al-Masriya al-Lubnaniya)
The Kingdom of this Earth by Hoda Barakat (Lebanese, Dar al-Adab)
I, She and Other Women by Jana Elhassan (Lebanese, Arab Scientific Publishers)
Jaffa Prepares Morning Coffee by Anwar Hamed (Palestinian, The Arabic Insitute for Research and Publishing)
The Beaver by Mohammed Hassan Alwan (Saudi Arabian, Dar al-Saqi)
Our Master by Ibrahim Issa (Egyptian, Bloomsbury Qatar Foundation)
The Birds of the Holiday Inn by Rabee Jaber (Lebanese, Dar al-Tanwir)
Sinalkul by Elias Khoury (Lebanese, Dar al-Adab)
Lolita’s Fingers by Waciny Laredj (Algerian, Dar al-Adab)
The Return of the Sheikh by Mohammed Abdel Nabi (Egyptian, Rawafid)
Lanterns of the King of Galilee by Ibrahim Nasrallah (Palestinian-Jordanian, Arab Scientific Publishers)
The President’s Gardens by Muhsin al-Ramly (Iraqi, Thaqafa)
The Bamboo Stick by Saud Alsanousi (Kuwaiti, Arab Scientific Publishers)
His Excellency the Minister by Hussein Al-Wad (Tunisian, Dar al-Janub)
The Goatherd by Amin Zaoui (Algerian, Al-Ikhtilef)
I found the links to those three excerpts on Arabic Literature which definitely has the best coverage of this award. If you click there, you’ll find profiles of the Rabee Jabar novel and Hoda Bakarat’s. Additionally, there’s an overview of the list, information from one of the judges and more. Excited to see what else M. Lynx Qualey posts in the buildup to the January 9th announcement of the shortlist.
“Rambling Jack—what’s that?”
“A novel. Novella, I guess.”
“Yeah, it looks short. What is it, a hundred pages?”
“Sorta. It’s a duel language book, so really, only about… 50 pages total.”
“And this—what. . .
Many authors are compared to Roberto Bolaño. However, very few authors have the privilege of having a Roberto Bolaño quote on the cover of their work; and at that, one which states, “Good readers will find something that can be. . .
In Josep Maria de Sagarra’s Private Life, a man harangues his friend about literature while walking through Barcelona at night:
When a novel states a fact that ties into another fact and another and another, as the chain goes on. . .
César Aira dishes up an imaginative parable on how identity shapes our sense of belonging with Dinner, his latest release in English. Aira’s narrator (who, appropriately, remains nameless) is a self-pitying, bitter man—in his late fifties, living again with. . .
Originally published in French in 2007, We’re Not Here to Disappear (On n’est pas là pour disparaître) won the Prix Wepler-Fondation La Poste and the Prix Pierre Simon Ethique et Réflexion. The work has been recently translated by Béatrice Mousli. . .
Even though the latest from Jean Echenoz is only a thin volume containing seven of what he calls “little literary objects,” it is packed with surprises. In these pieces, things happen below the surface, sometimes both literally and figuratively. As. . .
Who is this woman? This is the question that opens Xiao Bai’s French Concession, a novel of colonial-era Shanghai’s spies and revolutionaries, police and smugglers, who scoot between doorways, walk nonchalantly down avenues, smoke cigars in police bureaus, and lounge. . .
For the past 140 years, Anna Karenina has been loved by millions of readers all over the world. It’s easy to see why: the novel’s two main plots revolve around characters who are just trying to find happiness through love.. . .
Linn Ullmann’s The Cold Song, her fifth novel, is built much like the house about which its story orbits: Mailund, a stately white mansion set in the Norwegian countryside a few hours drive from Oslo. The house, nestled into the. . .
Karel Schoeman’s Afrikaans novel, This Life, translated by Else Silke, falls into a genre maybe only noticed by the type of reader who tends toward Wittgenstein-type family resemblances. The essential resemblance is an elderly narrator, usually alone—or with one other. . .