15 February 13 | Chad W. Post

I hate to admit it, but a few years ago, when Archipelago first sent me a copy of Gerbrand Bakker’s The Twin, I assumed that it was a book that I was probably never going to read. I mean, it’s a book about a farmer. A quiet book about a farmer. An introspective aging farmer taking care of his invalid father. From the jacket copy:

Ostensibly a novel about the countryside, The Twin ultimately poses difficult questions about solitude and the possibility of taking life into one’s own hands. It chronicles a way of life that has resisted modernity, a world culturally apart yet laden with familiar longing.

Nothing about this seems like the sort of jagged, crazy, confusing, challenging books that I generally find myself drawn to.

But man was I wrong about this one.

I did end up reading it, and recommended it for the Best Translated Book Award shortlist. And damn, is it a spectacular book. Everything’s so understated in here, but never boring. Here’s what “I wrote about it back in 2010:”:

[I] started reading one night and literally couldn’t put this down. There’s something mesmerizing in Bakker’s prose, in the way he slowly builds the sense of isolation and duty that rules Helmer’s life. Unveiling secrets small and large in very precise, stark language. Lyrical in an understated way.

Now, although Bakker didn’t win the BTBA that year, he did end up winning the IMPAC, which helped give this book a significant boost and practically ensured that his other books would eventually make their way into English.

Which brings us to Ten White Geese, which comes out from Penguin on the 26th. I received a copy of this just a few days ago, and haven’t had a chance to start it, but unlike my reaction back in 2009, this time I’m certain that I’ll read this.

Especially since John Siciliano hand wrote me a note stating that this was “perhaps my favorite of all the novels I’ve published.” That’s some high praise from a very trustworthy source.

Once again, the set-up sounds quiet and introspective. According to the copy, it’s a novel “haunted by the spirit of Emily Dickinson” and takes place in rural Wales. On a farm. With geese. And cows, dogs, badgers, etc. But in contrast to The Twin, this sounds a bit more mysterious and tinged with danger.

On the farm she finds ten geese. One by one they disappear. Who is this woman? Will her husband manage to find her? The young man who stays the night: Why won’t he leave? And the vanishing geese?

Expect a full review in the near future. Actually, rather than waiting for that, you should just get both The Twin and Ten White Geese now. They’re worth it.

Comments are disabled for this article.
Dinner by César Aira
Reviewed by Lori Feathers

César Aira dishes up an imaginative parable on how identity shapes our sense of belonging with Dinner, his latest release in English. Aira’s narrator (who, appropriately, remains nameless) is a self-pitying, bitter man—in his late fifties, living again with. . .

Read More >

We're Not Here to Disappear
We're Not Here to Disappear by Olivia Rosenthal
Reviewed by Megan C. Ferguson

Originally published in French in 2007, We’re Not Here to Disappear (On n’est pas là pour disparaître) won the Prix Wepler-Fondation La Poste and the Prix Pierre Simon Ethique et Réflexion. The work has been recently translated by Béatrice Mousli. . .

Read More >

The Queen's Caprice
The Queen's Caprice by Jean Echenoz
Reviewed by Christopher Iacono

Even though the latest from Jean Echenoz is only a thin volume containing seven of what he calls “little literary objects,” it is packed with surprises. In these pieces, things happen below the surface, sometimes both literally and figuratively. As. . .

Read More >

French Concession
French Concession by Xiao Bai
Reviewed by Emily Goedde

Who is this woman? This is the question that opens Xiao Bai’s French Concession, a novel of colonial-era Shanghai’s spies and revolutionaries, police and smugglers, who scoot between doorways, walk nonchalantly down avenues, smoke cigars in police bureaus, and lounge. . .

Read More >

Anna Karenina
Anna Karenina by Leo Tolstoy
Reviewed by Christopher Iacono

For the past 140 years, Anna Karenina has been loved by millions of readers all over the world. It’s easy to see why: the novel’s two main plots revolve around characters who are just trying to find happiness through love.. . .

Read More >

The Cold Song
The Cold Song by Linn Ullmann
Reviewed by David Richardson

Linn Ullmann’s The Cold Song, her fifth novel, is built much like the house about which its story orbits: Mailund, a stately white mansion set in the Norwegian countryside a few hours drive from Oslo. The house, nestled into the. . .

Read More >

This Life
This Life by Karel Schoeman
Reviewed by P. T. Smith

Karel Schoeman’s Afrikaans novel, This Life, translated by Else Silke, falls into a genre maybe only noticed by the type of reader who tends toward Wittgenstein-type family resemblances. The essential resemblance is an elderly narrator, usually alone—or with one other. . .

Read More >

A Dilemma
A Dilemma by Joris-Karl Hyusmans
Reviewed by Christopher Iacono

In Joris-Karl Hyusmans’s most popular novel, À rebours (Against Nature or Against the Grain, depending on the which translated edition you’re reading), there is a famous scene where the protagonist, the decadent Jean des Esseintes, starts setting gemstones on the. . .

Read More >

Walker on Water
Walker on Water by Kristiina Ehin
Reviewed by P. T. Smith

There are books that can only wisely be recommended to specific types of readers, where it is easy to know who the respective book won’t appeal to, and Kristiina Ehin’s Walker on Water is one these. What makes this neither. . .

Read More >

The Nightwatches of Bonaventura
The Nightwatches of Bonaventura by Bonaventura
Reviewed by J. T. Mahany

Imagine the most baroque excesses of Goethe, Shakespeare, and Poe, blended together and poured into a single book: That is The Nightwatches of Bonaventura. Ophelia and Hamlet fall in love in a madhouse, suicidal young men deliver mournful and heartfelt. . .

Read More >