Without further ado, here are the books that our nine1 judges selected for this year’s Best Translated Book Award Fiction Longlist.
The Planets by Sergio Chejfec, translated from the Spanish by Heather Cleary (Open Letter Books; Argentina)
Prehistoric Times by Eric Chevillard, translated from the French by Alyson Waters (Archipelago Books; France)
The Colonel by Mahmoud Dowlatabadi, translated from the Persian by Tom Patterdale (Melville House; Iran)
Atlas by Dung Kai-Cheung, translated from the Chinese by Anders Hansson and Bonnie S. McDougall (Columbia University Press; China)
Kite by Dominique Eddé, translated from the French by Ros Schwartz (Seagull Books; Lebanon)
We, The Children of Cats by Tomoyuki Hoshino, translated from the Japanese by Brian Bergstrom and Lucy Fraser (PM Press; Japan)
The Map and the Territory by Michel Houellebecq, translated from the French by Gavin Bowd (Knopf; France)
Basti by Intizar Husain, translated from the Urdu by Frances W. Pritchett (New York Review Books; Pakistan)
Mama Leone by Miljenko Jergović, translated from the Croatian by David Williams (Archipelago Books; Croatia)
Awakening to the Great Sleep War by Gert Jonke, translated from the German by Jean M. Snook (Dalkey Archive Press; Austria)
My Struggle: Book One by Karl Knausgaard, translated from the Norwegian by Don Bartlett (Archipelago Books; Norway)
Satantango by László Krasznahorkai, translated from the Hungarian by George Szirtes (New Directions; Hungary)
Autoportrait by Edouard Levé, translated from the French by Lorin Stein (Dalkey Archive Press; France)
A Breath of Life: Pulsations by Clarice Lispector, translated from the Portuguese by Johnny Lorenz (New Directions; Brazil)
The Lair by Norman Manea, translated from the Romanian by Oana Sanziana Marian (Yale University Press; Romania)
The Hunger Angel by Herta Müller, translated from the German by Philip Boehm (Metropolitan Books; Romania)
Traveler of the Century by Andrés Neuman, translated from the Spanish by Nick Caistor and Lorenza Garcia (Farrar, Straus, and Giroux; Argentina)
Happy Moscow by Andrey Platonov, translated from the Russian by Robert Chandler and Elizabeth Chandler (New York Review Books; Russia)
With the Animals by Noëlle Revaz, translated from the French by Donald W. Wilson (Dalkey Archive Press; Switzerland)
Maidenhair by Mikhail Shishkin, translated from the Russian by Marian Schwartz (Open Letter Books; Russia)
Joseph Walser’s Machine by Gonçalo M. Tavares, translated from the Portuguese by Rhett McNeil (Dalkey Archive Press; Portugal)
Island of Second Sight by Albert Vigoleis Thelen, translated from the German by Donald O. White (Overlook; Germany)
Dublinesque by Enrique Vila-Matas, translated from the Spanish by Rosalind Harvey and Anne McLean (New Directions; Spain)
Transit by Abdourahman A. Waberi, translated from the French by David Ball and Nicole Ball (Indiana University Press; Djibouti)
My Father’s Book by Urs Widmer, translated from the German by Donal McLaughlin (Seagull Books; Switzerland)
As in recent years, we will be awarding $20,000 in cash prizes thanks to support from Amazon.com.
On April 10th, we’ll announce the finalists in both the fiction and poetry categories, with the award ceremony taking place in New York City on Saturday, May 4th. (More details to come.)
1 This year’s fiction judges are: Monica Carter, Salonica; Tess Doering Lewis, translator and critic; Scott Esposito, Conversational Reading and Center for the Art of Translation; Susan Harris, Words Without Borders; Bill Martin, translator; Bill Marx, Arts Fuse; Michael Orthofer, Complete Review; Stephen Sparks, Green Apple Books; and Jenn Witte, Skylight Books.
Randall Jarrell once argued a point that I will now paraphrase and, in doing so, over-simplify: As a culture, we need book criticism, not book reviews. I sort of agree, but let’s not get into all of that. Having finished. . .
Like any good potboiler worth its salt, Fuminori Nakamura’s The Gun wastes no time setting up its premise: “Last night, I found a gun. Or you could say I stole it, I’m not really sure. I’ve never seen something so. . .
Heiner Resseck, the protagonist in Monika Held’s thought-provoking, first novel, This Place Holds No Fear, intentionally re-lives his past every hour of every day. His memories are his treasures, more dear than the present or future. What wonderful past eclipses. . .
If you’ve ever worked in a corporate office, you’ve likely heard the phrase, “Perception is reality.” To Björn, the office worker who narrates Jonas Karlsson’s novel The Room, the reality is simple: there’s a door near the bathroom that leads. . .
I recently listened to Three Percent Podcast #99, which had guest speaker Julia Berner-Tobin from Feminist Press. In addition to the usual amusement of finally hearing both sides of the podcast (normally I just hear parts of Chad’s side. . .
Let’s not deceive ourselves, man is nothing very special. In fact, there are so many of us that our governments don’t know what to do with us at all. Six billion humans on the planet and only six or seven. . .
“Rambling Jack—what’s that?”
“A novel. Novella, I guess.”
“Yeah, it looks short. What is it, a hundred pages?”
“Sorta. It’s a duel language book, so really, only about… 50 pages total.”
“And this—what. . .
Many authors are compared to Roberto Bolaño. However, very few authors have the privilege of having a Roberto Bolaño quote on the cover of their work; and at that, one which states, “Good readers will find something that can be. . .
In Josep Maria de Sagarra’s Private Life, a man harangues his friend about literature while walking through Barcelona at night:
When a novel states a fact that ties into another fact and another and another, as the chain goes on. . .
César Aira dishes up an imaginative parable on how identity shapes our sense of belonging with Dinner, his latest release in English. Aira’s narrator (who, appropriately, remains nameless) is a self-pitying, bitter man—in his late fifties, living again with. . .