So, as you’ve probably noticed, with the announcement of the 2013 BTBA Fiction Longlist we’ve started running our annual Why This Book Should Win series featuring each of the 25 longlisted books and providing reasons why they should win.
Well, we do have a number titles that still need someone to champion them. So if you’re interested in writing any of these up, just let me know. First come, first serve, with one qualification—I need these very, very, very quick. Like, by last week sort of quick. If you’re still game, just email me at chad.post [at] rochester.edu.
Here are the titles we still need covered:
The Planets by Sergio Chejfec
The Colonel by Mahmoud Dowlatabadi
Atlas by Dung Kai-Cheung
Kite by Dominique Eddé
Basti by Initzar Husain
Mama Leone by Miljenko Jergović
My Struggle: Book One by Karl Knausgaard
With the Animals by Noëlle Revaz
Joseph Walser’s Machine by Gonçalo Tavares
Island of Second Sight by Albert Vigoleis Thelen
Dublinesque by Enrique Vila-Matas
Transit by Abdourahman Waberi
Just let me know which of these you love and would like to write up for us . . .
The last five days of the eleventh-century Icelandic politician, writer of sagas, and famous murder victim Snorri Sturleleson (the Norwegian spelling, Snorre, is preserved in the book) make up Thorvald Steen’s most recently translated historical fiction, The Little Horse. Murdered. . .
We all know Paris, or at least we think we know it. The Eiffel Tower. The Latin Quarter. The Champs-Élysées. The touristy stuff. In Dominique Fabre’s novel, Guys Like Me, we’re shown a different side of Paris: a gray, decaying. . .
One hundred pages into Birth of a Bridge, the prize-winning novel from French writer Maylis de Kerangal, the narrator describes how starting in November, birds come to nest in the wetlands of the fictional city of Coca, California, for three. . .
At 30, the Mexican writer Valeria Luiselli is already gathering her rosebuds. Faces in the Crowd, her poised debut novel, was published by Coffee House Press, along with her Brodsky-infused essay collection, Sidewalks. The essays stand as a theoretical map. . .
Fantomas Versus the Multinational Vampires: An Attainable Utopia (narrated by Julio Cortázar) is, not disappointingly, as wild a book as its title suggests. It is a half-novella half-graphic novel story about . . . what, exactly? A European tribunal, Latin. . .
Marie NDiaye has created a tiny, psychological masterpiece with her Self-Portrait in Green. In it she explores how our private fears and insecurities can distort what we believe to be real and can cause us to sabotage our intimate relationships.. . .
Reading a genre book—whether fantasy, science fiction, crime, thriller, etc.—which begins to seem excessively, stereotypically bad, I have to make sure to ask myself: is this parodying the flaws of the genre? Usually, this questioning takes its time coming. In. . .
The Sicilian Mafia has always been a rich subject for sensational crime fiction. The Godfather, Goodfellas, and The Sopranos worked the mob’s bloody corpses and family feuds to both entertainment and artistic value. Giuseppe di Piazza’s debut novel attempts this,. . .
Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .
It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .