Laila Lalami has two new posts up at Words Without Borders for the December discussion of Camara Laye’s The Radiance of the King.
In the first, she discussing the literary influences in the book, in which she points to Kafka as a huge force on the novel. The most interesting part to me—but I’m a sucker for literary lore and debate—is the bit questioning the authorship of the novel:
As I mentioned in my introduction, the publication of The Radiance of the King barely a year after The Dark Child, the differences in genres between the two books, and the slightly more existential quality of the second novel, have given rise to some questions as to whether Camara really wrote that second book. These rumors appear to be based on allegations by a Belgian critic named Lilyan Kesteloot in a work that was published after Camara’s death, and against which he could no longer defend himself. These allegations were later investigated by an American academic, Adele King, who also had to rely on second-hand accounts and hearsay, and who also cast strong doubts on the authorship of the novel.
The final post focuses on Toni Morrison’s intro to the novel, and the claim that Laye turned the typical “white man venturing into Africa” idea on its head.
It might be a bit late to join this discussion, but the January edition of the Words Without Borders/Reading the World book club should be pretty interesting. Throughout the month James Marcus and Cynthia Haven will be discussing Collected Poems by Zbigniew Herbert (translated from the Polish by Alissa Valles). As soon as the first post goes up, I’ll be sure to mention it here.
Paul Klee’s Boat, Anzhelina Polonskaya’s newest bilingual collection of poems available in English, is an emotional journey through the bleakest seasons of the human soul, translated with great nuance by Andrew Wachtel. A former professional ice dancer(!), Polonskaya left the. . .
In Seiobo There Below, Lázló Krasznahorkai is able to succeed at a task at which many writers fail: to dedicate an entire novel to a single message, to express an idea over and over again without falling into repetition or. . .
There are curious similarities in three Italian mystery series, written by Maurizio de Giovanni, Andrea Camilleri, and Donna Leon.1
They’re all police procedurals, and all set in Italy: Naples, Sicily, Venice.
The three protagonists are Commissarios: Luigi Ricciardi, Salvo. . .
Poetry always has the feel of mysticism and mystery, or maybe this feeling is a stereotype left over from high school literature class. It is generally the result of confusion, lack of time committed to consuming the poetry, and the. . .
Our Lady of the Flowers, Echoic is not only a translation, but a transformation. It is a translation of Jean Genet’s novel Notre Dame des Fleurs, transmuted from prose to poetry. Originally written in prison as a masturbatory aid (Sartre. . .
Equal parts stoner pulp thriller and psycho-physiological horror story, a pervasive sense of dread mixes with a cloud of weed smoke to seep into every line of the disturbing, complex Under This Terrible Sun. Originally published by illustrious Spanish publishers. . .
From the start, Daniel Canty’s Wigrum, published by Canadian press Talonbooks, is obviously a novel of form. Known also as a graphic designer in Quebec, Canty takes those skills and puts them towards this “novel of inventory” and creates a. . .
Throughout his career—in fact from his very first book, Where the Jackals Howl (1965)—the renowned Israeli writer Amos Oz has set much of his fiction on the kibbutz, collective communities he portrays as bastions of social cohesion and stultifying conformity. . .
Antoon gives us a remarkable novel that in 184 pages captures the experience of an Iraqi everyman who has lived through the war with Iran in the first half of the 1980s, the 1991 Gulf War over the Kuwaiti invasion,. . .
Every fictional work set in L.A. begins with a slow crawl through its streets in the early hours of the morning right after sunrise. Maybe it’s always done this way to emphasize the vast sprawl of the city and highlight. . .