As the week comes to a close, we at Open Letter Books are getting ready to join the masses of publishers, agents, authors, translators, and book people in general in for Book Expo America 2013.
In addition to getting ramped up to see familiar faces and meet new ones, we’ll be toting around a copies of a few of our forthcoming titles and plenty of shiny new catalogs to wave in your faces. And since we won’t be at a booth this year, we will instead be everywhere. In the book lines, at publishers’ booths, at snack-and-wine gatherings in the aisles, not
not crashing evening parties/events/galas, in the whispers of the wind, in the rustling of exhibit floor curtains. In your free book totes and dreams.
Creepiness aside, we’ll basically be around all week and would love to see and talk to you! If you plan on being at BEA and want to catch us, shoot us an email, or check in with us on Twitter to see what we’re up to. (We may even have a few free A Thousand Morons shirts to hand out!) You can also use the same means of contact to avoid us. As an added bonus, Chad will be speaking on panels Wednesday at the Alternative and Independent Presses panel at 10:40 a.m., and Friday at the The Translator & Editor panel at 3:30 p.m.Hope to see many of you there!
For the past 140 years, Anna Karenina has been loved by millions of readers all over the world. It’s easy to see why: the novel’s two main plots revolve around characters who are just trying to find happiness through love.. . .
Linn Ullmann’s The Cold Song, her fifth novel, is built much like the house about which its story orbits: Mailund, a stately white mansion set in the Norwegian countryside a few hours drive from Oslo. The house, nestled into the. . .
Karel Schoeman’s Afrikaans novel, This Life, translated by Else Silke, falls into a genre maybe only noticed by the type of reader who tends toward Wittgenstein-type family resemblances. The essential resemblance is an elderly narrator, usually alone—or with one other. . .
In Joris-Karl Hyusmans’s most popular novel, À rebours (Against Nature or Against the Grain, depending on the which translated edition you’re reading), there is a famous scene where the protagonist, the decadent Jean des Esseintes, starts setting gemstones on the. . .
There are books that can only wisely be recommended to specific types of readers, where it is easy to know who the respective book won’t appeal to, and Kristiina Ehin’s Walker on Water is one these. What makes this neither. . .
Imagine the most baroque excesses of Goethe, Shakespeare, and Poe, blended together and poured into a single book: That is The Nightwatches of Bonaventura. Ophelia and Hamlet fall in love in a madhouse, suicidal young men deliver mournful and heartfelt. . .
In 1899, Maurice Ravel wrote “Pavane pour une infante défunte” (“Pavane for a Dead Princess”) for solo piano (a decade later, he published an orchestral version). The piece wasn’t written for a particular person; Ravel simply wanted to compose a. . .
Fiston Mwanza Mujila is an award-winning author, born in the Democratic Republic of Congo, who now, at 33, lives in Austria. From what I could find, much of his work is influenced by the Congo’s battle for independence and its. . .
Twenty-One Days of a Neurasthenic is not a novel in the traditional sense. Rather, it is a collection of vignettes recorded by journalist Georges Vasseur in his diary during a month spent in the Pyrenées Mountains to treat his nervous. . .
Founded in 1960 by such creative pioneers as George Perec, Raymond Queneau and Italo Calvino, the Oulipo, shorthand for Ouvroir de littérature potentielle, came about in when a group of writers and mathematicians sought constraints to find new structures and. . .