As the week comes to a close, we at Open Letter Books are getting ready to join the masses of publishers, agents, authors, translators, and book people in general in for Book Expo America 2013.
In addition to getting ramped up to see familiar faces and meet new ones, we’ll be toting around a copies of a few of our forthcoming titles and plenty of shiny new catalogs to wave in your faces. And since we won’t be at a booth this year, we will instead be everywhere. In the book lines, at publishers’ booths, at snack-and-wine gatherings in the aisles, not
not crashing evening parties/events/galas, in the whispers of the wind, in the rustling of exhibit floor curtains. In your free book totes and dreams.
Creepiness aside, we’ll basically be around all week and would love to see and talk to you! If you plan on being at BEA and want to catch us, shoot us an email, or check in with us on Twitter to see what we’re up to. (We may even have a few free A Thousand Morons shirts to hand out!) You can also use the same means of contact to avoid us. As an added bonus, Chad will be speaking on panels Wednesday at the Alternative and Independent Presses panel at 10:40 a.m., and Friday at the The Translator & Editor panel at 3:30 p.m.Hope to see many of you there!
It took reading 44 pages of Intervenir/Intervene before I began to get a sense of what Dolores Dorantes and Rodrigo Flores Sánchez were up to. Recurring throughout these 44 pages—throughout the entire book—are shovels, shovel smacks to the face, lobelias—aha!. . .
As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .
It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .
Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .
It’s been almost a year since the publication of Nowhere to Be Found by Bae Suah, but despite being included on the 2015 PEN Translation award longlist, and some pretty vocal support from key indie presses, the book has. . .
Jorge Eduardo Benavides’ novel La paz de los vencidos (The Peace of the Defeated) takes the form of a diary written by a nameless Peruvian thirty-something intellectual slumming it in Santa Cruz de Tenerife in Spain’s Canary Islands. Recently relocated. . .
Anyone with any interest at all in contemporary Moroccan writing must start with Souffles. A cultural and political journal, Souffles (the French word for “breaths”) was founded in 1966 by Abdellatif Laâbi and Mostafa Nissabouri. Run by a group of. . .
Randall Jarrell once argued a point that I will now paraphrase and, in doing so, over-simplify: As a culture, we need book criticism, not book reviews. I sort of agree, but let’s not get into all of that. Having finished. . .
Like any good potboiler worth its salt, Fuminori Nakamura’s The Gun wastes no time setting up its premise: “Last night, I found a gun. Or you could say I stole it, I’m not really sure. I’ve never seen something so. . .
Heiner Resseck, the protagonist in Monika Held’s thought-provoking, first novel, This Place Holds No Fear, intentionally re-lives his past every hour of every day. His memories are his treasures, more dear than the present or future. What wonderful past eclipses. . .