As the week comes to a close, we at Open Letter Books are getting ready to join the masses of publishers, agents, authors, translators, and book people in general in for Book Expo America 2013.
In addition to getting ramped up to see familiar faces and meet new ones, we’ll be toting around a copies of a few of our forthcoming titles and plenty of shiny new catalogs to wave in your faces. And since we won’t be at a booth this year, we will instead be everywhere. In the book lines, at publishers’ booths, at snack-and-wine gatherings in the aisles, not
not crashing evening parties/events/galas, in the whispers of the wind, in the rustling of exhibit floor curtains. In your free book totes and dreams.
Creepiness aside, we’ll basically be around all week and would love to see and talk to you! If you plan on being at BEA and want to catch us, shoot us an email, or check in with us on Twitter to see what we’re up to. (We may even have a few free A Thousand Morons shirts to hand out!) You can also use the same means of contact to avoid us. As an added bonus, Chad will be speaking on panels Wednesday at the Alternative and Independent Presses panel at 10:40 a.m., and Friday at the The Translator & Editor panel at 3:30 p.m.Hope to see many of you there!
At 30, the Mexican writer Valeria Luiselli is already gathering her rosebuds. Faces in the Crowd, her poised debut novel, was published by Coffee House Press, along with her Brodsky-infused essay collection, Sidewalks. The essays stand as a theoretical map. . .
Fantomas Versus the Multinational Vampires: An Attainable Utopia (narrated by Julio Cortázar) is, not disappointingly, as wild a book as its title suggests. It is a half-novella half-graphic novel story about . . . what, exactly? A European tribunal, Latin. . .
Marie NDiaye has created a tiny, psychological masterpiece with her Self-Portrait in Green. In it she explores how our private fears and insecurities can distort what we believe to be real and can cause us to sabotage our intimate relationships.. . .
Reading a genre book—whether fantasy, science fiction, crime, thriller, etc.—which begins to seem excessively, stereotypically bad, I have to make sure to ask myself: is this parodying the flaws of the genre? Usually, this questioning takes its time coming. In. . .
The Sicilian Mafia has always been a rich subject for sensational crime fiction. The Godfather, Goodfellas, and The Sopranos worked the mob’s bloody corpses and family feuds to both entertainment and artistic value. Giuseppe di Piazza’s debut novel attempts this,. . .
Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .
It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .
From the late 1940s to the early 1950s, Egypt was going through a period of transition. The country’s people were growing unhappy with the corruption of power in the government, which had been under British rule for decades. The Egyptians’. . .
Miruna is a novella written in the voice of an adult who remembers the summer he (then, seven) and his sister, Miruna (then, six) spent in the Evil Vale with their grandfather (sometimes referred to as “Grandfather,” other times as. . .
Kamal Jann by the Lebanese born author Dominique Eddé is a tale of familial and political intrigue, a murky stew of byzantine alliances, betrayals, and hostilities. It is a well-told story of revenge and, what’s more, a serious novel that. . .