For all of you who like to buy your indie press books from an indie press distributor, you should head over to Small Press Distribution to take advantage of their Around the World Sale. All this month, select translation (click above to see the complete list) are available for 40% off. All you have to do is use the promo code: WORLD.
There are a lot of great books on the list, and the one that I’d recommend—which will come as a surprise to most all of you—is Magnolia & Lotus: Select Poems of Hyesim, a wonderfully translated collection of poetry from the first Korean Zen master who was dedicated to writing poetry. It’s a great book from a great press (White Pine) and the translation really is top notch.
Additionally, the featured press of the month at SPD is Host Publications, which means that all of their books are available for 40% off. Click here to see the complete list, which contains a host (see what I did there?) of great titles, including Mario Benedetti’s The Rest Is Jungle and Other Stories and Nicanor Parra’s After-Dinner Declarations.
It’s also worth mentioning that SPD is the only nonprofit book distributor in the country, so purchasing a couple books from them not only enriches your reading experience, but helps support an organization that plays an absolutely vital role for a slew of small presses. In fact, without SPD, there are a ton of these presses that would be left without a distributor at all. So do a good deed for the book industry (the part that doesn’t suck) and get a few of these titles.
The prolific Spanish author Benito Pérez Galdós wrote his short novel, Tristana, during the closing years of the nineteenth century, a time when very few options were available to women of limited financial means who did not want a husband.. . .
Pedro Zarraluki’s The History of Silence (trans. Nick Caistor and Lorenza García) begins with the narrator and his wife, Irene, setting out to write a book about silence, itself called The History of Silence: “This is the story of how. . .
There are plenty of reasons you can fail to find the rhythm of a book. Sometimes it’s a matter of discarding initial assumptions or impressions, sometimes of resetting oneself. Zigmunds Skujiņš’s Flesh-Coloured Dominoes was a defining experience in the necessity. . .
In a culture that privileges prose, reviewing poetry is fairly pointless. And I’ve long since stopped caring about what the world reads and dropped the crusade to get Americans to read more poems. Part of the fault, as I’ve suggested. . .
I would like to pose the argument that it is rare for one to ever come across a truly passive protagonist in a novel. The protagonist (perhaps) of Three Light-Years, Claudio Viberti, is just that—a shy internist who lives in. . .
The last five days of the eleventh-century Icelandic politician, writer of sagas, and famous murder victim Snorri Sturleleson (the Norwegian spelling, Snorre, is preserved in the book) make up Thorvald Steen’s most recently translated historical fiction, The Little Horse. Murdered. . .
We all know Paris, or at least we think we know it. The Eiffel Tower. The Latin Quarter. The Champs-Élysées. The touristy stuff. In Dominique Fabre’s novel, Guys Like Me, we’re shown a different side of Paris: a gray, decaying. . .
One hundred pages into Birth of a Bridge, the prize-winning novel from French writer Maylis de Kerangal, the narrator describes how starting in November, birds come to nest in the wetlands of the fictional city of Coca, California, for three. . .
At 30, the Mexican writer Valeria Luiselli is already gathering her rosebuds. Faces in the Crowd, her poised debut novel, was published by Coffee House Press, along with her Brodsky-infused essay collection, Sidewalks. The essays stand as a theoretical map. . .
Fantomas Versus the Multinational Vampires: An Attainable Utopia (narrated by Julio Cortázar) is, not disappointingly, as wild a book as its title suggests. It is a half-novella half-graphic novel story about . . . what, exactly? A European tribunal, Latin. . .