For all of you who like to buy your indie press books from an indie press distributor, you should head over to Small Press Distribution to take advantage of their Around the World Sale. All this month, select translation (click above to see the complete list) are available for 40% off. All you have to do is use the promo code: WORLD.
There are a lot of great books on the list, and the one that I’d recommend—which will come as a surprise to most all of you—is Magnolia & Lotus: Select Poems of Hyesim, a wonderfully translated collection of poetry from the first Korean Zen master who was dedicated to writing poetry. It’s a great book from a great press (White Pine) and the translation really is top notch.
Additionally, the featured press of the month at SPD is Host Publications, which means that all of their books are available for 40% off. Click here to see the complete list, which contains a host (see what I did there?) of great titles, including Mario Benedetti’s The Rest Is Jungle and Other Stories and Nicanor Parra’s After-Dinner Declarations.
It’s also worth mentioning that SPD is the only nonprofit book distributor in the country, so purchasing a couple books from them not only enriches your reading experience, but helps support an organization that plays an absolutely vital role for a slew of small presses. In fact, without SPD, there are a ton of these presses that would be left without a distributor at all. So do a good deed for the book industry (the part that doesn’t suck) and get a few of these titles.
One hundred years have passed since the start of World War I and it is difficult to believe that there are still novels, considered classics in their own countries, that have never been published in English. Perhaps it was the. . .
In the London of Hédi Kaddour’s Little Grey Lies, translated by Teresa Lavender Fagan, peace has settled, but the tensions, fears, and anger of the Great War remain, even if tucked away behind stories and lies. Directly ahead, as those. . .
One of the greatest services—or disservices, depending on your viewpoint—Bertrand Russell ever performed for popular philosophy was humanizing its biggest thinkers in his History. No longer were they Platonic ideals, the clean-shaven exemplars of the kind of homely truisms that. . .
The best way to review Alejandra Pizarnik’s slim collection, A Musical Hell, published by New Directions as part of their Poetry Pamphlet series, is to begin by stating that it is poetry with a capital P: serious, dense, and, some. . .
Upon completing Albertine Sarrazin’s Astragal I was left to wonder why it ever fell from print. Aside from the location, Astragal could pass as the great American novel. Its edginess and rawness capture the angst and desires we all had. . .
When my eyes first crossed the back cover of Fabio Genovesi’s novel Live Bait, I was caught by a blurb nestled between accolades, a few words from a reviewer for La Repubblica stating that the novel was, however magically, “[b]eyond. . .
“I preferred the war to the plague,” writes Curzio Malaparte in his 1949 novel, The Skin. He speaks of World War II and the destruction it has wrought on Italy, the city of Naples in particular. But the plague he. . .
With the steady rise of feminist scholarship and criticism in recent decades, it is little wonder that the work of Louise Labé should be attracting, as Richard Sieburth tells us in the Afterword to his translation, a “wide and thriving”. . .
In Conversations, we find ourselves again in the protagonist’s conscious and subconscious, which is mostly likely that of Mr. César Aira and consistent with prototypical Aira style. This style never fails because each time Aira is able to develop a. . .
You are not ashamed of what you do, but of what they see you do. Without realizing it, life can be an accumulation of secrets that permeates every last minute of our routine . . .
The narrative history of. . .