Copied below is all the information DW Gibson sent me about applying to participate in the Translation Lab that will be going on at the Ledig House this fall. As you can see below, the Translation Lab is a 10-day residency for four English language translators and the four authors that they’re working on. Which is an incredible opportunity. The deadline for applying is July 15th, so get on it!
Translation Lab, Fall 2013
Writers Omi at Ledig House, a part of Omi International Arts Center, has been awarded a grant from Amazon.com to fund Translation Lab 2013, a 10-day special, intensive residency for four collaborating writer-translator teams in the fall of 2013.
Writers Omi will host four English language translators at the Omi International Arts Center for 10 days. These translators will be invited along with the writers whose work is being translated. All text-based projects—fiction, nonfiction, theater, film, poetry, etc.—are eligible.
This focused residency will provide an integral stage of refinement, allowing translators to dialogue with the writers about text-specific questions. It will also serve as an essential community-builder for English-language translators who are working to increase the amount of international literature available to American readers.
The dates for Translation Lab 2013 are November 6-15, 2013. All residencies are fully funded, including airfare and local transport from New York City to the Omi International Arts Center in Ghent, NY. Please note: accepted applicants must be available for the duration of the Translation Lab (November 6-15, 2013). Late arrivals and early departures are not possible. Please do not submit a proposal unless both parties involved (translator and writer) are available for all dates.
Writers Omi will be accepting proposals for participation until July 15, 2013.
Translators, writers, editors, or agents can submit proposals. Each proposal should be no more than three pages in length and provide the following information:
- Brief biographical sketches for the translator and writer associated with each project
- Publishing status for proposed projects (projects that do not yet have a publisher are still eligible)
- A description of the proposed project
- Contact information (physical address, email, and phone)
Proposals should be submitted only once availability for residency participation of the translator and writer has been confirmed. All proposals and inquiries should be sent directly to DW Gibson, director or Writers Omi at Ledig House at: dwgibson [at] artomi.org.
Pedro Zarraluki’s The History of Silence (trans. Nick Caistor and Lorenza García) begins with the narrator and his wife, Irene, setting out to write a book about silence, itself called The History of Silence: “This is the story of how. . .
There are plenty of reasons you can fail to find the rhythm of a book. Sometimes it’s a matter of discarding initial assumptions or impressions, sometimes of resetting oneself. Zigmunds Skujiņš’s Flesh-Coloured Dominoes was a defining experience in the necessity. . .
In a culture that privileges prose, reviewing poetry is fairly pointless. And I’ve long since stopped caring about what the world reads and dropped the crusade to get Americans to read more poems. Part of the fault, as I’ve suggested. . .
I would like to pose the argument that it is rare for one to ever come across a truly passive protagonist in a novel. The protagonist (perhaps) of Three Light-Years, Claudio Viberti, is just that—a shy internist who lives in. . .
The last five days of the eleventh-century Icelandic politician, writer of sagas, and famous murder victim Snorri Sturleleson (the Norwegian spelling, Snorre, is preserved in the book) make up Thorvald Steen’s most recently translated historical fiction, The Little Horse. Murdered. . .
We all know Paris, or at least we think we know it. The Eiffel Tower. The Latin Quarter. The Champs-Élysées. The touristy stuff. In Dominique Fabre’s novel, Guys Like Me, we’re shown a different side of Paris: a gray, decaying. . .
One hundred pages into Birth of a Bridge, the prize-winning novel from French writer Maylis de Kerangal, the narrator describes how starting in November, birds come to nest in the wetlands of the fictional city of Coca, California, for three. . .
At 30, the Mexican writer Valeria Luiselli is already gathering her rosebuds. Faces in the Crowd, her poised debut novel, was published by Coffee House Press, along with her Brodsky-infused essay collection, Sidewalks. The essays stand as a theoretical map. . .
Fantomas Versus the Multinational Vampires: An Attainable Utopia (narrated by Julio Cortázar) is, not disappointingly, as wild a book as its title suggests. It is a half-novella half-graphic novel story about . . . what, exactly? A European tribunal, Latin. . .
Marie NDiaye has created a tiny, psychological masterpiece with her Self-Portrait in Green. In it she explores how our private fears and insecurities can distort what we believe to be real and can cause us to sabotage our intimate relationships.. . .