2 August 13 | Chad W. Post

The latest addition to our Reviews Section is by Chad W. Post on The Book of Emotions by João Almino, from Dalkey Archive Press.

Here’s the beginning of the review:

João Almino’s The Book of Emotions is the prototypical Dalkey Archive book. Not that all of Dalkey’s books are the same, but there is a certain set of criteria that a lot of their titles have—and which Almino’s novel has in spades:


  1. It’s a book about someone trying to write a book.

  2. bq. From Mulligan Stew to At Swim-Two-Birds to The Journalist, this is a set-up that runs through a lot of Dalkey’s titles. In this case, Cadu, a former photographer is constructing a memoir about his life in Brasília out of some of his old photos. The text alternates from his personal “current moment” experiences (which mostly revolve around trying to set up his goddaughter while sexually crushing on the girl helping him organize his photo files) and the text of his book, entitled “The Book of Emotions.”

  3. The main character’s life didn’t turn out the way he had hoped.

  4. bq. If you’ve never read the “Letters to the Editor” from the back of the Review of Contemporary Fiction, you really should. A good number of them are quite hysterical, generally featuring a decrepit old man whose life has unraveled. In the case of The Book of Emotions, the aforementioned photographer is still pining away for Joana, the woman he loved who left him for a corrupt politician. Not that our protagonist doesn’t have his share of women—it seems like he’s slept with everyone—but that never seems to work out either: the boy he fathered doesn’t know him and is in prison, the woman he marries dies tragically young, etc.

  5. The protagonist has mental or health issues.

  6. This is true of most every book in the world, but in keeping with the sad sack people who write into RCF with their problems, Cadu is blind and pretty much bed ridden. His best days are behind him, and he’s trapped with just the memories of his life, loves, and pictures. Which brings up the fourth key aspect to a “typical” Dalkey book . . .

For the rest of the review, go here


Comments are disabled for this article.
....
Berlin
Berlin by Aleš Šteger
Reviewed by Vincent Francone

Randall Jarrell once argued a point that I will now paraphrase and, in doing so, over-simplify: As a culture, we need book criticism, not book reviews. I sort of agree, but let’s not get into all of that. Having finished. . .

Read More >

The Gun
The Gun by Fuminori Nakamura
Reviewed by Will Eells

Like any good potboiler worth its salt, Fuminori Nakamura’s The Gun wastes no time setting up its premise: “Last night, I found a gun. Or you could say I stole it, I’m not really sure. I’ve never seen something so. . .

Read More >

This Place Holds No Fear
This Place Holds No Fear by Monika Held
Reviewed by Lori Feathers

Heiner Resseck, the protagonist in Monika Held’s thought-provoking, first novel, This Place Holds No Fear, intentionally re-lives his past every hour of every day. His memories are his treasures, more dear than the present or future. What wonderful past eclipses. . .

Read More >

The Room
The Room by Jonas Karlsson
Reviewed by Peter Biello

If you’ve ever worked in a corporate office, you’ve likely heard the phrase, “Perception is reality.” To Björn, the office worker who narrates Jonas Karlsson’s novel The Room, the reality is simple: there’s a door near the bathroom that leads. . .

Read More >

Thérèse and Isabelle
Thérèse and Isabelle by Violette Leduc
Reviewed by Kaija Straumanis

I recently listened to Three Percent Podcast #99, which had guest speaker Julia Berner-Tobin from Feminist Press. In addition to the usual amusement of finally hearing both sides of the podcast (normally I just hear parts of Chad’s side. . .

Read More >

On the Edge
On the Edge by Rafael Chirbes
Reviewed by Jeremy Garber

Let’s not deceive ourselves, man is nothing very special. In fact, there are so many of us that our governments don’t know what to do with us at all. Six billion humans on the planet and only six or seven. . .

Read More >

Rambling Jack
Rambling Jack by Micheál Ó Conghaile
Reviewed by Vincent Francone

“Rambling Jack—what’s that?”
“A novel. Novella, I guess.”
“Yeah, it looks short. What is it, a hundred pages?”
“Sorta. It’s a duel language book, so really, only about… 50 pages total.”
“50 pages?”
“Including illustrations.”
“And this—what. . .

Read More >

The Things We Don't Do
The Things We Don't Do by Andrés Neuman
Reviewed by Tiffany Nichols

Many authors are compared to Roberto Bolaño. However, very few authors have the privilege of having a Roberto Bolaño quote on the cover of their work; and at that, one which states, “Good readers will find something that can be. . .

Read More >

Private Life
Private Life by Josep Maria de Sagarra
Reviewed by Christopher Iacono

In Josep Maria de Sagarra’s Private Life, a man harangues his friend about literature while walking through Barcelona at night:

When a novel states a fact that ties into another fact and another and another, as the chain goes on. . .

Read More >

Dinner
Dinner by César Aira
Reviewed by Lori Feathers

César Aira dishes up an imaginative parable on how identity shapes our sense of belonging with Dinner, his latest release in English. Aira’s narrator (who, appropriately, remains nameless) is a self-pitying, bitter man—in his late fifties, living again with. . .

Read More >

The next few events from our Translation Events Calendar: See More Events >